| FSM Online Audio Archive |
Furukawa: The Last Airbender
Takeshi Furukawa tries his hand at the latest iteration of the popular franchise.
Volume 29, Issue 4
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Listening Out for a New Look
Composer James S. Levine and music supervisor Mark Wike discuss their roles on the Apple TV+ show.
Volume 29, Issue 3
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Feud: Newman vs. Newman
Julia Newman scores Feud: Capote vs. The Swans, with a title theme by her father Thomas.
Volume 29, Issue 2
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Echo-es of the Choctaw
Dave Porter exits the Breaking Bad universe and joins the MCU.
Volume 29, Issue 2
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Dawn of the Gilded Nugget
Harry Gregson-Williams returns to the Aardman animated franchise, and continues the story of The Gilded Age.
Volume 29, Issue 1
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Joby Wonka
Joby Talbot teams with Neil Hannon to deliver the songs and score for the Willy Wonka prequel.
Volume 29, Issue 1
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The Sound of Matessino
Craft Recordings releases a Super Deluxe album of the Rodgers & Hammerstein classic.
Volume 28, Issue 12
|
Monsieur John Williams
Universal Music France gets set to drop a whopping 20-CD box set of the master’s music.
Volume 28, Issue 11
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Meme Themes
Will Bates scores Dumb Money and finds the sound of the GameStop meme stock craze.
Volume 28, Issue 10
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Volker Spaces Out
Volker Bertelmann lands the sci-fi dramedy Jules, and revisits his Oscar-winning turn on All Quiet on the Western Front.
Volume 28, Issue 9
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Max Steiner and Tony Thomas in Conversation
The father of film music is interviewed by Tony Thomas at Steiner’s Beverly Hills home in the fall of 1961.
Volume 28, Issue 9
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Gluing Barbie Together
Matt Dunkley broadens the score by Mark Ronson and Andrew Wyatt.
Volume 28, Issue 8
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Oppenheimer: Goransson Goes Nuclear
The composer reteams with Christopher Nolan for an explosive but also emotive soundtrack.
Volume 28, Issue 8
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Carl Davis: In Memoriam
A brief audio tribute to the late composer.
Volume 28, Issue 8
|
Amblin Uncovered: The '90s, Part 2
A chronology of the best scores from the ’90s productions.
Volume 28, Issue 7
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Re-Extraction
Alex Belcher reteams with Henry Jackman to score the Chris Hemsworth action sequel for Netflix.
Volume 28, Issue 7
|
Guardians of the Galaxy Vol. Murphy
John Murphy picks up where Tyler Bates left off to complete James Gunn’s trilogy
Volume 28, Issue 6
|
Amblin Uncovered: The '90s, Part 1
A chronology of the best scores from the ’90s productions.
Volume 28, Issue 6
|
Mamma Heffes
Alex Heffes joins the mob with Catherine Hardwicke and Toni Collette.
Volume 28, Issue 4
|
Christopher Gunning, R.I.P. (1944 - 2023)
A discussion and musical tribute dedicated to the late composer.
Volume 28, Issue 4
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A Soundtrack Frenzy, Part 2
Quartet pairs Mancini with Goodwin in a celebration of one of Hitchcock’s final films.
Volume 28, Issue 3
|
Burt Bacharach: We Say a Little Prayer
Enjoy a rapid-fire audio tribute to the master songwriter.
Volume 28, Issue 3
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Herdis Is Knock-ing at the Door
Stefánsdóttir breaks out with M. Night Shyamalan’s latest.
Volume 28, Issue 2
|
A Soundtrack Frenzy, Part 1
Quartet pairs Mancini with Goodwin in a celebration of one of Hitchcock’s final films.
Volume 28, Issue 2
|
From the Archives: The ResurRaksin of David
A double-dose of David Raksin archival interviews.
Volume 28, Issue 1
|
Justin Freer: CineConcert Master
The conductor discusses his work with CineConcerts, including The Godfather Live.
Volume 27, Issue 12
|
From the Archives: James Horner Talks Avatar
The composer speaks with Hilary Oliver about his new score, and the state of film music in 2009.
