Intrada plans to release a new CD next week.
CDS AVAILABLE THIS WEEK
Fernando Di Leo's Trilogy: Amarsi Male/Brucisa Ragazzo Brucia/I Ragazzi del Massacro - Gino Peguri/Silvano Spadaccino/Iller Pattacini - Quartet
The Thief of Bagdad [1925] - Mortimer Wilson - Naxos
IN THEATERS TODAY
Africa - Yuri Prymenko
Anais in Love - Nicola Piovani
Firebird - Krzysztof A. Janczak
Hatching - Stein Berge Svendsen
Memory - Rupert Parkes
Peace by Chocolate - David Bertok
The Sound of Violet - Conrad Pope
Vortex - Music Supervisors: Steve Bouyer, Pascal Meyer
COMING SOON
May 6
Courage - Craig Safan - Dragon's Domain
Invasion: Season 1 - Max Richter - Decca
The Ken Thorne Collection Vol. 1 - Ken Thorne - Dragon's Domain
Never Too Late - Angela Little - Buysoundtrax
Night Caller - Richard Band - Dragon's Domain
May 27
The Power of the Dog - Jonny Greenwood - Lakeshore
June 3
Violin Concerto No. 2 & Selected Film Themes - John Williams - Deutsche Grammophon
June 10
Ted K - Blanck Mass - Sacred Bones
June 17
The Velvet Queen (La panthere des neiges) - Nick Cave, Warren Ellis - Invada
Date Unknown
Blood on the Crown - Laurent Eyquem - Kronos
Diamanti sporchi si sangue - Luis Bacalov - Quartet
Farewell Gulsary - Andre Matthias - Kronos
The Green Planet - Benji Merrison, Will Slater - Silva
Il sorisso del ragno - Daniele Patucci - CSC
Sans sommation - Daniele Patucci - CSC
Storia e preistoria - Piero Umiliani - Kronos
THIS WEEK IN FILM MUSIC HISTORY
April 29 - Duke Ellington born (1889)
April 29 - Toots Thielemans born (1922)
April 29 - Waldemar Kazanecki born (1929)
April 29 - Rod McKuen born (1933)
April 29 - Herbert Stothart begins recording his score to Random Harvest (1942)
April 29 - Jan A.P. Kaczmarek born (1953)
April 29 - Chris Boardman born (1954)
April 29 - Lawrence Shragge born (1954)
April 29 - Craig Armstrong born (1959)
April 29 - Dennis McCarthy records his score for the Star Trek: The Next Generation episode “Conspiracy” (1988)
April 29 - James Horner begins recording his score for The Rocketeer (1991)
April 29 - Jay Chattaway records his score for the Star Trek: Deep Space Nine episode “If Wishes Were Horses” (1993)
April 29 - Dennis McCarthy and Kevin Kiner record their score for the final Star Trek: Enterprise episode, “These Are the Voyages…” (2005)
April 29 - Joel Goldsmith died (2012)
April 30 - Jay Chattaway records his score for the Star Trek: The Next Generation episode “The Host” (1991)
April 30 - David Bell records his score for the Star Trek: Voyager episode “Homestead” (2001)
April 30 - Velton Ray Bunch records his score for the Enterprise episode “Desert Crossing” (2002)
May 1 - Heinz Roemheld born (1901)
May 1 - Bill Byers born (1927)
May 1 - Paul Sawtell records his score for the Land of the Giants episode “The Flight Plan” (1968)
May 1 - Gordon Jenkins died (1984)
May 1 - James Horner begins recording orchestral cues for his Apollo 13 score (1995)
May 1 - Bill Byers died (1996)
May 2 - Alan Rawsthorne born (1905)
May 2 - Van Alexander born (1915)
May 2 - Satyajit Ray born (1921)
May 2 - Svatopluk Havelka born (1925)
May 2 - Paul Ferris born (1941)
May 2 - Ondrej Soukup born (1951)
May 2 - Elliot Goldenthal born (1954)
May 2 - Justin Caine Burnett born (1973)
May 2 - Aram Khachaturian died (1978)
May 2 - Recording sessions begin for Danny Elfman's score for Batman Returns (1992)
May 2 - Recording sessions begin for James Newton Howard’s score for Wyatt Earp (1994)
May 2 - Jay Chattaway records his score for the Star Trek: Voyager episode “Scorpion, Part I” (1997)
May 2 - Paul Baillargeon begins recording his score for the Star Trek: Voyager episode “Message in a Bottle” (1997)
May 2 - Recording sessions begin for John Ottman's score for Orphan (2009)
May 3 - Hugo Friedhofer born (1901)
May 3 - James Brown born (1933)
May 3 - Stephen Warbeck born (1953)
May 3 - Les Baxter records his score for House of Usher (1960)
May 3 - David Raksin begins recording his score for Two Weeks in Another Town (1962)
