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 Posted:   Jul 16, 2017 - 1:26 AM   
 By:   Ravi Krishna   (Member)

I would really love to watch this. Hopefully the DVD will be available to purchase from here in India. Looking forward to getting the book too.

 
 Posted:   Aug 30, 2017 - 7:05 AM   
 By:   ryanpaquet   (Member)

In case you didn't participate in the Kickstarter (I didn't)

Pre-order is available from Amazon.com $14.29 USD
https://www.amazon.com/Score-Film-Music-Documentary-Blu-ray/dp/B073PW7S8L/ref=sr_1_1?ie=UTF8&qid=1504098098&sr=8-1&keywords=score+blu-ray

I pre-ordered for Canada, right now it's mis-classified as the Deniro "The Score" film, but I'm confident I will be sent this - I pre-ordered at $11CAD, now it's only $9CAD
https://www.amazon.ca/The-Score-Blu-ray/dp/B074JV6WD2/ref=sr_1_1?ie=UTF8&qid=1504098279&sr=8-1&keywords=score+blu-ray

 
 
 Posted:   Oct 23, 2017 - 9:03 PM   
 By:   joan hue   (Member)

I watched this DVD today. I got it as a Christmas gift for my brother. It cost me about $14.00 and was well worth the cost.

It certainly interviews almost all of our current American composers. It was interesting to hear their perceptions of other composers. It would be nice to have another documentary about more of our European composers. (Desplat and a few others are interviewed.)

I wish it had contained two things. First of all, I wish it had given about 5 more minutes to the Golden Age composers. They planted the seeds for film scores. Such epics as Ben Hur by Rozsa should have been mentioned. Herrmann and Steiner are mentioned. This film does shift quickly into the Silver Age with praise for North's A Streetcar Named Desire and for Jerry Goldsmith's Planet of the Apes. However, I think a little more time should have been given to The Golden Age. Secondly, Elmer Bernstein was never mentioned. Seriously? How can scores such as The Magnificent Seven and To Kill A Mockingbird be ignored?

It was interesting to visit places like Abbey Road, and to see how very complex it is to score movies. I didn't know so many people were involved. (Music editors, sound engineers, etc.)

Real experts may find it a bit too elementary, but I wish all people could see this documentary. The impact of movie music is beautifully, intellectually, and emotionally well-articulated by various composers and others.

 
 
 Posted:   Oct 24, 2017 - 2:58 AM   
 By:   Thor   (Member)

I wish it had contained two things. First of all, I wish it had given about 5 more minutes to the Golden Age composers.

Well, at least it had SOMETHING about the Golden Age. It had nothing -- NOTHING! -- about the European silent film era, which paved the way for all things in Hollywood. No POTEMKIN, METROPOLIS, M, CALIGARI and so forth. This also goes to your second point, I guess, about being US-centric. It bugs me every time someone says film scoring "started" with KING KONG. There are three decades of original film scoring prior to that, conceptualized in much the same way (except for the sound, obviously).

But as I said earlier in the thread, it's a good 'missionary document' to convert those who are not yet into film music as much as us.

 
 
 Posted:   Oct 24, 2017 - 4:55 AM   
 By:   Bromhead   (Member)

Does anybody know why Horner was never mentioned at all??

Thanks.

 
 
 Posted:   Oct 24, 2017 - 6:24 AM   
 By:   Avatarded   (Member)

Does anybody know why Horner was never mentioned at all??

Thanks.


No answer was given but the bonus features include an extended interview with Jim Cameron about him, the full version of what was in the end credits.

 
 
 Posted:   Oct 24, 2017 - 8:23 AM   
 By:   Hurdy Gurdy   (Member)

No mention of Elmer Bernstein!!
No mention of James Horner!!
I hope Lorne Balfe gets some air time!

 
 Posted:   Oct 24, 2017 - 8:31 AM   
 By:   SchiffyM   (Member)

Until Ken Burns does a 19 hour documentary about film scores, there will have to be worthy composers and eras and locales that are left out or get very short shrift. (Unless they did the documentary like those disclaimers on radio ads for prescription medications, where they remove the spaces between words so everything sounds like one long word.)

Honestly, name-dropping more composers without having the time to go into much of anything about them would not have made for a better documentary. Okay, maybe they could have taken some time from Heitor Pereira (not insulting Pereira, but I don't think anybody could claim he's made a significant impact to film music as a whole), but showing a composers actually at scoring sessions was clearly a priority.

 
 
 Posted:   Oct 24, 2017 - 8:38 AM   
 By:   joan hue   (Member)

As others have pointed out, Horner is mentioned. First a scene from Braveheart is shown. Then in the end credits Cameron talks about a scene from the Titanic that Horner scored, and there is a picture of both men.

