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Film Score Friday 11/20/09
Posted By: Scott Bettencourt 11/19/2009 - 9:00 PM
Varese Sarabande has announced two new limited edition (1000 units) CDs which can be ordered now and which are expected to begin shipping this week -- Brian Tyler’s score for the psychological thriller THE KILLING ROOM, just released on DVD, and Jeff Beal's score for the first of the TV movies based on Robert B. Parker's Jesse Stone novels, JESSE STONE: STONE COLD, starring Tom Selleck and directed by Robert Harmon (The Hitcher).


Kritzerland has just announced the first ever release of Ernest Gold's score to PRESSURE POINT, the 1962 psychological drama directed by Hubert Cornfeld and starring Sidney Poitier, Bobby Darin and Peter Falk. The disc will begin shipping next month and is limited to 1000 units.


Mark Isham has put together a suite of score cues from his latest film, Werner Herzog's BAD LIEUTENANT: PORT OF CALL NEW ORLEANS. The suite can be heard by using this link


Intrada will announce two new limited edition CDs next week.

Comments: 1  (read on)
One Francis or Another; notes on some animated music
Posted By: Michael Barrett 11/19/2009 - 9:00 PM
Alexeieff's colorful advertising films, whose abstractions often have little direct relation to the function of the product in question, are often presented with titles and a music credit. The disc comes with a long technical booklet explaining the animation techniques but says nothing about the music, so I'm filling in a few blanks here.
Comments: 0  (read on)
Rozsa Box Update
Posted By: Lukas Kendall 11/19/2009 - 9:00 AM
Just a short note to let everyone know what is going on with our 15CD set, Miklos Rozsa Treasury.

Wait -- don't look for it at SAE! It's not there. Because it's not out yet. It will be ready to ship around Dec. 10-15 and we will start taking orders at that time.

It's limited to 2,000 copies, $179.95.

Comments: 7  (read on)
Instruments of Mass Destruction
Posted By: Mark Ford 11/17/2009 - 4:00 PM

Volume 1, Number 34
 
“Like the sound of fingernails on a blackboard”, “sounds like a cow with its hoof stuck in the mud”, “makes my ears bleed”, these are just some of the things said about certain musical instruments that have sound qualities that many think, shall we say, are less than ideal. Now any instrument can sound pretty horrible depending on how it’s played, but some instruments are derided for their inherent sound and no playing skills, no matter how highly developed, seem to make a difference. I’ve chosen to look at a few that can be considered dangerous weapons as much as musical instruments.
Comments: 7  (read on)
Next FSM ONLINE Issue Live Today!
Posted By: Tim Curran 11/15/2009 - 9:00 PM
The November edition of FSM ONLINE is now live. This issue’s cover story is revealing feature on Miklós Rózsa and the time he spent under contract at M-G-M studios. Also in this issue are an incisive audio interview with Alexandre Desplat on THE TWILIGHT SAGA: NEW MOON and FANTASTIC MR. FOX; the indelible Rolfe Kent talks about THE MEN WHO STARE AT GOATS, as well as his musical philosophy and approach; just in time for Thanksgiving, a celebration of film music for MOVIES EMPHASIZING FOOD; a FRENCH CONNECTION Score Restore; a report from the STAR WARS IN CONCERT series; Cary Wong's HOLIDAY BUYER'S GUIDE; the music of the video game UNCHARTED 2; a French-flavored Soundtrack Obscurities; more embedded audio clips, and more. 

 

We had hoped to unveil our new redesigned site this month, but it's taking us just a bit longer to make it all ship-shape. But don't worry, it's arrival is imminent!

 

Subscribers, you’ll get notification by email as soon as the issue is live. Or, come end of day, just go here to log in with your email and password. For those who want to join FSM ONLINE, go here, click on the big yellow “Click to Subscribe!” button and follow the instructions. And email us at support@filmscoremonthly.com if you have any questions.

 

Sincerely,

 

Your Friends at FSM ONLINE

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Star Wars in Concert - or - Hey, listen, it's not the Concert Arrangements! Well, mostly not. Okay, it is, but still...
Posted By: Neil Shurley 11/14/2009 - 9:00 PM
Apparently, a series of films were made about some sort of war amidst the stars, featuring people, spacecraft, robots, muppets, and, eventually, a metric crapload of CGI.

They also had, by all accounts, pretty good scores.