May 3 - Bruce Broughton begins recording his score for Baby’s Day Out (1994)
May 3 - Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Extreme Measures” (1999)
May 3 - Alden Shuman died (2002)
May 3 - Recording sessions begin for David Arnold’s score for The Stepford Wives (2004)
May 3 - Dennis McCarthy records his score for the Star Trek: Enterprise episode “Countdown” (2004)
May 3 - Recording sessions begin for Michael Giacchino’s score for Sky High (2005)
May 4 - Beatrice Thiriet born (1960)
May 4 - John Barry begins recording his score for Body Heat (1981)
May 4 - Dennis McCarthy records his score for the Star Trek: The Next Generation episode “Sarek” (1990)
May 4 - Jay Chattaway records his score for the Star Trek: The Next Generation episode “I, Borg.” (1992)
May 4 - Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Crossover” (1994)
May 4 - Jay Chattaway records his score for the Star Trek: Deep Space Nine episode “Family Business” (1995)
May 4 - Albert Glasser died (1998)
May 5 - Gene Forrell born (1915)
May 5 - Patrick Gowers born (1936)
May 5 - Delia Derbyshire born (1937)
May 5 - Andre Previn begins recording his score for House of Numbers (1957)
May 5 - Jerome Moross begins recording his score for The Jayhawkers (1959)
May 5 - David Shire begins recording his score for The Big Bus (1976)
May 5 - Recording sessions begin for Pino Donaggio’s score for Dressed to Kill (1980)
May 5 - Jerry Goldsmith begins recording his score for Congo (1995)
May 5 - Recording sessions begin for Christopher Young's score for Species (1995)
May 5 - Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Blaze of Glory” (1997)
May 5 - Isao Tomita died (2016)
DID THEY MENTION THE MUSIC?
THE CELLAR - Stephen McKeon
"Even such rudimentary 'demon bad, family good' dynamics might pass muster if the undercooked narrative were flavored with enough creepiness in mood and setpieces. But aside from a few adequate jump scares, the film stubbornly refuses to develop any suspenseful grip. There are far too many scenes (particularly burdened on Cuthbert) in which characters over-act fear while practically nothing is happening at all, even as Stephen McKeon’s original score labors to suggest otherwise, complete with 'Omen'-like quasi-Gregorian chants. Even a climactic leap into fantastical imagery somehow comes off as lacking energy and imagination, like much else here: Hell appears to be an endless queue of somnambulists."
Dennis Harvey, Variety
"And maybe the much-improved script, relying less heavily on leaden mythological backstory and instead focusing on a more propulsive plot, brought out the best in people. Director David Yates, who has been carrying the Harry Potter torch since the fifth film in the main franchise (he’s only directed a single non-Potter film since 2006, 2016’s underrated 'The Legend of Tarzan'), feels enlivened by the new material. It’s easily his best-directed film since the penultimate Potter installment, 'Harry Potter and the Deathly Hallows, Part 1,' and the cast seems reinvigorated, too, even if some of them sat this one out (Katherine Waterston only shows up for a cameo). Even James Newton Howard’s score is zippier than it has been in the previous two entries."
Drew Taylor, The Playlist
"These 'Fantastic Beasts' movies are just not good. They’re extremely OK, but never truly inspiring or transporting. This third installment is somewhat of an improvement over 2018’s dour 'The Crimes of Grindelwald,' and it’s about on par with the first film in the series, 2016’s whimsical 'Fantastic Beasts and Where to Find Them,' in terms of pure enjoyment. They’re all chasing the dragon of that astronomical, worldwide, once-in-a-generation 'Harry Potter' success, but each new movie in this spinoff franchise reminds us of how unnecessary and inferior they are. They can fly over Hogwarts and play a snippet of the soaring John Williams theme as young wizards chase the snitch in a game of Quidditch (an image that inspired my 12-year-old son to groan, 'Fan service!' during a recent screening)."
