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Maybe Zwart will stick to Atli Örvarsson...
I mean Zwart hired him for Karate Kid (before production kicked him out for Horner) and then hired him back for Mortal Instruments...
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And before Atli on Mortal Instruments there was Yared, so there's another possibility.
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10 years ago, Zwart (and his co-director) worked with Kjetil Bjerkestrand on Lange Flate Ballær.
The 12th Man would be the perfect opportunity for Kjetil to return to the Veiviseren-territory, 30 years later.
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Posted: |
Oct 3, 2016 - 3:15 AM
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By: |
Thor
(Member)
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10 years ago, Zwart (and his co-director) worked with Kjetil Bjerkestrand on Lange Flate Ballær.
The 12th Man would be the perfect opportunity for Kjetil to return to the Veiviseren-territory, 30 years later.
Funny you should say that. I was in a jury meeting with Kjetil just last night, and we discussed his possible return to film. He's worked on various film scores as arranger in later years, but he's not done much since 2000 as composer. He's more interested in concert music, theatre music and various forms of popular music these days (as musician, arranger or composer), but he was open to do more film, if he was allowed more room to do what he wants. With his deep love of Norwegian music, I could certainly see him do a film like this. Alas, I think Zwart will go for a bigger, international composer.
(by the way -- and on a personal note -- I have a cameo in LANGE FLATE BALLÆR).
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10 years ago, Zwart (and his co-director) worked with Kjetil Bjerkestrand on Lange Flate Ballær.
The 12th Man would be the perfect opportunity for Kjetil to return to the Veiviseren-territory, 30 years later.
Funny you should say that. I was in a jury meeting with Kjetil just last night, and we discussed his possible return to film. He's worked on various film scores as arranger in later years, but he's not done much since 2000 as composer. He's more interested in concert music, theatre music and various forms of popular music these days (as musician, arranger or composer), but he was open to do more film, if he was allowed more room to do what he wants. With his deep love of Norwegian music, I could certainly see him do a film like this. Alas, I think Zwart will go for a bigger, international composer.
(by the way -- and on a personal note -- I have a cameo in LANGE FLATE BALLÆR).
According to imdb, he has done 37 Og Et Halvt (Bøhren/Åserud are also credited, I have never found out if they actually collaborated with KB), Deadline Torp, Karlsson På Taket and Øyenstikker since 2000, plus Lange Flate Ballær. But nothing the last 10 years.
I still haven't bought this one, with one brief beautiful Bjerkestrand/Arve Tellefsen-track on it:
https://www.discogs.com/Prepple-Houmb-Morten-Abel-Hodet-Over-Vannet/release/1002083
You should update imdb with your cameo...
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Film Music Reporter reported today Christophe Beck got it.
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For me there are three Beck's:
1. The "Buffy the Vampire slayer" one.
2. The one who does some mediocre orchestral works one.
3. And the one who does these meandering cues that sound like jam sessions, such as "Looking for Superman" (a documentary about children trying to get into good schools).
I'm surprised this thread has gotten 1,002 hits so far. Who knew so many people would be interested.
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Film Music Reporter reported today Christophe Beck got it.
Wow. Uninspired choice.
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Well, at least it wasn't' some old white guy like Faltermeyer.
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Well, at least it wasn't' some old white guy like Faltermeyer.
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Posted: |
Aug 31, 2017 - 3:38 AM
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By: |
Hurdy Gurdy
(Member)
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I really like some of those 'mediocre orchestral' scores that Beck did/does, especially a whole raft of them that remain unreleased, from the days when he was becoming the new David Newman.
Some great work in BRING IT ON, INTERSTATE 60, JUST MARRIED, CHEAPER BY THE DOZEN, WITHOUT A PADDLE, WHAT HAPPENS IN VEGAS, I LOVE YOU BETH COOPER, POST GRAD for instance, all of which (like a lot of Newman's comedy/romantic scoring) have never had any, or much of a score release.
I think the 'many faces of Beck' thing is something I like most about him.
It's good to be versatile and able to bring different facets of your abilities to the variety of films that are scored.
I think he's a good choice and look forward to hearing what he brings to this new (to him) type of film/genre.
The director (based on his previous works) seems to prefer a more bolder, thematic score over what we generally hear these days, so hopefully he will unleash Beck without too many shackles.
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