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Posted: |
Dec 26, 2015 - 1:00 PM
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By: |
PFK
(Member)
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Glad to see Jarre's aficionados happy for this announced release. But I wonder, James: why "Call me stupid, call me irresponsible...but just decided today to record one of my favourite film scores by my favourite film composer."? Maybe you were thinking to another thread, where Cody1949 said: "Oh how I would love some enterprising record label tackle a new recording of Walter Schumann's magnificent score to THE NIGHT OF THE HUNTER. Just wishful thinking." and you replied: "I would love to do a new recording of this great score...if anyone know the whereabouts of any sketches or scores from which I could prepare a new manuscript...please email on tadlowmusic@hotmail.com."!!! I do hope someone came through for Tadlow and all of us with information that could make a recording of THE NIGHT OF THE HUNTER a reality. In the meantime,James, I am looking forward to Tadlow's recording of DUEL IN THE SUN in February. It's exciting to see Tadlow working on so many film scores. I'm looking forward to IS PARIS BURNING?, THE BLUE MAX AND OTHER GOLDSMITH, DUEL IN THE SUN, THIEF OF BAGDAD and another Rozsa yet unnamed! Wow! James, please keep us updated on the February DUEL IN THE SUN recording sessions.
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Fantastic news indeed and thank you James for this project. This is one of my favorite Jarre scores. I had the pleasure of interviewing Monsieur Jarre in the early nineties. What a nice person and gentleman. Now I only wish that Intrada or LLL will release Jarre`s wonderful score to Mr. Jones.
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In regards The War Lord funding, did you ever happen to have a new conversation with Moross's daughter who seems to like supporting projects preserving her father's legacy? Yavar
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Posted: |
Dec 27, 2015 - 9:25 AM
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By: |
finder4545
(Member)
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I would never dare to contradict (or to judge) a choice based on an inner need, like that felt by James. On the other hand, Jarre is a big name, and the choice of this work is well explained by him and the general reaction on this thread. Because of its classic style, I’ll buy this score, even if not at the top of my interest. But I remain somewhat intrigued by that “Call me stupid, call me irresponsible...”: another big title, deserving priority at the place of PARIS IS BURNING? Trouble is I only record scores that I like...which usually means scores that do not sell too well. I would really love to do Pride and Passion, The Warlord and Night of the Hunter.....but where to get the funding...so far I have paid for everything myself....but money does not grow..... Well, I'll buy two copies of PARIS, so you will have in advance my part of the cost for releasing NIGHT OF THE HUNTER!
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Posted: |
Dec 27, 2015 - 1:20 PM
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By: |
Big X
(Member)
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I would never dare to contradict (or to judge) a choice based on an inner need, like that felt by James. On the other hand, Jarre is a big name, and the choice of this work is well explained by him and the general reaction on this thread. Because of its classic style, I’ll buy this score, even if not at the top of my interest. But I remain somewhat intrigued by that “Call me stupid, call me irresponsible...”: another big title, deserving priority at the place of PARIS IS BURNING? Trouble is I only record scores that I like...which usually means scores that do not sell too well. I would really love to do Pride and Passion, The Warlord and Night of the Hunter.....but where to get the funding...so far I have paid for everything myself....but money does not grow..... James, I think you do a wonderful job on all the releases and I for one am fortunate that all of your releases to date have been my personal favourites and get regular spins on my CD player. If I have to buy two or more of the same recording to keep this going, I would do so without any hesitation.
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Wow, henry what an LP to get signed! I have a Jerry-signed Patton CD but thats a bit special.
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Dp
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