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| Fans of Film Music Weekend – Part 1
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| Posted By
Mark Ford
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9/1/2010 - 1:00 PM |
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Number 47
Day 1 - Friday
I knew the weekend ahead was going to be a great one when I found myself greeted by my rental car with a door chime that played the love theme from Sparatcus! I kid you not, the chime used the exact 3 note motif playing it 3 times just like in the theme. All it was missing was the 4 note cadence to end the phrase. Ironically, my first stop after getting my car was to go to the offices of Varese Sarabande where I was to meet Robert Townson so he could sign my copy of his Spartacus book. [Insert Twilight Zone theme here!] |
| Comments: 8 (read on)
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| Aisle Seat Labor Day Edition
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| Posted By
Andy Dursin
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8/29/2010 - 9:00 PM |
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| I find that the older I get, the more appealing vintage exploitation films become. Perhaps it’s my growing disinterest in most manufactured studio films we’re seeing these days (and what a great summer for movies this has been, right?), and maybe just my tastes have changed a little bit with moving into my mid ‘30s. Either way, after sitting through one mediocre waste of time after another in theaters this summer, a release like Animeigo’s Blu-Ray edition of SHOGUN ASSASSIN (***, 85 mins., 1980, R) feels like an oasis of undeniably fulfilling cinematic junk-food. |
| Comments: 0 (read on)
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| Duane TATRO on Mission: Impossible Season 7 (1972-1973)
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| Posted By
Thomas Rucki
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8/28/2010 - 3:00 AM |
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Jazz tenor saxophonist Duane Tatro first played with Stan Kenton, studied composition at the University of Southern California and also at Paris with Arthur Honegger and Jean Fournier and later shifted to the position of composer, arranger and orchestrator and worked closely with Lennie Niehaus, Bill Holman and Jimmy Giuffre. He only left one album: Jazz for Moderns (1956). He had an exclusive collaboration with television producer Quinn Martin during two decades and stamped the season 2 of The Invaders. Apart from Lalo Schifrin, this is the fourth and final composer with a jazz background after trumpeter Don Ellis (see the season 1 “A Cube of Sugar”), tenor saxophonist Benny Golson (see the season 5 “Flip Side” and “A Ghost Story” and the season 6 “Blind” and “Blues”) and bassist George Romanis (see the season 6 "The Visitors"). Note that this is the last score for the series.
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| Comments: 2 (read on)
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| Film Score Friday 8/27/10
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| Posted By
Scott Bettencourt
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8/26/2010 - 9:00 PM |
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| Film Score Monthly has just released two new collections of music composed for television, including an epic-length set featuring music you probably thought would never become available as well as music you've probably never heard of. |
| Comments: 4 (read on)
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| Composeronymous: Impromptu Hiatus
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| Posted By
Todd Richards
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8/24/2010 - 9:00 PM |
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| Hi everyone! Of course my apologies for the absence, and I am trying to get back on the horse as they say. I want to thank you all who have reached out asking if things were ok and what happened to cause this absence. They were quite a few things going on in my personal that detracted from music, and frankly I felt guilty that I had nothing "music related" to share. So to get back on it, I'd like to share an ongoing conversation with you, as it was the inspiration to blog here again. Thanks to Dave Healey for his permission to post our emails. Dave is a friend I met online at the EW Forum and he sent me an email the other day... |
| Comments: 0 (read on)
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| Lalo SCHIFRIN on Mission: Impossible Season 7 (1972-1973)
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| Posted By
Thomas Rucki
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8/21/2010 - 3:00 AM |
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We will focus on one season 7 episode (“Underground”) whose music by Schifrin emphasizes the dark shades of the underworld as in his previous season 6 scores. Moreover, a new theme music is fashioned in the vein of the hip season 5. The same music supervisor from season 5 and 6 takes care of the season: Kenyon Hopkins. A strange phenomenon occur through a series a false end music credits (a vague “Music by”) which only feature stock music for “The Puppet”, “Boomerang” and “The Fighter” and it already happened during season 1 and season 4, by the way.
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| Comments: 3 (read on)
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| Film Score Friday 8/20/10
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| Posted By
Scott Bettencourt
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8/19/2010 - 9:00 PM |
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| Intrada has announced two new limited edition Special Collection releases.
SPACECAMP was an elaborate juvenile adventure from 1986, starring Kate Capshaw, Lea Thompson, Kelly Preston, Tate Donovan, and a young Joaquin Phoenix (during his Leaf Phoenix days). The rousing orchestral score was composed by none other than John Williams (the film was one of his rare box-office flops of the 80s -- I was shocked to learn that its grosses were even lower than Monsignor's), and a score LP was released by RCA at the time of the film's release but was only released on CD as a limited edition in Japan several years later. Intrada's release, taken from the album masters and limited to 3000 units and already sold out at most sites, features the first U.S. CD release of one of Williams' most underappreciated scores.
COHEN AND TATE was a dark thriller about a kidnapping gone wrong, starring Roy Scheider and Adam Baldwin as the kidnappers and Harley Cross (The Believers, The Fly II) as their victim. The film, which received only a limited theatrical release, marked the directorial debut of Eric Red, the screenwriter of the original The Hitcher, and the score, released here for the first time, is by Oscar winner Bill Conti. The Intrada Cohen and Tate CD is limited to 1200 units. |
| Comments: 0 (read on)
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| Aisle Seat August: Black Orpheus, Escape From NY & More
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| Posted By
Andy Dursin
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8/16/2010 - 9:00 PM |
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| Although I'm a fan of John Carpenter's early work, I can’t say I’ve ever been a big admirer of ESCAPE FROM NEW YORK. This 1981 sci-fi thriller does, however, have a large contingent of fans, and Snake Plissken buffs everywhere are certain to be satisfied by MGM's Blu-Ray edition (**½, 99 mins., 1981, R), which sports a terrific AVC encoded 1080p presentation that blows away an inferior Blu-Ray that popped up in Europe a year ago. |
| Comments: 6 (read on)
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