Volume 27, Issue 12
|
Reading Sir Malcolm Arnold
A discussion with Arnold expert Neil Brand, focusing on the underappreciated composer and the recent book.
Volume 27, Issue 12
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Elmer Bernstein on The Cinema Soundtrack
The composer sounds off in a 1979 KKSY interview with John Capps.
Volume 27, Issue 11
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The Score for Good and Evil
Theodore Shapiro creates a musical universe for Paul Feig’s Netflix film, and dishes on Ben Stiller’s Severance.
Volume 27, Issue 11
|
The Shearman Hour
James Shearman talks Black Panther: Wakanda Forever, Suicide Squad: Kill the Justice League and more.
Volume 27, Issue 11
|
A Zigman's Blues
Aaron Zigman scores Tyler Perry’s latest.
Volume 27, Issue 10
|
She-Composer
Amie Doherty joins the MCU with She-Hulk: Attorney at Law.
Volume 27, Issue 10
|
Wallfisch Out of Water
Benjamin Wallfisch scores Ron Howard’s Thirteen Lives.
Volume 27, Issue 10
|
Vincent DeRosa, R.I.P (1920 - 2022)
The renowned session player passes at the age of 101.
Volume 27, Issue 8
|
In the Words of Victor Young
A special archival interview of Victor Young by Anne St. John.
Volume 27, Issue 8
|
Obi-One: Natalie Holt
The composer travels from the MCU to the ever-expanding Star Wars Universe.
Volume 27, Issue 7
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Obi-Two: William Ross
John Williams’ orchestrator/adapter discusses his work on the Disney+ show, and various highlights of his long career.
Volume 27, Issue 7
|
John Frizzell Gets to Score
Twenty-six years later, the composer returns to the Beavis and Butt-Head universe.
Volume 27, Issue 7
|
Bernstein and Mancini in Conversation, Part 2
Elmer Bernstein interviews Henry Mancini in 1978.
Volume 27, Issue 6
|
John Lunn's New Era
The composer makes yet another stop at Downton for the latest installment of the Julian Fellowes franchise.
Volume 27, Issue 6
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Remembering Vangelis (1943 - 2022)
An audio tribute to the late pioneer.
Volume 27, Issue 6
|
Kings of The Northman
Robin Carolan and Sebastian Gainsborough join Robert Eggers’ Viking quest for vengeance.
Volume 27, Issue 5
|
The Gregson-Williams Age
The Gregson-Williams brothers detail their lush, melodic scoring for Julian Fellowes’ The Gilded Age, plus Harry’s recent documentary music.
Volume 27, Issue 5
|
Moon Note
Hesham Nazih scores the Marvel/Disney+ series starring Oscar Isaac, Ethan Hawke and F. Murray Abraham.
Volume 27, Issue 5
|
Bernstein and Mancini in Conversation, Part 1
Elmer Bernstein interviews Henry Mancini in 1978.
Volume 27, Issue 4
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BONUS: Batu Goes Buck Wild
John Powell associate Batu Sener takes the reins of the Ice Age franchise.
Volume 27, Issue 4
|
Doyle on the Nile
Patrick Doyle scores Death on the Nile for Kenneth Branagh.
Volume 27, Issue 2
|
Dreaming of Redeeming Scream in 1883
Brian Tyler scores Scream, Redeeming Love, 1883 and more.
Volume 27, Issue 2
|
Bernstein and Addison in Conversation
Elmer Bernstein interviews John Addison.
Volume 27, Issue 2
|
Nathan's Nightmare
Nathan Johnson teams with Guillermo del Toro on Nightmare Alley.
Volume 27, Issue 1
|
All The King's Men
Dominic Lewis and Matthew Margeson score Matthew Vaughn’s Kingsman prequel.
Volume 27, Issue 1
|
2021 in Review: Film Music on Lockdown
Tim and Saul take the scenic route of the year in soundtracks.
Volume 27, Issue 1
|
Ghostbusters After Elmer
Rob Simonsen, Peter Bernstein and Curt Sobel help resurrect Elmer Bernstein’s work for Afterlife.
Volume 26, Issue 12
|
Star-Lord Plays His Favorites
The new Guardians of the Galaxy video game touches down with a dynamic superhero score by Richard Jacques.
