The November edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is an interview with STEVEN PRICE, who scores Edgar Wright’s latest, LAST NIGHT IN SOHO. Also this issue is a discussion with HARRY GREGSON-WILLIAMS about THE LAST DUEL and his collaboration with Ridley Scott; get a head (or back?) star

The October edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is the first part of AMBLIN UNCOVERED, a lengthy discussion of the studio’s works, with a focus on the non-Spielberg-directed projects like GREMLINS, YOUNG SHERLOCK HOLMES and THE GOONIES. Also this issue is an interview with HENRY JACKM

The September edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is the first part of our survey of BEST SUPPORTING THEMES, featuring works by Jerry Goldsmith, Bernard Herrmann, Bruce Broughton and many more. Also this issue is an interview with MARK MANCINA, who with his work on CRY MACHO becomes the fir

The August edition of FSM ONLINE is now live, and is yet another loaded issue. This month’s cover story is an interview with DANIEL HART about his wild score for David Lowery’s THE GREEN KNIGHT. Also this issue is a discussion with JOHN MURPHY, who helps James Gunn reimagine THE SUICIDE SQUAD; DOUG ADAMS reviews the world premiere of JOHN WILLIAMS’ VIOLIN CONCER

The July edition of FSM ONLINE is now live, and ranks as one of our all-time biggest and most diverse issues. This month’s cover story is an interview with BEAR MCCREARY about his upcoming score for Netflix’s Kevin Smith-helmed He-Man reboot, MASTERS OF THE UNIVERSE: REVELATION. Also this issue is an exclusive archival audio piece in which ELMER BERNSTEIN interviews HUGO FRIEDHOFER, recorded

The jam-packed June edition of FSM ONLINE is now live. This month’s cover story, SCARY SUMMER, is a two-fer: MARCO BELTRAMI discusses his work on A QUIET PLACE PART II, the sequel to the surprise 2018 smash, and JOSEPH BISHARA talks about THE CONJURING: THE DEVIL MADE ME DO IT, plus his approach to aleatory, horror, and scoring on-screen demons and monsters played by himself! Also this issue is in-depth coverage of Varese Sarabande’s Deluxe Edition of JERRY GOLDSMITH’S LI

The May edition of FSM ONLINE is now live. This month's cover story, TYLER, TYLER, BURNING BRIGHT, is a detailed discussion with BRIAN TYLER about his score for Taylor Sheridan's latest feature, THOSE WHO WISH ME DEAD, starring Angelina Jolie. Tyler also talks about some of his upcoming projects, including his directorial debut on the multi-media event ARE WE DREAMING?

Also this issue, Belgian comp

The March edition of FSM ONLINE is now live. This month's cover story is a pair of interviews, one with JERMAINE STEGALL about scoring COMING 2 AMERICA, starring Eddie Murphy, and the other with HENRY JACKMAN about his music to CHERRY, starring Tom Holland; plus, we announce the WINNERS of the INAUGURAL FSMIES, includ

FSMO contributor Cary Wong scored a nomination from Los Angeles Press Club - National Arts & Entertainment Journalism Awards in the Music

The December edition of FSM ONLINE is now live. This month's cover story, THE WOMEN OF WINTER, covers a wide-ranging field of projects -- the majority of them for Hulu. First up, AMIE DOHERTY discusses her work on Hulu's holiday romantic comedy HAPPIEST SEASON, starring Kristen Stewart and Mackenzie Davis; AMELIA WARNER collaborates with John Patrick Shanley on WILD MOUNTAIN THYME, starring Emily Blunt an