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 Posted:   Feb 21, 2013 - 1:58 PM   
 By:   Maleficio   (Member)

Not everything needs to be reissued for the umpteenth time. This is one of those titles.

 
 Posted:   Feb 21, 2013 - 3:12 PM   
 By:   danbeck   (Member)

It is not in my list of top priorities, but I'd be very happy with a complete score release including the short tracks missing (flashback, nightmare, diner scene and vorm in tequila botle) and, specially, the film versions (instrumental, without chorus) of wild braces and vomit creature...
If there's alternates they'd be welcome also...

 
 Posted:   Feb 21, 2013 - 5:44 PM   
 By:   SBD   (Member)

I have purchased this score four times: the short Intrada LP, the short Intrada CD, the long Intrada CD, and the still-longer Varese CD. And I have not enjoyed it in any incarnation. I think I'm done with this one.

You haven't enjoyed Taylor's theme? The inner strength motif? Kane's theme? Grandma Jess's theme? Surely you jest.

 
 
 Posted:   Feb 21, 2013 - 6:30 PM   
 By:   MOsdtks   (Member)

Completists wanting complete re re re releases for the sake of completism.

 
 Posted:   Feb 21, 2013 - 6:47 PM   
 By:   SchiffyM   (Member)

You haven't enjoyed Taylor's theme? The inner strength motif? Kane's theme? Grandma Jess's theme?

Not really. Not enough to slog through this CD yet again. Every couple of years, I try, and fail, to enjoy this score. It's just not for me. I'm a Goldsmith fanatic. The first "Poltergeist" score is one of my absolute favorite scores of all time. The sequel score just doesn't work for me.

I'm sure I'll give it a spin again in a year or two. Hope springs eternal!

 
 Posted:   Feb 21, 2013 - 7:20 PM   
 By:   Nexus 6   (Member)

You haven't enjoyed Taylor's theme? The inner strength motif? Kane's theme? Grandma Jess's theme?

Not really. Not enough to slog through this CD yet again. Every couple of years, I try, and fail, to enjoy this score. It's just not for me. I'm a Goldsmith fanatic. The first "Poltergeist" score is one of my absolute favorite scores of all time. The sequel score just doesn't work for me.

I'm sure I'll give it a spin again in a year or two. Hope springs eternal!


I've yet to listen to this soundtrack and haven't seen the movie since it was first released. I'm curious, given that this is Jerry Goldsmith...what is it about this score that doesn't work for you? I also enjoy the first film's music immensely. Is the music from Poltergeist II very different?

 
 Posted:   Feb 21, 2013 - 7:46 PM   
 By:   IWalkAmongYou   (Member)

What I like best about this thread isn't that it's about the POLTERGEIST II score, but all the wish-list titles people mentioned a year and a half ago that have since come out!

Back then it was only a pipe-dream to see complete releases of STAR TREK TMP, GREMLINS, THE SHADOW or CONGO.

It makes me really excited about what the next year and a half will bring.

Maybe this is a magic thread and if you wish for it here, it comes true? In that case put me down for complete FLINT scores, complete THE OTHER, complete THRILLER scores, THE PUBLIC EYE and more surprises!

 
 Posted:   Feb 21, 2013 - 8:19 PM   
 By:   The Mutant   (Member)

The opening track: "The Power" is one of my most played Goldsmith cues. Goes on all of my compilations. Usually the opener.

I would buy it again for the extra cues n stuff. Love this score.

 
 
 Posted:   Feb 22, 2013 - 12:51 AM   
 By:   peterproud   (Member)

Agreed, "The Power" is a great cue. I just tried to re-watch the film the other week and Goldsmith's amazing opening gave me hope that I'd short changed this sequel when I first saw it. Then by the 10 minute mark of the film I was losing interest and fast. I've had the score for years and in addition to the first track I'm also very fond of "Late Call", it's a really lovely melody and builds to an emotional end. But there was never very much else on the disc I enjoyed - certainly not pining for a re-release.

I'm with Schiffy as far as the original "Poltergeist" score goes....it's in a class by itself.

 
 Posted:   Feb 22, 2013 - 4:40 AM   
 By:   Score Whore   (Member)

PThe last releast of PII from Varese was complete except for 3 or 4 very brief cues, so I don't see any compelling reason for yet another release of this score.

If it was missing cues, then it wasn't complete, was it?

 
 Posted:   Feb 22, 2013 - 10:02 AM   
 By:   SchiffyM   (Member)

I've yet to listen to this soundtrack and haven't seen the movie since it was first released. I'm curious, given that this is Jerry Goldsmith...what is it about this score that doesn't work for you? I also enjoy the first film's music immensely. Is the music from Poltergeist II very different?

Yes, tonally it's quite different. The film is different, too (in that it's far, far inferior), so I don't hold this difference against the score. It's just an easy comparison. Not many scores by anybody compare favorably to "Poltergeist," in my opinion.

That said, while the first score is an exhilarating struggle between darkness and light, ferocious terror squaring off against love and peace, the second score (again, to me) is aimless and thin. There are melodies, but they are mostly performed somnambulantly; orchestration often consists of a theme played slowly on a synthesizer. The themes are simple (not necessarily a bad thing, but these just don't do it for me), often embellished by the electronic bleeps and blorps that Goldsmith was so fond of in this period. There is nothing of the striking beauty of the "Light" theme from the first film, but even more, it hardly seems like Goldsmith has the energy to try.