Christy Lemire, RogerEbert.com
"There are still some satisfactions to be found by the Harry Potter fan who swoons at the slightest hint of John Williams’s musical motifs, and a brief appearance from a young Professor McGonagall (Fiona Glascott) is one such delight. George Richmond’s camera seems to take refuge in the scenes that swoop over the turrets of Hogwarts and through the school’s Great Hall while a Golden Snitch flits by, and 'The Secrets of Dumbledore' is on safest ground where the warmth of familiar scenery offer sufficient distraction from the plotholes."
Dan Rubins, Slant Magazine
"So despite Yates’ attractive orchestration, costumer Colleen Atwood’s impeccable, era-appropriate menswear-leaning garments, and the magical production design by Stuart Craig and Neil Lamont, the magic-focused film series never quite finds the enchanted spark that made the Harry Potter franchise so urgently essential. By comparison, the overall story told in the 'Fantastic Beasts' films feels more like an overlong book -- one with missing chapters. The familiar grounds of Hogwarts and the fairy dust of composer John Williams’ iconic Harry Potter theme only make us wish we were watching that film series instead of this humorless slog."
Tomris Laffly, The Onion AV Club
"'Secrets of Dumbledore' is not without its charms, though. Director David Yates (who helmed four Potter films and the entirety of 'Fantastic Beasts' thus far) returns with a formidable crew that includes director of photography George Richmond, production designers Stuart Craig and Neil Lamont, editor Mark Day, costume designer Colleen Atwood and composer James Newton Howard to re-create the rich, textured Wizarding World. The battle scenes -- slowed down and shot from a variety of angles -- add tension and show off the franchise’s technical precision and prowess. The magic creatures are carefully constructed and the world within Newt’s briefcase remains dazzling.
Lovia Gyarke, The Hollywood Reporter
GAGARINE - Amin Bouhafa, Sacha & Evgueni Galperine
"This is also when the filmmakers, with the aid of cinematographer Victor Seguin’s elegantly fluid shots and many fine sound/music craftspeople, begin to convey Youri’s ambition and isolation with elements of the fantastical, as if his near-metaphysical connection with a doomed place was the equivalent of a lone spaceman in countdown, hoping to achieve a kind a dreamlike liftoff from what will soon be a pile of debris from a previous architectural age. The first half’s sprightly, mostly daytime scenes of communal bustle in a real location -- Liatard and Trouilh filmed onsite at the post-condemned Cité Gagarine before demolition began in 2019 -- segues into a color-and-light-themed, theremin-scored, sci-fi fugue state."
Robert Abele, Los Angeles Times
THE GIRL AND THE SPIDER - Philipp Moll
"Arriving almost a decade after 'The Strange Little Cat,' the debut that announced the Swiss-born, Berlin-based Zürcher twins as filmmakers of striking originality, their sophomore outing expands upon that 2013 film’s visual grammar. Working again with cinematographer Alexander Haßkerl, they tap into the weirdness of the familiar in ways that are at once inscrutable and transparent, comic and poignant. Philipp Moll’s lovely score helps to propel the proceedings with a tantalizing blend of restraint and exuberance, in sync with the arresting and intensely observed performances."
Sheri Linden, The Hollywood Reporter
THE NORTHMAN - Robin Carolan, Sebastian Gainsborough
"But 'The Northman' is never dull. The sheer muscularity of Eggers’ direction denies it that chance, as even the simplest scenes of Amleth glowering at his enemies or trudging through Fjölnir’s primordial farmland (Northern Ireland absolutely nailing its performance as Iceland) are bracingly rendered as steps on the road to Valhalla. Robin Carolan and Sebastian Gainsborough’s pounding score pumps the story full of blood like the heart of a whale, while Jarin Blaschke’s frostbitten cinematography allows the film to flatten mud-and-shit history into the stuff of 'Elden Ring' high fantasy until they feel equally true, both for Amleth and for us. Also, someone gets decapitated like every 10 minutes."