Volume 26, Issue 11
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Amblin Uncovered, Part 2
A chronology of the best scores from the ’80s productions, minus the tentpole films directed by Steven Spielberg.
Volume 26, Issue 11
|
Henry's Gone Wrong
Henry Jackman scores Locksmith Animation’s debut theatrical release.
Volume 26, Issue 10
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Amblin Uncovered, Part 1
A chronology of the best scores from the ’80s productions, minus the tentpole films directed by Steven Spielberg.
Volume 26, Issue 10
|
Hans Bond: Zimmer, Live From the World Premiere of No Time to Die
The composer discusses the long-awaited score in some brief audio excerpts.
Volume 26, Issue 10
|
Free Beck
Christophe Beck reunites with director Shawn Levy for the Ryan Reynolds blockbuster.
Volume 26, Issue 9
|
Star Trek II: The Remastered Album Discussion (Expanded Edition*)
A discussion with producer Neil S. Bulk and Trek scholar Deniz Cordell -- plus a CD giveaway!
Volume 26, Issue 9
|
Bernstein and Friedhofer in Conversation, Part 2
A film music legend interviews a film music giant, circa 1974.
Volume 26, Issue 8
|
Scoring in the Key of Loki
Natalie Holt lands an otherworldly assignment.
Volume 26, Issue 8
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Bernstein and Friedhofer in Conversation, Part 1
A film music legend interviews a film music giant, circa 1974.
Volume 26, Issue 7
|
Shadow and Joe
Joseph Trapanese discusses Shadow and Bone, and a whole lot more.
Volume 26, Issue 6
|
Stephanie's Legacy
Stephanie Economou scores the Netflix event, Jupiter’s Legacy.
Volume 26, Issue 5
|
Stefan Gregory Dig's Deep
The composer scores his first feature film, a Netflix premiere.
Volume 26, Issue 4
|
1991: Scores of Scores - A 30th-Anniversary Retrospective
An audio retrospective of some of the top scores from three decades ago.
Volume 26, Issue 2
|
2020 in Review: Burden's Best Creatures From TV
Tim Burden charts the year in British television.
Volume 26, Issue 1
|
In the Key of D (D-D-D-D-Dora)
John Debney and Germaine Franco go on an adventure with Dora and the Lost City of Gold, plus the word on Brian Banks.
Volume 24, Issue 8
|
Arnold vs. Anti-Christ
David Arnold scores a playful apocalypse for Good Omens.
Volume 24, Issue 5
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Loving It up With John Debney
The composer scores Isn’t It Romantic, Dora the Explorer, The Orville and more.
Volume 24, Issue 2
|
Cleaning up at Sundance
Kathryn Bostic discusses festival favorites Clemency and Toni Morrison: The Pieces I Am.
Volume 24, Issue 2
|
Revisiting Shadowlands
A Q&A with George Fenton at the C.S. Lewis Festival in Belfast.
Volume 23, Issue 11
|
Mark and Me
Mark McKenzie breaks down his score to the unreleased film Max and Me.
Volume 23, Issue 6
|
Talking to the Animals
A 50th anniversary conversation between Mike Matessino and Leslie Bricusse about Doctor Dolittle.
Volume 23, Issue 2
|
The Patrick Doyle Express
The composer climbs aboard Murder on the Orient Express.
Volume 22, Issue 11
|
Composer's Log, Supplemental
Bruce Broughton discusses his music for the upcoming Seth MacFarlane series The Orville.
Volume 22, Issue 8
|
By Moonlight
A conversation with Nicholas Britell.
Volume 22, Issue 2
|
Beyond the Sea
A conversation with Manchester by the Sea’s Lesley Barber.
Volume 21, Issue 12
|
Gavin Greenaway: A View From the Podium
The composer and conductor discusses the course of his career.
Volume 21, Issue 9
|
From the Archives: Richard Kaufman Rewind
A look back on the varied career of conductor Richard Kaufman.
Volume 21, Issue 4
|
Sir George Martin: In Memoriam
Remembering the late record producer and AIR-Edel founder.
