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Hey Preston
To answer your question in order:
1. Yes. You missed something.
2. I know it's just one section. Not a suite.
Cheers!
Brm
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Hey Preston
To answer your question in order:
1. Yes. You missed something.
2. I know it's just one section. Not a suite.
Cheers!
Brm
***
To answer your answers in the same order:
1. Okay, I give up. I looked, to no avail. Was what I missed in a different thread?
2. Since you knew it wasn't a suite, any particular reason why you called it a suite?
Thnx,
PNJ
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Hey Preston
To answer your question in order:
1. Yes. You missed something.
2. I know it's just one section. Not a suite.
Cheers!
Brm
***
To answer your answers in the same order:
1. Okay, I give up. I looked, to no avail. Was what I missed in a different thread?
2. Since you knew it wasn't a suite, any particular reason why you called it a suite?
Thnx,
PNJ
I have a ' suite' tooth.
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I realize you’re joking, Last Child, but it does bring up the question of whether or not any of the 15 minutes approx. of deleted footage were ever scored by Waxman.
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I realize you’re joking, Last Child, but it does bring up the question of whether or not any of the 15 minutes approx. of deleted footage were ever scored by Waxman.
Most of the reduced running time, and accompanying music, consisted of trims. For example, the "Prologue" ran two minutes longer than what is in the film. "In the Tower" was dialed out and only 23 seconds is in the film; the complete cue ran 2:26. Many other cues suffered truncation as well. The only cue that was presumably recorded but not heard at any length was a very brief "priest theme," when the old baron's death is announced.
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"Hey Preston
To answer your question in order:
1. Yes. You missed something.
2. I know it's just one section. Not a suite.
Cheers!
Brm
***
To answer your answers in the same order:
1. Okay, I give up. I looked, to no avail. Was what I missed in a different thread?
2. Since you knew it wasn't a suite, any particular reason why you called it a suite?
Thnx,
PNJ
I have a ' suite' tooth.
smile
***
Oh, I get it, I'm not supposed to try and make sense of any of your posts. Thanks, I'll remember next time.
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When will good intelligent people realize that Mr. Marshall is not to be taken seriously. He is on this board strictly to be the resident clown. He knows absolutely nothing about film music... Mr. Marshall is here to incite; not to give insight
***
Well, in my case, the obvious answer to your rhetorical question is, "Now."
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I have a private CDR of the score from a German friend from years ago with 11 untitled cues (51:33).
.....Now that's 69% of the film running time
.....But to listen to it - it seems either padded in the middle and/or incomplete at the end.
Are you sure that all those 11 untitled cues are from BRIDE OF FRANKENSTEIN?
It could be that I probably have the same CDR with 11 tracks and with the same duration, but only the first 8 tracks (about 31 minutes) on my copy are really from BRIDE OF FRANKENSTEIN. Track 9 is in fact from LILIOM (3:37 minutes), track 10 from FURY (7:21 minutes) and track 11 from THE INVISIBLE RAY (9:43 minutes). This CDR has been circulating among collectors here in Europe for more than 10 years now and the source for it were certainly the acetates in the Waxman estate.
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I'm a bit confused about just how much music will be on the CD. Just how long was the full score?Ron Burbella
There's approximately 45 minutes of music in the film, not including the "Ave Maria" cues and the brief bits that were tracked from other recorded stems. Approximate 6 minutes of music that was recorded was trimmed from the final release. As I wrote earlier, only one very brief cue was eliminated entirely; the other music was truncated when scenes were shortened. In addition, the main title in "Black Doll" that Ray posted is incomplete - about 6-8 seconds was cut before the agitato section.
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I'm a bit confused about just how much music will be on the CD. Just how long was the full score?Ron Burbella
There's approximately 45 minutes of music in the film, not including the "Ave Maria" cues and the brief bits that were tracked from other recorded stems. Approximate 6 minutes of music that was recorded was trimmed from the final release. As I wrote earlier, only one very brief cue was eliminated entirely; the other music was truncated when scenes were shortened. In addition, the main title in "Black Doll" that Ray posted is incomplete - about 6-8 seconds was cut before the agitato section.
Why should we trust you?
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I realise now that I'll be ordering this as soon as it's out. I know this because a) it's one of my favourite scores of all time, and b) because I've just had the same experience on the Tadlow Dracula/ Curse of Frankenstein cd.
There are just some things we cannot resist.
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