David Ehrlich, IndieWire
"A recent New Yorker profile of Eggers revealed the near-comical exactitude of the research he and his team did on the Norse legends and Old Icelandic sagas on which 'The Northman' is based. Their work shows in the result, with stunningly detailed production design by Craig Lathrop and an unsettling score by Robin Carolan and Sebastian Gainsborough that uses historically accurate instruments like the bone flute and the tagelharpa, a lyre with strings made of horsehair. The costumes feel accurate down to the last cloak pin, helmet nose-guard, and mud-spattered head wrap. The screenplay was co-authored by Eggers and the Icelandic poet and novelist Sjón, a frequent Björk collaborator who also co-wrote the recent folk-horror film Lamb. While the characters’ archaic locutions sometimes evoke laughs that may or may not be intentional, the dialogue also shows an acute ear for the beauty of language and an avoidance of historical anachronism that’s uncommon in the sword-and-sandal tradition this movie hails from. One exception to that rule is some late scenes when a more enlightened Amleth, his vengeance-fixated worldview somewhat softened by his newfound connection to Olga, delivers some lines that sound a tad New Agey for a man who only days ago was skewering his foes like so many gravlax shish kebabs."
Dana Stevens, Slate.com
"Sonically, the chapters that comprise 'The Northman' are marked by the loud pounding of drums constantly startling and preparing us for war. In general, the atmospheric music composed by Robin Carolan and Sebastian Gainsborough carries ominousness, like a call to arms because the entire odyssey leads to a final confrontation of monumental proportions."
Carlos Aguilar, The Playlist
"'The Northman' is the kind of movie where even the mud has rage; it is a visceral film filled with codas to the inescapable darker regions of nature: animal, elemental and the harshest of all, human. They all vibrate through Eggers’ signature warped soundscapes and Robin Carolan and Sebastian Gainsborough’s brooding score, as ambient reverbs and decaying delays reach back toward primordial origins. The trippy hypnotic dreamscapes attempt a similar reach: the crack VFX team render Amleth’s family tree, an ever-evolving stand-in for divine rule, as a blue glowing arterial fern arising from his heart while connecting to ours. It’s one of the many magical tendrils intertwining, and sometimes knotting up, 'The Northman,' a film where Björk portrays a blind seer pointing Amleth toward a sword with a dull-less blade and an unquenchable thirst for death."
Robert Daniels, RogerEbert.com
"'Bring me the boy’s head,' Fjölnir commands his men, accompanied by the shrieking strings and pounding drums of Robin Carolan and Sebastian Gainsborough’s hard-driving score. But Amleth, after watching the slaughter of male villagers, abduction of the women and the Queen slung over Fjölnir’s shoulder and hauled off screaming, escapes by boat. He vows to rescue his mother, kill his uncle and avenge his father."
David Rooney, The Hollywood Reporter
YOU WON'T BE ALONE - Mark Bradshaw
"Stolevski and editor Luca Cappelli don’t hold your hand as they guide you through the trickier, stream-of-consciousness final passages of the movie, whose scares are punctuated by moments of transcendent visual poetry. A mesmerizing score by Mark Bradshaw (composer on Jane Campion’s 'Bright Star,' whose woozy period beauty feels like an influence here on Stolevski) blends ambient Brian Eno vibes with searching piano melodies that carry the film’s many luminously crafted montages as Nevena (or whoever she is at any point) comes up and into humanity almost as if on a drug."
Ryan Lattanzio, IndieWire
"'You Won’t Be Alone' is a visual poem about tradition, gender, and looking through eyes that are not your own. It is, through the frame of the screen and Mark Bradshaw’s lush score, a bleeding, gory metaphor for why we watch movies. It is reflection. It is love."
Joshua Rivera, Polygon
"This comes courtesy of Matthew Chuang’s crisp, claustrophobic 1.66:1 photography, filled with unnerving closeups contrasted with wide, verdant hills and towering mountains. There’s no small amount of Terrence Malick in the film’s DNA -- the dreamlike editing, poetic voiceover from a waifish protagonist, the elegaic orchestral score."
Clint Worthington, Consequence
"There are moments when you want to look away from 'You Won’t Be Alone,' but it’s so wildly compelling, in performance, writing and score, that one cannot. It feels like something unearthed from another time, an ancient relic that is utterly modern in its craft and in the truths it tells about the world. It is startling, and sometimes disturbing, but hits a place that is intensely human -- bittersweet and bloody and beautiful at once, and unlike anything you’ve ever seen. Is it horror? Well, life can be a horror. And yet …."
Katie Walsh, Los Angeles Times
THE NEXT TEN DAYS IN L.A.
Screenings of older films in Los Angeles-area theaters.
