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| The November Issue of FSM ONLINE Is Live!
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| Posted By
Tim Curran
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11/6/2019 - 3:00 AM |
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| The November edition of FSM ONLINE is live! This month’s cover story is an array of awards hopefuls: MARCO BELTRAMI and BUCK SANDERS for FORD V FERRARI, TERENCE BLANCHARD for HARRIET, and ALBERTO IGLESIAS for PAIN AND GLORY. Also in this issue are the first half of Erik Heine’s Emerging Composers of the 2010s, including ROQUE BAÑOS and RAMIN DJAWADI; GORDY HAAB and STEPHEN BARTON fight the Dark Side with the EA video game STAR WARS JEDI: FALLEN ORDER; Cary Wong’s annual MEMO TO THE ACADEMY MUSIC BRANCH, earlier this year than ever; ALEX HEFFES scores the Apple TV+ nature doc THE ELEPHANT QUEEN; DAVID WINGO digs up the dark secrets of Scott Z. Burns' THE REPORT; CARL THIEL seeks balance with Netflix’s SEIS MANOS; a new EAR OF THE MONTH CONTEST; lots of album reviews, including JUDY, JOKER and BRIDE OF FRANKENSTEIN; a new COMPOSER’S CORNER reviews Audio Imperia’s NUCLEUS (THE ORCHESTRAL CORE); more embedded audio clips, and more. Enjoy!
Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.
Sincerely,
Your Friends at FSM ONLINE
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| Film Score Friday 11/1/19
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| Posted By
Scott Bettencourt
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10/31/2019 - 10:00 PM |
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The trailer for THE SONG OF NAMES, the new film from director Francois Girard (Thirty Two Short Films About Glenn Gould, The Red Violin, Silk, Boychoir), has an extremely unusual title card. Near the end of the trailer, after we get the expected title "FROM THE ACCLAIMED DIRECTOR OF THE RED VIOLIN," we get another title card:
ORIGINAL MUSIC BY
THE ACADEMY AWARD WINNING COMPOSER OF
THE LORD OF THE RINGS TRILOGY
I presume that the fact that Song of Names is a music-oriented film is a big factor, but I can't remember seeing a contemporary trailer in which a score composer (at least, one who wasn't an otherwise already famous popular music figure) was used as such a prominent selling point, so good for Howard Shore.
CDS AVAILABLE THIS WEEK
Abominable - Rupert Gregson-Williams - Backlot
Doctor Sleep - The Newton Brothers - WaterTower [CD-R]
Ganja & Hess - Sam Waymon - Howlin' Wolf
Gemini Man - Lorne Balfe - La-La Land
Harriet - Terence Blanchard - Backlot |
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| Aisle Seat 10-29: Omens, Blobs & The Final Halloween Wrap
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| Posted By
Andy Dursin
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10/28/2019 - 10:00 PM |
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| This Halloween has already provided a dynamic roster of releases for horror buffs, as evidenced by my past two columns that have featured the likes of Warner’s spectacular 4K UHD edition of “The Shining” and a fascinating slate of genre curios from Kino Lorber. This week brings two major releases in Arrow’s “An American Werewolf in London” and Shout’s five-disc THE OMEN COLLECTION: DELUXE EDITION, a superior Limited Edition package apparently concocted before Disney completed their sale of Fox’s entertainment assets and locked up their back catalog from further licensing (for now anyway). |
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| Aisle Seat 10-15: Mid-October Halloween Rundown
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| Posted By
Andy Dursin
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10/14/2019 - 10:00 PM |
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| An enjoyable sleeper from late Summer ’93, MY BOYFRIEND’S BACK (***, 85 mins., 1993, PG-13; Kino Lorber) is a Touchstone comedy originally produced as “Johnny Zombie” before Disney decided to graft another pop-song onto its title (as they had countless times previously with the likes of “Taking Care of Business,” “Pretty Woman,” etc). Perhaps that had something to do with the film’s box-office failure, though horror comedies were also a hard sell back in the early ‘90s, so it probably wouldn’t have mattered either way (in fact, the movie's spoof element is actually more relevant to today’s zombie-dominated horror than what constituted the genre back at the time of its release). |
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| Aisle Seat 10-8: 4K Frights!
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| Posted By
Andy Dursin
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10/7/2019 - 10:00 PM |
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| 4K owners have a quartet of new Warner releases ideal for Halloween viewing to select from this October, starting with genre favorites GREMLINS (***½, 106 mins., 1984, PG) and Stanley Kubrick’s take on Stephen King’s THE SHINING (***, 146 mins., 1980, R), more a piece of visceral, technical achievement than an engaging dramatic experience. While one benefits a bit from the 4K enhancement, the other receives a jaw-dropping transfer that ranks among the best in the format. |
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Today in Film Score History:
November 13 |
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| Andre Previn begins recording his score to Dead Ringer (1963) |
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| Carlo Rustichelli died (2004) |
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| David Bell records his score for the Star Trek: Deep Space Nine episode “The Sword of Kahless” (1995) |
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| Henry Mancini begins recording his score for The Thief Who Came to Dinner (1972) |
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| Leonard Rosenman begins recording his score for Hell Is For Heroes (1961) |
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