You would think that working with the music is most of what you do when you have a film music CD label. It’s maybe a third. There’s also the business side—that’s another third. The final third is dealing with the packaging…and it can be the most exhausting of all. At least it was for me.
I can say this now because I no longer have a label: I hate liner notes. I almost never read them. Like a lot of things, they are easy to do poorly, and hard to do well. The writer needs a knowledge of film, of music, of film music (not the same thing), the ability to write clearly, an understanding that it’s a commercial product (no trashing the movie), and a willingness to do research and check facts—like looking up the years of the movies and not just pulling them from memory (Jeff Bond!).