 
 
 Posted:   Oct 24, 2017 - 8:46 AM   
 By:   Thor   (Member)

As others have pointed out, Horner is mentioned. First a scene from Braveheart is shown. Then in the end credits Cameron talks about a scene from the Titanic that Horner scored, and there is a picture of both men.

Exactly.

HORNER IS MENTIONED! I don't know how to make that clearer. The whole of the end credits is about him. Why there was no special interview for this film, I don't know (I don't know if one was planned, but then he died). There is no special interview for Williams either, only archival footage.

 
 Posted:   Oct 24, 2017 - 8:47 AM   
 By:   Dana Wilcox   (Member)

What there was I enjoyed, and I learned some things in the process (ditto to Joan on that point). It was awfully disappointing that so much was omitted or tossed off with only a passing mention, however. I guess I would characterize it as a tip of the hat to current composers primarily, rather than a real overview of film music as a developing art with any kind of historical context. I wish someone would do what Schiffy and others said, a multi-part treatment of film music beginning with early in-theater musical accompaniment and film musicals as well as the thematic underscore and its evolution, giving due attention to the "heroes" of film scoring past and present whose music we enjoy so much here.

 
 Posted:   Oct 24, 2017 - 10:10 AM   
 By:   AdoKrycha007   (Member)

Is there any subtitles on this Blu-Ray?

 
 Posted:   Oct 24, 2017 - 10:49 AM   
 By:   SchiffyM   (Member)

Why there was no special interview for this film, I don't know (I don't know if one was planned, but then he died). There is no special interview for Williams either, only archival footage.

All I know is, there's no way the filmmakers didn't want to interview Horner or Williams. Why those interviews didn't happen is anybody's guess (though the Horner guess is easier, sadly).

 
 Posted:   Oct 24, 2017 - 11:01 AM   
 By:   Col. Flagg   (Member)

All I know is, there's no way the filmmakers didn't want to interview Horner or Williams. Why those interviews didn't happen is anybody's guess (though the Horner guess is easier, sadly).

For his part, Williams – and his management – has always been cautious with where he appears and, by extension, what he is appearing to endorse. One area that's been exception is musical education, where Williams has definitely made himself more publicly available. The modern textbook "bible" on writing scores ("On the Track: A Guide to Contemporary Film Scoring", by Fred Karlin and Rayburn Wright) has a forward by Williams, for example.

 
 
 Posted:   Oct 24, 2017 - 11:04 AM   
 By:   Thor   (Member)

Yes, I've said this before -- these days, it's easier to organize a beer with the Pope than getting an interview with, or even a selfie with Williams.

 
 
 Posted:   Oct 24, 2017 - 11:32 AM   
 By:   Avatarded   (Member)

The issue isn't that he was barely mentioned, though it is an issue, but also that Horner was nothing more than an afterthought. As in literally after the documentary as the credits roll.

And that clip from Braveheart was just that - a clip. Very short, no real mention of the music or anything.

 
 Posted:   Oct 24, 2017 - 11:46 AM   
 By:   Essankay   (Member)

Well, at least it had SOMETHING about the Golden Age. It had nothing -- NOTHING! -- about the European silent film era, which paved the way for all things in Hollywood. No POTEMKIN, METROPOLIS, M, CALIGARI and so forth.


Just for the record, M is not a silent film. And beyond that, it doesn't even have a score - the only music in the film is diegetic, primarily Lorre's whistling of Grieg's theme from Peer Gynt.

 
 
 Posted:   Oct 24, 2017 - 12:32 PM   
 By:   Thor   (Member)

Just for the record, M is not a silent film. And beyond that, it doesn't even have a score - the only music in the film is diegetic, primarily Lorre's whistling of Grieg's theme from Peer Gynt.

True. My bad.

 
 
 Posted:   Oct 24, 2017 - 1:47 PM   
 By:   LRobHubbard   (Member)

See Hear Podcast's latest episode features the film and an interview with the director.

https://seehear.podbean.com/e/see-hear-podcast-episode-45-interview-with-matt-schraderdirector-of-score-a-film-music-documentary/

 
 Posted:   Oct 24, 2017 - 2:53 PM   
 By:   'Lenny Bruce' Marshall   (Member)


" , I wish it had given about 5 more minutes to the Golden Age composers. They planted the seeds for film scores. Such epics as Ben Hur by Rozsa should have been mentioned"

Oh come on Golden agers, don't be so greedy!
wink

There are tons of documentaries on Golden Age Hollywood including several that focus on music for the films. Give the younger guys some time!
bruce

 
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