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Well... I don't know if Williams WANTED it out, but there WAS supposed to be a release of Heartbeeps when the film came out, but of course that never happened.
The same with Raggedy Man... I believe it was on the poster that it was going to be released by MCA.
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I think film execs just look at how profitable a potential soundtrack is and compare it to the (possible) legal hassle of releasing it. Personal taste is an unlikely consideration here.
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Christopher Young wanted Spider-Man 3 to get a score release.
Jerry Goldsmith wanted like four of his own scores released on albums, apparently. 
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In the sixties soundtrack albums were the norm. Just look at how many soundtracks came out that decade by Bernstein, North, Mancini, Barry, Goldsmith, Rota, Schifrin, Jones, Mandel, Morricone, Hefti, Myers, Bennett, Goodwin, and so many more.
I've heard of a few cases of composers preparing album releases--choosing material, doing edits, track placement, etc.--for releases that never happened. I never got the impression that film composers lost any sleep over albums that didn't get released. Scoring films was their job, so they just moved on to the next one.
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Tim Truman - Miami Vice season 5
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I met John Ottman around five years or so before La La Land records released his expanded Superman Returns. I had asked him to autograph the official first release, which was around 45 minutes long, and then ate up with CD-ROM (does anyone still do that anymore??!!) material which took up valuable disc space. He asked me if I had the 2-disc bootleg, and if I didn't have it, that I SHOULD FIND IT. It's much better that what was released. I was floored, and immediately suspected that perhaps he had a little something to do with the bootleg leak.
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Posted: |
Jan 21, 2019 - 2:43 PM
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By: |
Rozsaphile
(Member)
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In the sixties soundtrack albums were the norm. Just look at how many soundtracks came out that decade by Bernstein, North, Mancini, Barry, Goldsmith, Rota, Schifrin, Jones, Mandel, Morricone, Hefti, Myers, Bennett, Goodwin, and so many more.
Yes, there were many albums. But also many significant omissions: PSYCHO, MARNIE, FAHRENHEIT 451, JASON AND THE ARGONAUTS, THE POWER, THE GREEN BERETS, THE PRIVATE LIFE OF SHERLOCK HOLMES, THE WORLD OF HENRY ORIENT, THE BRIDGE AT REMAGEN, BIRDMAN OF ALCATRAZ, THE STORY OF RUTH, LOST COMMAND, FIRECREEK, THE OUTRAGE, CHEYENNE AUTUMN . . . It was the older composers who were falling out of fashion. For most of the decade there was a exactly one album of Bernard Herrmann's film music in print (and most of its music was by Alfred Newman).
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