Comments: 3  (read on)
Robert PRINCE on Mission: Impossible Season 6 (1971-1972)
Posted By: Thomas Rucki 11/14/2009 - 3:00 AM
After Richard Hazard, Robert Prince provides just one score that is weird and distorted as his previous season 5 and he remains faithful to producer Bruce Lansbury for which he used to work on the fourth season of The Wild Wild West. Oddly enough, Prince and Golson inject avantgarde elements for harsh psychological scenes. This original composition has a lot of stock music because of its peculiar nature that is devoid of action cues. This is the fourth farewell to Mission: Impossible of a composer! As a reminder, find the previous score by Prince: “Homecoming” (season 5).
Comments: 3  (read on)
RetroScore: 40th Anniversary Tribute to The Wild Bunch
Posted By: Larry Deutchman 11/13/2009 - 7:00 AM
Last night I experienced a once-in-lifetime opportunity to attend the 40th Anniversary tribute to The Wild Bunch put on by the Jules Verne Film Festival. The VIP reception and after-party were sold out when I heard about this, so I had only been able to buy a ticket to the film itself on-line. However, a note to Keith Carradine, a participant in the event who I’ve worked with a few times and is one of the all-time nice guys, led to my getting an all-access pass. Thanks, Keith!

A really poor registration process led to my missing the pre-reception and getting inside within ten minutes of show time. Our very own soundtrack producer, panel moderator, and Oscar-nominated documentarian Nick Redman co-hosted the evening with the gentlemen who run the festival. So it comes as no surprise that the arrivals and after-party were accompanied by Jerry Fielding’s Wild Bunch soundtrack and portions of The Lawman were used as play-on music throughout the presentations.
Comments: 2  (read on)
Film Score Friday 11/13/09
Posted By: Scott Bettencourt 11/12/2009 - 9:00 PM
Intrada has just released two new Special Collection CDs, both featuring scores from 1978 by three-time Oscar nominee Jerry Fielding.

GRAY LADY DOWN is a disaster thriller about the attempt to rescue a sunken nuclear submarine. The film was directed by David Greene (Sebastian, Godspell) and the cast included Charlton Heston, David Carradine, Stacy Keach, and Christopher Reeve in his first feature film role. The Intrada CD represents the first-ever release of Fielding's score, and is limited to 2000 units.
 
THE BIG SLEEP was the Michael Winner-directed remake of Raymond Chandler's classic private eye novel, updated to contemporary England, with Robert Mitchum repeating his role as Philip Marlowe from the 1975, period-faithful version of Farewell, My Lovely. The all-star cast included Sarah Miles, Candy Clark, Oliver Reed, Richard Boone, Joan Collins, Edward Fox and James Stewart, and Intrada's CD, limited to 1500 copies, features the complete Fielding score (a suite from the score had been included on one of Bay Cities' Fielding compilation CDs) as well as the gorgeous poster art by the late, great Richard Amsel.
 

Buysoundtrax has announced two new CDs, to begin shipping at the end of the month. Basil Poledouris managed to express his love of the sea musically in two scores paired by the label on one disc (1500 units) - the Carroll Ballard boat-racing romance WIND (previously released on CD in Japan and by Citadel), and the previously unrelased score for the TV movie A WHALE FOR THE KILLING. The label's other new CD is the first release (1000 units) of the score to the 1975 Western WINTERHAWK, with music by Lee Holdridge and additional music by William Goldstein and Nicholas Flagello.
 

A few months ago, Varese Sarabande began a new series of limited edition CDs featuring contemporary scores with their releases of Marco Beltrami's In the Electric Mist and John Debney's The Stoning of Soraya M. This Monday, they plan to announce two new CDs in this series.
Comments: 0  (read on)
Aisle Seat November Mania Edition
Posted By: Andy Dursin 11/8/2009 - 9:00 PM
Robert Redford’s 1969 film DOWNHILL RACER (***, 101 mins., Criterion) is a film that its admirers have long desired to see on DVD, and understandably so: director Michael Ritchie, Redford (who produced the film and came up with its concept), and writer James Salter fashioned a taut, economically-told portrait of a skier named David Cappellet, whose single-minded desire to achieve success on the U.S. ski team fuels his ego-centric behavior.
Comments: 4  (read on)
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Today in Film Score History:
November 20
David Raksin begins recording his score for Across the Wide Missouri (1951)
Kevin Gilbert born (1966)
Film Score Monthly Online
The Lion's Voice: Miklós Rózsa at M-G-M
Fantastic Mr. Desplat
Rolfe Kent Stares at Goats
Listen While You Eat: Movies about Cooking and Eating, and Music for Them.
Listen While You Eat: A Turkey Side Dish
Star Wars, Aerosmith style
Ear of the Month Contest
Soundtrack Obscurities 19: The French Edition
Uncharting a Course
Wong's Turn: Do They Know It's Christmas on Main Street?
Score Restore: The French Connection
© 2009 Film Score Monthly. All Rights Reserved.