Volume 21, Issue 3
|
2015 1985 in Review: Gotta Get Back in Time
A musical montage of the best of 30 years ago.
Volume 21, Issue 1
|
From the Archives: John Williams, 1978
A vintage interview with the Star Wars Maestro.
Volume 20, Issue 12
|
Fenton and a Lady
George Fenton and pianist Clare Hammond speak about their musical collaboration on The Lady in the Van.
Volume 20, Issue 11
|
Don't Pan-ic
John Powell talks about his score to Joe Wright’s latest effort.
Volume 20, Issue 10
|
In Memoriam: James Horner
Hugh Seenan and other Horner colleagues remember the late composer.
Volume 20, Issue 7
|
Cinderella: A Chat with Maggie Rodford
Tim Burden speaks with music producer Maggie Rodford about Cinderella.
Volume 20, Issue 5
|
Cinderella: Patrick Doyle Casts His Spell
The composer scores a live-action adaptation of the classic fairy tale.
Volume 20, Issue 3
|
Pollyanna (2003): Audio Review and Composer Commentary
Christopher Gunning speaks about the recently released Pollyanna.
Volume 20, Issue 2
|
2014 in Review: From the Archives
Tim Burden shares his favorite releases of older film scores.
Volume 20, Issue 1
|
“Where It All Begins” for Patrick Neil Doyle
Patrick Neil Doyle’s feature film debut: The Legend of Longwood.
Volume 19, Issue 10
|
Mixing It Up with Dennis Sands
Dennis Sands looks back on his score engineering career.
Volume 19, Issue 9
|
In Train-ing With John Powell
Powell scores the Dreamworks animated blockbuster How to Train Your Dragon 2.
Volume 19, Issue 5
|
Revealing Hidden Kingdoms
Ben Foster discusses his work on the BBC series.
Volume 19, Issue 5
|
Of Royalty and Loyalty
Sir Kenneth Branagh looks back on his 25-year collaboration with Patrick Doyle.
Volume 19, Issue 4
|
The Road to Calvary
Patrick Cassidy scores the new Brendan Gleeson film.
Volume 19, Issue 3
|
You Don't Know Jack
Scoring Jack Ryan: Shadow Recruit with Team Paramount and Patrick Doyle.
Volume 19, Issue 1
|
Wiseman's Whale
Debbie Wiseman discusses her latest work, including the BBC’s The Whale.
Volume 18, Issue 12
|
Desplat: Live From Ghent
From Ghent, Desplat teases Monuments Men and previews the upcoming Philomena.
Volume 18, Issue 11
|
A Hollywood in Vienna Diary
A celebration of all things James Horner.
Volume 18, Issue 10
|
The Adore-ation of Christopher Gordon
The Australian composer scores the new Naomi Watts/Robin Wright film, Adore.
Volume 18, Issue 9
|
Russ Hour
Orchestrator Patrick Russ discusses his lengthy career with some of the giants of film music.
Volume 18, Issue 9
|
Composer Commentary: Red 2
Alan Silvestri offers his take on two cues from his latest comedy action thriller.
Volume 18, Issue 8
|
The Glory of Debney's Jobs
John Debney scores the Steve Jobs biopic.
Volume 18, Issue 8
|
Summer in July
Benjamin Wallfisch scores the new WWII drama Summer in February.
Volume 18, Issue 7
|
Jon Heely and the Disney Concerts
Disney Studios’ Head of Music Research talks film music beyond the film.
Volume 18, Issue 7
|
Nerves of Steel
Hans Zimmer retools Superman’s sonic landscape in Man of Steel.
Volume 18, Issue 6
|
What About Bob Bornstein?
Paramount’s music librarian relives 50 years in the industry.
Volume 18, Issue 6
|
Lights, Camera, Karen!
Flutist Karen Smith talks about her career in and out of the film music industry.
Volume 18, Issue 5
|
Holdridge On Stage: Dulce Rosa
Lee Holdridge tackles a new opera for Placido Domingo and L.A. Opera.
Volume 18, Issue 4
|
Oscar Talk with William Ross
The composer/conductor takes the podium again for the Academy Awards.