April 29
ALIEN (Jerry Goldsmith) [BrainDead Studios]
ALIENS (James Horner) [New Beverly]
EAT DRINK MAN WOMAN (Mader) [BrainDead Studios]
THE EMPIRE STRIKES BACK (John Williams) [El Capitan]
ETERNAL SUNSHINE OF THE SPOTLESS MIND (Jon Brion) [AMC Century City]
GOLDFINGER (John Barry) [New Beverly]
HEREDITARY (Colin Stetson) [Nuart]
HIGH AND LOW (Masaru Sato) [Aero]
KILL BILL: VOL. 1 (RZA) [New Beverly]
MIAMI VICE (John Murphy) [Alamo Drafthouse]
MY NEIGHBOR TOTORO (Joe Hisaishi) [Landmark Westwood]
PRINCESS MONONOKE (Joe Hisaishi) [Academy Museum]
April 30
ALIENS (James Horner) [New Beverly]
CROOKLYN (Terence Blanchard) [BrainDead Studios]
DOWNTON ABBEY (John Lunn) [AMC Century City]
THE GRAND BUDAPEST HOTEL (Alexandre Desplat) [BrainDead Studios]
GRAVE OF THE FIREFLIES (Michio Mamiya) [BrainDead Studios]
KING KONG (Max Steiner) [New Beverly]
LADY TERMINATOR (Ricky Brothers) [New Beverly]
THE LIFE OF OHARU (Ichiro Saito), OSAKA ELEGY (Koichi Takagi) [Aero]
MY NEIGHBOR TOTORO (Joe Hisaishi) [Landmark Westwood]
THE PUBLIC EYE (John Barry) [Los Feliz 3]
RETURN OF THE JEDI (John Williams) [El Capitan]
TALK TO HER (Alberto Iglesias), THE SKIN I LIVE IN (Alberto Iglesias) [Academy Museum]
THE TWILIGHT SAGA: ECLIPSE (Howard Shore) [Alamo Drafthouse]
VOLVER (Alberto Iglesias) [Academy Museum]
WHEN MARNIE WAS THERE (Takatsugo Muramatsu) [Academy Museum]
ZATOICHI AND THE FUGITIVES (Hajime Kaburagi) [Los Feliz 3]
May 1
ALIENS (James Horner) [New Beverly]
BROKEBACK MOUNTAIN (Gustavo Santaolalla) [AMC Century City]
FANTASTIC VOYAGE (Leonard Rosenman) [Academy Museum]
THE FIRE WITHIN (Erik Satie) [Los Feliz 3]
HOT FUZZ (David Arnold) [Alamo Drafthouse]
IKIRU (Fumio Hayasaka), DRUNKEN ANGEL (Fumio Hayasaka) [Los Feliz 3]
KING KONG (Max Steiner) [New Beverly]
THE LOVELY MONTH OF MAY (Michel Legrand) [Academy Museum]
ONCE UPON A TIME IN AMERICA (Ennio Morricone) [BrainDead Studios]
THE TWILIGHT SAGA: ECLIPSE (Howard Shore) [Alamo Drafthouse]
THE WOBBLIES [Los Feliz 3]
May 2
BURN AFTER READING (Carter Burwell) [AMC Century City]
CANDYMAN (Philip Glass), THE PEOPLE UNDER THE STAIRS (Don Peake) [New Beverly]
MIAMI VICE (John Murphy) [Alamo Drafthouse]
May 3
ATONEMENT (Dario Marianelli) [AMC Century City]
CANDYMAN (Philip Glass), THE PEOPLE UNDER THE STAIRS (Don Peake) [New Beverly]
FAST TIMES AT RIDGEMONT HIGH (Joe Walsh) [Los Feliz 3]
LADY SINGS THE BLUES (Michel Legrand) [Academy Museum]
May 4
ARSENIC AND OLD LACE (Max Steiner), THE TROUBLE WITH HARRY (Bernard Herrmann) [New Beverly]
HARRIET (Terence Blanchard) [AMC Century City]
JUST ANOTHER GIRL ON THE I.R.T. (Eric Sadler) [Academy Museum]
RETURN OF THE JEDI (John Williams) [BrainDead Studios]
May 5
DARKEST HOUR (Dario Marianelli) [AMC Century City]
RICHARD PRYOR: LIVE ON THE SUNSET STRIP [BrainDead Studios]
SCANDAL (Fumio Hayasaka), THE QUIET DUEL (Akira Ifukube) [Los Feliz 3]
May 6
BROKEN EMBRACES (Alberto Iglesias) [Academy Museum]
BUFFALO '66 (Vincent Gallo) [BrainDead Studios]