I know other people adore this score, and for them, I hope that yet another release happens, with whatever cues remain. But for this Goldsmith fanatic, who has never yet resisted a Goldsmith expansion, it will take very little will power to pass on it.

 
 
 Posted:   Feb 22, 2013 - 10:19 AM   
 By:   rickO   (Member)

Poltergeist II is one of those examples of Goldsmith using electronics and orchestra in a balanced way. It's also a brave score for being so vastly different from the original. Most sequel scores are relatively similar to their counterparts but not Poltergeist II. Goldsmith pretty much started completely fresh and gave us a whole new piece. Carol Ann's Theme shows up of course, and the Housing motif, but surprisingly he didn't bring back the Light Theme. I always wondered why he left that one out considering that "the light" is seen at the end of the movie and alluded to throughout.

As little as there is to re-issue, I would appreciate a complete release with a nice fat booklet (all of the releases have fairly modest liner notes).

-Rick O.

 
 Posted:   Feb 22, 2013 - 11:02 PM   
 By:   Nexus 6   (Member)

I've yet to listen to this soundtrack and haven't seen the movie since it was first released. I'm curious, given that this is Jerry Goldsmith...what is it about this score that doesn't work for you? I also enjoy the first film's music immensely. Is the music from Poltergeist II very different?

Yes, tonally it's quite different. The film is different, too (in that it's far, far inferior), so I don't hold this difference against the score. It's just an easy comparison. Not many scores by anybody compare favorably to "Poltergeist," in my opinion.

That said, while the first score is an exhilarating struggle between darkness and light, ferocious terror squaring off against love and peace, the second score (again, to me) is aimless and thin. There are melodies, but they are mostly performed somnambulantly; orchestration often consists of a theme played slowly on a synthesizer. The themes are simple (not necessarily a bad thing, but these just don't do it for me), often embellished by the electronic bleeps and blorps that Goldsmith was so fond of in this period. There is nothing of the striking beauty of the "Light" theme from the first film, but even more, it hardly seems like Goldsmith has the energy to try.

I know other people adore this score, and for them, I hope that yet another release happens, with whatever cues remain. But for this Goldsmith fanatic, who has never yet resisted a Goldsmith expansion, it will take very little will power to pass on it.


Thanks for your critique; it very nearly has me convinced to pass on a new release if/when that happens. However, I have also read a lot of praise for the score. I'm sure that money will part with my wallet if there is ever a complete release.

From La La Land Records - We actually passed on doing this project. There really is no need for it whatsoever. You can buy the Varese one for like $5 on Amazon.

Checking Amazon now shows that the Varese release is not quite in the $5 range anymore. What a difference 18 months makes. wink

 
 Posted:   Feb 23, 2013 - 10:54 AM   
 By:   SchiffyM   (Member)

Thanks for your critique; it very nearly has me convinced to pass on a new release if/when that happens. However, I have also read a lot of praise for the score.

My opinions are mine alone, of course. You should find samples to see how you'll feel about this score. As for me, I listened to it again last night, and I think that may be the last time. For me, the score completely lacks excitement, beauty, drama… a total dud.

But as you say, many love it. So you must make your choice.

 
 
 Posted:   Feb 23, 2013 - 2:51 PM   
 By:   indyray   (Member)

one of my favourite scores by Jerry Goldsmith,every note of music must be released.
the first short unreleased track is a backflash to Poltergeist.

 
 
 Posted:   Feb 23, 2013 - 2:56 PM   
 By:   indyray   (Member)

The Final Conflict varese deluxe has also a missing short track.

 
 Posted:   Feb 23, 2013 - 3:10 PM   
 By:   Anabel Boyer   (Member)

No love for the "Snowmobiles" cue -- track 17 -- which is one of the most brilliant and unexpected cues in the trilogy, along with "The Hunt" from FINAL CONFLICT?

 
 Posted:   Feb 23, 2013 - 3:43 PM   
 By:   Nexus 6   (Member)

Thanks for your critique; it very nearly has me convinced to pass on a new release if/when that happens. However, I have also read a lot of praise for the score.

My opinions are mine alone, of course. You should find samples to see how you'll feel about this score. As for me, I listened to it again last night, and I think that may be the last time. For me, the score completely lacks excitement, beauty, drama… a total dud.

But as you say, many love it. So you must make your choice.


Well, I've listened to several full length tracks posted on YouTube. I guess I fall somewhere in the middle with this music; I'm not blown away by what I've heard but I did enjoy enough of it. If rereleased, I suppose Poltergeist II would be one of those titles that gets placed on my long list of scores to purchase as funds become available. Most likely, I would only get around to buying it once it hit low quantities, as there are many other scores out there that I desire more.

 
 
 Posted:   Feb 24, 2013 - 11:01 AM   
 By:   indyray   (Member)

No love for the "Snowmobiles" cue -- track 17 -- which is one of the most brilliant and unexpected cues in the trilogy, along with "The Hunt" from FINAL CONFLICT?

The Hunt in The Final Conflict is just a great piece of art ,can listen to it over and over.
The Snowmobiles cue is indeed brilliant,that,s why some short cues are so important.

 
 
 Posted:   Feb 24, 2013 - 11:02 AM   
 By:   indyray   (Member)

so are the short unreleased cues from Poltergeist II The Other Side.

 
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