Volume 18, Issue 2
|
Joel McNeely's Pixie Dust
McNeely talks Tinkerbell and the Secret of the Wings and Oscar.
Volume 18, Issue 2
|
2012 in Review: Tim's Top 12
Tim Burden looks back at a dozen great scores.
Volume 18, Issue 1
|
Lounging With Legrand
Three-time Oscar winner Michel Legrand looks back on his 50-year musical career.
Volume 17, Issue 12
|
Bond's New Man
Thomas Newman inherits the musical reins of the 007 franchise with Skyfall.
Volume 17, Issue 11
|
Signs of the Times: James Newton Howard
On the eve of his honorary concert at The World Soundtrack Awards in Ghent, JNH looks back on four decades of film music.
Volume 17, Issue 10
|
Before the Parade Passes By: Dirk Brosse
Dirk Brossé scores the new BBC/HBO World War I miniseries, Parade’s End.
Volume 17, Issue 9
|
Christian Henson Grabs Ya!
Henson scores the new Irish horror film, Grabbers.
Volume 17, Issue 9
|
Gergely Hubai: Talking Taboo
The author discusses his new book, Torn Music: Rejected Scores, A Selected History.
Volume 17, Issue 8
|
Note by Note: The Expendables 2
Audio commentary from Brian Tyler.
Volume 17, Issue 8
|
Brian Tyler Not Expendable 2
Brian Tyler talks Stallone, Universal, Terra Nova and John Williams.
Volume 17, Issue 8
|
David Arnold Scores Olympic Gold
Arnold scores the closing ceremonies for London 2012.
Volume 17, Issue 7
|
Home of the Brave
On the scoring stage with Patrick Doyle and the musical team for Pixar’s latest.
Volume 17, Issue 6
|
Silvestri Assembles
Alan scores one of the biggest box-office smashes of all-time.
Volume 17, Issue 5
|
Gunning for the Queen
Christopher Gunning writes for the Queen’s Diamond Jubilee celebration.
Volume 17, Issue 5
|
Mid-Issue Bonus! Patrick Doyle Is Brave
An exclusive sneak peek at Pixar’s latest.
Volume 17, Issue 5
|
Titanic: A Historical Perspective
On the 100th anniversary of the sinking of the Titanic, John Altman discusses the historical music used in the film.
Volume 17, Issue 4
|
Blowin' in the Wind: Tom Boyd
Hear from the man who played the oboe solos in Cast Away and many more.
Volume 17, Issue 3
|
Where There's a Will, There's a Way
Nigel Clarke and Michael Csányi-Wills score Will, a boy’s journey to Bosnia.
Volume 17, Issue 2
|
A Sure Brett, Part 1
James Seymour Brett talks about his work with Michael Kamen and his work on Batman Live.
Volume 17, Issue 2
|
2011 in Review: 10 Things I Didn't Know This Time Last Year
Tim Burden offers up a different take on 2011’s film music.
Volume 17, Issue 1
|
Pope Conrad I: Marilyn and More
Conrad Pope scores a bit of Hollywood glamour with My Week With Marilyn.
Volume 16, Issue 11
|
Rumon Gamba and the Chandos Sound
The conductor helms classic film music re-recordings with spacious sound.
Volume 16, Issue 11
|
William Ross' Very Stoner Christmas
Ross dons his musical gay apparel with A Very Harold & Kumar 3D Christmas.
Volume 16, Issue 11
|
Christopher Gordon's Crawl Space
Gordon offers up this world premiere of his latest thriller score for FSMO readers.
Volume 16, Issue 10
|
Richard Kaufman Conducts Tiomkin
The celebrated conductor discusses his long career and the upcoming Dimitri Tiomkin concert with the LSO.
Volume 16, Issue 9
|
Debbie Wiseman's Piano Stories
The talented film and television composer releases her first recital CD for solo piano.
Volume 16, Issue 9
|
Great Scott!
John Scott discusses a life in film music.
Volume 16, Issue 8
|
Patrick Doyle Goes Bananas!
The composer doesn’t monkey around with Rise of the Planet of the Apes.
Volume 16, Issue 8
|
So Long, Harry!