THE CABLE GUY (John Ottman) [BrainDead Studios]
CAT PEOPLE (Giorgio Moroder) [Los Feliz 3]
CLIMAX [Landmark Westwood]
8MM (Mychael Danna) [Nuart]
FANTASIA [Landmark Westwood]
FROM DUSK TILL DAWN (Graeme Revell) [New Beverly]
MARIE ANTOINETTE [Alamo Drafthouse]
MIND GAME (Fayray, Saichi Yamamoto) [Nuart]
THE SECRET OF NIMH (Jerry Goldsmith) [Los Feliz 3]
SPIRITED AWAY (Joe Hisaishi) [Academy Museum]
THE THING (Ennio Morricone) [Aero]
TREMORS (Ernest Troost) [New Beverly]
May 7
THE BEST LITTLE WHOREHOUSE IN TEXAS (Carol Hall, Patrick Williams) [Los Feliz 3]
THE BEYOND (Fabio Frizzi) [New Beverly]
BOOGIE NIGHTS (Michael Penn) [Nuart]
CONAN THE BARBARIAN (Basil Poledouris), THE ROAD WARRIOR (Brian May) [Aero]
THE DARK CRYSTAL (Trevor Jones) [Academy Museum]
FANTASIA [Landmark Westwood]
THE FISHER KING (George Fenton) [BrainDead Studios]
GRINDHOUSE (Robert Rodriguez, Graeme Revell) [New Beverly]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [New Beverly]
MUR MURS [Los Feliz 3]
POLTERGEIST (Jerry Goldsmith) [Los Feliz 3]
RASHOMON (Fumio Hayasaka) [Academy Museum]
THE ROCKY HORROR PICTURE SHOW [Nuart]
THE ROOM (Mladen Milicevic) [Landmark Westwood]
SEVEN (Howard Shore) [BrainDead Studios]
SHE'S GOTTA HAVE IT (Bill Lee) [Academy Museum]
STAR TREK: THE WRATH OF KHAN (James Horner) [Aero]
SUCH GOOD FRIENDS (Thomas Z. Shepard) [Los Feliz 3]
SWISS ARMY MAN (Andy Hull, Robert McDowell) [BrainDead Studios]
May 8
THE ANDROMEDA STRAIN (Gil Melle) [Academy Museum]
ANNIE (Charles Strouse, Ralph Burns) [Los Feliz 3]
BODY DOUBLE (Pino Donaggio) [Nuart]
DIRTY DANCING (John Morris) [Alamo Drafthouse]
FANTASIA [Landmark Westwood]
FREAKY FRIDAY (Rolfe Kent) [Aero]
GREASE 2 [Los Feliz 3]
GRINDHOUSE (Robert Rodriguez, Graeme Revell) [New Beverly]
HUSH...HUSH, SWEET CHARLOTTE (Frank DeVol) [Los Feliz 3]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [New Beverly]
LONE WOLF AND CUB: SWORD OF VENGEANCE (Eiken Sakurai, Hideaki Sakurai) [BrainDead Studios]
MAMMA MIA! [Alamo Drafthouse]
MEAN STREETS [BrainDead Studios]
PINK FLOYD: THE WALL (Roger Waters, Michael Kamen) [Los Feliz 3]
TRON (Wendy Carlos) [Aero]
THE WANDERERS [BrainDead Studios]
THINGS I'VE HEARD, READ, SEEN OR WATCHED LATELY
Heard: The Dark Crystal: Age of Resistance, Vol. 2 (Pemberton/Sim); It Could Happen to You (Burwell, various); Love Affair (Morricone); Harry Potter and the Prisoner of Azkaban (Williams); The Complete Live at the Village Vanguard 1961 (Evans); Notting Hill (Jones); Evans in England (Evans); The Object of My Affection (Fenton)
Read: Tarnished Icons, by Stuart H. Kaminsky
Seen: The Northman; Ben; The Duke; Dual; Fiddler on the Roof; Trackdown; The Summertime Killer; Father Stu; The African Queen; The Treasure of the Sierra Madre
Watched: Invisible Invaders; Watchmen ("It's Summer and We're Running Out of Ice"); House of Cards ("Chapter 1"); Star Trek ("Assignment: Earth")
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