I don't think I can pick just one, but The Fan is one of my most wanted.
But I wish the Disney scores would start getting expansions: Crimson Tide King Arthur The Rock Pearl Harbor The Pirates movies
And not just his stuff either, but all the people who have worked at MV/Remote Control have score that would make excellent expanded/complete editions.
I also wish there were versions of Hannibal and Gladiator without the dialogue. Maybe someday...
I don't think I can pick just one, but The Fan is one of my most wanted.
But I wish the Disney scores would start getting expansions: Crimson Tide King Arthur The Rock Pearl Harbor The Pirates movies
And not just his stuff either, but all the people who have worked at MV/Remote Control have score that would make excellent expanded/complete editions.
I also wish there were versions of Hannibal and Gladiator without the dialogue. Maybe someday...
I just don't get it when people talk about expansions all the time, when there are many scores that are.more or less unreleased.
Personally I have very little interest in them, maybe with the exception of The Fan.
I don't think I can pick just one, but The Fan is one of my most wanted.
But I wish the Disney scores would start getting expansions: Crimson Tide King Arthur The Rock Pearl Harbor The Pirates movies
And not just his stuff either, but all the people who have worked at MV/Remote Control have score that would make excellent expanded/complete editions.
I also wish there were versions of Hannibal and Gladiator without the dialogue. Maybe someday...
I just don't get it when people talk about expansions all the time, when there are many scores that are.more or less unreleased.
Personally I have very little interest in them, maybe with the exception of The Fan.
Probably because there are pieces of music I want that weren't included in the original release? That seems to be the common reason people want these things...
OK everyone, please confirm: are y'all talking about "score" as in underscoring the film or "soundtrack" as in stand-alone listening experience? My impression so far is that it's mostly the latter.
Most people here just seem to identify "soundtrack" as in the album or singular listening experience. Just my two cents. From an earlier thread about "what makes a great score" one could glean that people just key into what they like to listen to off of a CD, digital file, vinyl, etc. and that is how they dictated what makes a great score.