Alexandre Desplat wraps up The Deathly Hallows—and the entire Harry Potter franchise.
Volume 16, Issue 7
|
It All Ends: The Music of Hogwarts
Take an audio trip through a decade worth of musical wizardry.
Volume 16, Issue 7
|
Captain Silvestri
Alan Silvestri scores the latest Marvel Comics superhero.
Volume 16, Issue 7
|
Thor Kills the Destroyer: The Unreleased Cues
Exclusive alternate audio tracks from the recent Doyle blockbuster.
Volume 16, Issue 6
|
Patrick Doyle and the God of Thunder, Part 2
Doyle and his orchestrator James Shearman discuss the rest of Thor, plus Apes, Brave and more.
Volume 16, Issue 5
|
Scherrer Genius
Dominik Scherrer talks music, Monroe and Marple.
Volume 16, Issue 5
|
A Brief Moment of Hans: Pirates in Short
Zimmer discusses On Stranger Tides in this mini-feature.
Volume 16, Issue 5
|
Blame It on Rio: Powell Takes Flight
John Powell crafts a musical Carnival for the new animated hit from 20th Century Fox.
Volume 16, Issue 4
|
Patrick Doyle and the God of Thunder, Part 1
Doyle reteams with director Kenneth Branagh for the Marvel Comics Norse tale, Thor.
Volume 16, Issue 4
|
No Plain Jane
Oscar-winner Dario Marianelli returns to the classics with his score for Jane Eyre.
Volume 16, Issue 3
|
Atli Orvarsson and The Eagle
Ice to Meet You.
Volume 16, Issue 3
|
The CBSO at the Movies!
The City of Birmingham Symphony Orchestra celebrates film music.
Volume 16, Issue 3
|
We Have All the Time in the World: A Tribute to John Barry
Tim Burden chats with some of the musicians who contributed to John Barry’s inimitable sound.
Volume 16, Issue 2
|
Debbie Wiseman: A Promise Fulfilled
The composer scores the new series for Channel 4, and looks back at the path that led her here.
Volume 16, Issue 2
|
2010 in Review: Listen Around You
Put on your listening shoes, because Tim Burden is about to go wild!
Volume 16, Issue 1
|
Gunning for It
With a new Chandos CD of his work, Christopher Gunning discusses his varied career.
Volume 16, Issue 1
|
Bon Voyage, David Arnold!
David Arnold helms the latest Chronicles of Narnia chapter, The Voyage of the Dawn Treader.
Volume 15, Issue 12
|
Mahler at 150
A celebration of Gustav Mahler’s 150th birthday and his enduring legacy.
Volume 15, Issue 12
|
Don Hahn, Be Our Guest!
Producer Don Hahn discusses the new Blu-ray/DVD edition of Beauty and the Beast.
Volume 15, Issue 11
|
Dante's Peek: Down The Hole Without Jerry
Joe Dante returns to feature directing with The Hole 3-D.
Volume 15, Issue 10
|
Let Me In: Director Matt Reeves on Giacchino
Michael scores monsters.
Volume 15, Issue 10
|
A Silvestri Lining, Part 2
The composer talks Zemeckis, Roger Rabbit and more, in the 32-minute conclusion to our audio piece.
Volume 15, Issue 9
|
Barrington For Long, Part 2
Pheloung talks Lewis, Hilary and Jackie, and more.
Volume 15, Issue 9
|
Craig Armstrong: Money in the Bank
A look at Craig Armstrong’s career and his latest, Oliver Stone’s Wall Street: Money Never Sleeps.
Volume 15, Issue 9
|
Brian Tyler Not Expendable
Stallone’s go-to guy delivers on all counts.
Volume 15, Issue 8
|
A Silvestri Lining, Part 1
Alan returns to FSMO with a kind vengeance.
Volume 15, Issue 8
|
In Your Dreams!
Dreamweaver Hans Zimmer scores Christopher Nolan’s Inception without seeing the film.
Volume 15, Issue 7
|
Barrington For Long, Part 1
The first half of our massive audio interview opens a window into the musical world of Barrington Pheloung, and his take on film music politics.
