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yes. a Sunshine release from LLLR would most definitly be a buy
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Oh and if you can do this release La-La Land, PLEASE PLEASE no dialog over the music. The iTunes version has it in several tracks. Agreed! I remember when this trend started in the early 90's. Apollo 13, Craig Armstrong's Ray, even Trevor Jones's Richard III -- so many great scores spoiled by people talking over them. I still remember how thrilled I was to find the dialogue-free version of Angela's Ashes in the UK when I was there on vacation once. Please, please! No dialogue on any potential Sunshine album, especially the big finale cue, as Cillian Murphy jumps between ships. Luckily Murphy's promo had no dialogue, so I edited out the tracks on the iTunes version with dialogue and replaced them with the promo versions. If I'm going to spend money to buy the same album a second time in order to get a physical CD, which I really DO want to do, it needs to have NO DIALOGUE WHATSOEVER on it. If Murphy himself is somehow a fan of this, he needs to be convinced what a HORRIBLE idea it is.
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Oh and if you can do this release La-La Land, PLEASE PLEASE no dialog over the music. The iTunes version has it in several tracks. Agreed! I remember when this trend started in the early 90's. Apollo 13, Craig Armstrong's Ray, even Trevor Jones's Richard III -- so many great scores spoiled by people talking over them. I still remember how thrilled I was to find the dialogue-free version of Angela's Ashes in the UK when I was there on vacation once. Please, please! No dialogue on any potential Sunshine album, especially the big finale cue, as Cillian Murphy jumps between ships. Luckily Murphy's promo had no dialogue, so I edited out the tracks on the iTunes version with dialogue and replaced them with the promo versions. If I'm going to spend money to buy the same album a second time in order to get a physical CD, which I really DO want to do, it needs to have NO DIALOGUE WHATSOEVER on it. If Murphy himself is somehow a fan of this, he needs to be convinced what a HORRIBLE idea it is. Considering Murphy's promo DIDN'T include any dialogue, what makes you think he is a fan of that idea? I still listen to this quite often and love the promo score. I have the iTunes but rarely listen to it.
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Considering Murphy's promo DIDN'T include any dialogue, what makes you think he is a fan of that idea? I assumed he was involved with the creation of the iTunes album, and had chosen those dialogue clips. I figured the promo was only intended for professionals in the industry, hence the lack of dialogue, while the album was what he wanted a mass audience to experience. But perhaps I'm wrong.
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Bring it on!
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Any chance of this materializing? I know 28 WEEKS LATER came out long after the film did, so I still hold out hope for a CD of this amazing score.
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The movie was a huge disaster for Fox that destroyed the lead actor (Cillian Murphy)'s career. Combined with Murphy seemingly being out of film scoring altogether, it makes a CD release next to impossible. Unless some sort of miracle happens (similar to Intrada doing Inchon). Yeah, Inception, The Edge of Love, being put into Tron: Legacy specifically so he's ready for a major role if they follow it up, In Time, not to mention the independent films he's always chosen to do... Cillian Murphy really dropped off the map after this :| With DVD sales added in (it grossed $15 million in rentals alone by mid 2008), the movie was hardly a "huge" disaster, more like just a mild underperformer (and frankly, it looks like it cost three times what it actually did).
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The movie was a huge disaster for Fox that destroyed the lead actor (Cillian Murphy)'s career. Combined with Murphy seemingly being out of film scoring altogether, it makes a CD release next to impossible. Unless some sort of miracle happens (similar to Intrada doing Inchon). And the director never worked again, and another made up bunch of shit. Wikipedia lists 16 movies Cillian has made since Sunshine. And the music regularly appears in trailers for other movies, TV adverts, etc. If Sunshine was the disaster you seem to think it was how come it didn't effect the career of the director, not the star? The director who has gone on to win an Oscar and direct the Olympic ceremony? And why hasn't it cursed the careers of Murphy's co-stars like Mark Strong, who has been in every bloody movie made since?
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