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Indeed -- INTROVISION was then, a major new component in the movie making process -- before all the CGI took center stage. I met the dude your speaking of -- but memory is totally failing me at the moment! (Ah, wait a sec -- John Eppolito!) Sorry about the double post kids! I believe they also used the Introvision process on The Fugitive for the shot where Harrison Ford jumps off the bus just before the train crashes into it - the only effects shot in the film if I recall. Fantastic video, Scott! Thank you for that. The Introvision in Outland is amazing, as it is in most of the films it was featured in, particularly Darkman. I think it seemed to have it's limitations as far as daytime exteriors were concerned (remember the train scene from Stand By Me?), but still a nice technique that gave unique results, free of matte lines. Outland overall I think is a visual stunner. Roy Field supervised the opticals. Yes, thanks for the Introvision clip. Very interesting... And returning to the topic of OUTLAND is much appreciated!
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No camera movement for Introvision? No, anything shot with the process had to be carefully lined up. I suppose motion-control could have been used at the time for some simple movement, but it really wouldn't have been all that stable and certainly not worth the effort.
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I seem to recall (correct me if I am wrong) several memorable Introvision shots with a moving camera in Darkman, Army of Darkness and even the climax of If Looks Could Kill. Perhaps that was just clever editing in some instances. Hm. Now that you mention it, I seem to recall something similar in Darkman. You may be right. It is also possible that the technique was perfected during the interim.
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I suppose other people have noticed that the link to the "Outland" product page under the 'News' heading on the SAE home page is screwed? Not that SAE aren't aware of it, because I emailed them almost 24 hours ago. It is the weekend though, so perhaps they have a good excuse.
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"I'd like the complete score for Outland. I'd like it soon, or I might just kick your nasty ass all over this room. That's a marshal joke." I'd just like to add my praise and thanks to Lukas Kendall, Mike Matessino and all concerned for this wonderful release! As always, much appreciated!
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Another fantastic and long-awaited expanded release for my Goldsmith collection. I've always loved his work particularly from this time period. Thanks to those that made it happen! Mick
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