Volume 15, Issue 7
|
Beauty and The Beastmaster: The Career of Lee Holdridge
The Emmy-winning composer discusses his 40-year career in film and television.
Volume 15, Issue 6
|
MovieScore Media Celebrates a Milestone
An interview with MSM’s man-in-charge, Mikael Carlsson.
Volume 15, Issue 6
|
Rockin' Robin: Marc Streitenfeld Scores Robin Hood
Marc Streitenfeld takes on the Robin Hood legend for director Ridley Scott.
Volume 15, Issue 5
|
Cressida Cowell Talks John Powell
The author of the Viking childrens’ books talks about the new film adaptation of How to Train Your Dragon.
Volume 15, Issue 4
|
Schifrin In Conversation
Tim Burden speaks with legendary composer Lalo Schifrin.
Volume 15, Issue 4
|
Michael, Meet Oscar
Mr. Giacchino talks it Up.
Volume 15, Issue 3
|
Whatchu Talkin' About, Arnold?
David Arnold talks candidly about his career, his goals and his upcoming projects.
Volume 15, Issue 2
|
Marco, Buck and Oscar
Beltrami and Sanders ponder their recent Academy Award nomination.
Volume 15, Issue 2
|
The Evolution of Creation
Christopher Young jerks some serious tears with his heavenly score for the Darwinian drama.
Volume 15, Issue 2
|
The Rodford Files
Air-Edel’s Managing Director speaks humbly of her impressive film music accomplishments.
Volume 15, Issue 1
|
Best of 2009: Jon and Al Make a Recording
You know that new sound you’re looking for? Well listen to this!
Volume 15, Issue 1
|
Turning Blue: The James Horner Interview!
The legendary composer speaks, about his music for Avatar, working with Jim Cameron, and more.
Volume 14, Issue 12
|
What Up, Holmes?
The ever-candid Hans Zimmer talks about his latest score, for Sherlock Holmes.
Volume 14, Issue 12
|
Fantastic Mr. Desplat
Alexandre is back, with two big movies for the holiday season.
Volume 14, Issue 11
|
From the Director's Chair: Peter Chelsom
The director talks Hannah Montana and more.
Volume 14, Issue 10
|
Keeping Up With the Jones, Part 2
Trevor, that is. Part 2, that is.
Volume 14, Issue 9
|
Debbie Wiseman: Lesbian Vampire Scorer
Welcome to Part 2 of this month’s “Double Debbie Feature”—and no, Debbie Wiseman is not into lesbian vampires...
Volume 14, Issue 9
|
Keeping up With the Jones
Trevor, that is.
Volume 14, Issue 8
|
Giacchino's Endless Summer, Part 2
Up and Land of the Lost cap off a very busy month for Mr. Giacchino.
Volume 14, Issue 6
|
The Kingdom of Kent, Part 2
Rolfe is back for the rest of his candid, thought-provoking interview.
Volume 14, Issue 6
|
By George! Part 2
Fenton talks Jordan, Tennant, Interview With a Vampire and more.
Volume 14, Issue 6
|
Giacchino's Endless Summer
Star Trek is just the beginning of Michael Giacchino’s recent busyness.
Volume 14, Issue 5
|
By George!
George Fenton talks about his career and his latest projects.
Volume 14, Issue 5
|
The Kingdom of Kent, Part 1
Rolfe Kent talks about 17 Again, Hollywood film music trends and more.
Volume 14, Issue 4
|
David Pyatt: A Life in F
The LSO’s principal French horn player talks film music.
Volume 14, Issue 3
|
The Hunchback of Notre Doyle
Patrick Doyle talks about his latest work in our first all-U.K. audio interview.
Volume 14, Issue 2
|
Andrew's Journey
Andrew Lockington talks about Journey to the Center of the Earth, and that’s just the beginning.
Volume 13, Issue 8
|
The Incredible Craig
Mr. Armstrong takes on the big green guy.
Volume 13, Issue 6
|
Heavy Metal
Ramin Djawadi talks about his rock-based score for Iron Man.
Volume 13, Issue 5
|
Eli Roth's Scary Conversation
The director of Cabin Fever and the Hostel series talks horror music with Jeff Bond.
