|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Eh, Ive seen this before. David Arnold's Wing Commander march was a b-theme in an old anime movie. Does that mean Arnold saw it and copied it down, thinking he could get away with cutting corners? Highly unlikely. The same goes for this. Its what us ed-u-ma-cated types call a "co-inky-dink". Actually, I think Spielberg used it as temp for the "You Are the Pan" scene and Williams was asked not to deviate too much from the Delerue original. It's too close in terms of the harmonic setting and the choice of muted strings/solo flute to be coincidence. Spielberg also must have temped Korngold's Sea Hawk on "Hooknapped" because there is a small section right out of that as well. At least with that I can forgive Williams/Spielberg because it's somewhat of an homage to the pirate swashbuckler genre. The Agnes of God is a little harder to get past, mainly because Delerue's score is so beautiful and moving.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It's unfortunate that even Spielberg isn't above the temp track disease. The worst examples of this, in both Lucas and Spielberg's 2002 films, were the shameless Crouching Tiger, Hidden Dragon lifts. To use them in Minority Report is one thing, but freaking Star Wars? As my Aunt Linda would say, "Whah?"
|
|
|
|
|
|
|
|
Considering AGNES was an Oscar nominated score, it would have been known to Spielberg. And after all, there is another Spielberg film that features a literal copy of a Delerue theme. (THE COLOR PURPLE.)
|
|
|
|
|
|
|
|
They were both copied from the "Hook of God"
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
post deleted
|
|
|
|
|
|
|
|
|
|
|
|
|