Volume 13, Issue 1
|
Alan Menken Is Enchanted
Volume 12, Issue 11
|
Eastern Shore
Howard’s latest Cronenberg collaboration.
Volume 12, Issue 9
|
Clinton's Campaign
George S. scores HBO’s acclaimed Bury My Heart at Wounded Knee.
Volume 12, Issue 8
|
FSMO Audio Archive: Catch Dan If You Can
In this 2003 interview, saxophonist Dan Higgins talks about working with John Williams, life as a studio musician, and more.
Volume 12, Issue 8
|
More Than Meets the Wand
Nicholas Hooper scores the latest Potter flick—but first, a little bit about how he got there.
Volume 12, Issue 7
|
Catching Up With Brian
Brian Tyler gives FSM the low-down on his recent work.
Volume 12, Issue 7
|
Mixing It Up: Deborah Lurie
The multi-talented musician talks about her work on Spider-Man 3, and that's just the beginning.
Volume 12, Issue 6
|
A Compound Fracture: Jeff Danna, Pt. 2
Volume 12, Issue 6
|
A Compound Fracture: Jeff Danna, Pt. 1
Jeff Danna talks about his latest work, co-composed with his brother, Mychael.
Volume 12, Issue 5
|
Order Up!
Andrew Hollander discusses his work on the indie hit, Waitress.
Volume 12, Issue 5
|
Locusts, Flies and a River of Blood
John Frizzell scores The Reaping.
Volume 12, Issue 4
|
One for the Ages: Tyler Bates
The busy composer talks about his recent score to 300.
Volume 12, Issue 3
|
The Conversation about Zodiac
David Shire is back, and we’re happy to hear it.
Volume 12, Issue 2
|
Thank You for the Music
An archival interview with the late, great Basil Poledouris.
Volume 11, Issue 12
|
Lord of the Crime Ring
Howard mixes it up once again for Scorsese's The Departed.
Volume 11, Issue 10
|
Cronenberg and Shore: Body and Soul
Director/composer teams seem fewer and farther between these days, but this one is going strong.
Volume 11, Issue 10
|
Inside Yared's Head
The Oscar-winning composer talks about his latest work and the state
of his art.
Volume 11, Issue 9
|
Lukas' Labors
FSM's creator and CD producer Lukas Kendall chats about producing CDs, including the new Bernstein box set.
Volume 11, Issue 9
|
Beal's Best Nightmare
The eclectic composer scores Stephen King’s recent TNT miniseries.
Volume 11, Issue 8
|
Debney Gone Idlewild
The busy composer tries his hand at hip hop.
Volume 11, Issue 7
|
Mission Accomplished: Michael Giacchino Speaks (AUDIO)
Michael Giacchino talks about M:I:3 and chimes in on the “Pencil vs. Keyboard” posting on the FSD message board.
Volume 11, Issue 5
|
From the Archives: Elmer Bernstein (AUDIO)
The world misses Elmer, and this 2002 interview will remind you why.
Volume 11, Issue 4
|
From the Archives: Alan Silvestri (AUDIO)
From 2001, Silvestri talks about the monumental task of composing the score for The Mummy Returns.
Volume 11, Issue 3
|
Mid-Issue Bonus: Tsotsi's Triumph (AUDIO)
Gemma Dempsey talks with the music makers behind this year’s Oscar-winner for Best Foreign Language Film.
Volume 11, Issue 3
|
Digital Downbeat:
Marco Beltrami Speaks (AUDIO)
Marco stretches out on Tommy Lee Jones’ Three Burials
Volume 11, Issue 2
|
From the Archives: Michael Kamen (AUDIO)
The late, great Michael Kamen in his last FSM interview.
Volume 11, Issue 2
|
Isham's Crash Course (AUDIO)
The versatile composer converses about his musical roots, as well as his unique score to the Oscar-nominated Crash.
Volume 11, Issue 2
|
Composers Speak! (V11N1)
Listen to FSM Online’s exclusive streaming audio Digital Downbeats!
Volume 11, Issue 1
|
What a Composer Likes (Vol. 11, No.1)
Those on the front lines give us their opinions on 2005...and more.
Volume 11, Issue 1
|
