|
|
|
|
|
|
|
|
This is a comments thread about FSM CD: Outland |
|
|
Awesome!!!! I hope this doesn't sell out too quickly. I think your cool if you have to wait, but it would drive me nuts to wait too long.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
oh man, those two source cues!! "Disc 1 also interpolates the work of two other composers, who stepped in when Hyams requested changes but Goldsmith was unavailable: Morton Stevens, who adapted Goldsmith’s thematic material for the film’s climactic fight on the exterior of the station (“The Last Battle [Broken Hose]”),? I've got to confess I have a little issue here. Yes, Morton did use a bit of Goldsmith's theme, but as I recall his piece really is mostly HIM (bits from his score to THE GREAT WHITE are in it), but I don't seem to recall him using very much of Goldsmith's music beyond a quote of the tune.. Ford A. Thaxton Ford, I guess this is a matter of some interpretation and I respect your opinion. The cue sheet credit was "adapted by" so we felt it was accurate to use. Lukas I would agree. The credit on the cue sheet is what was agreed to and that's that.. However, as others have already pointed out, it's Pure Morton Stevens for the most part. Jerry picked the right guy to do it.. Ford A. Thaxton
|
|
|
|
|
|
|
|
|
Forgot to use this for all the Star Treks, but this action stands.
|
|
|
|
|
|
|
|
I think I may like the Outland score a little better than it's companion piece Alien - the up/down motive gives the whole thing more of a structure. Although Alien has cooler effects. But the urban legend is that Peter Hyams HATED it, and wouldn't work with Goldsmith again because of it. Goldsmith himself considered the score a failure as well, although probably because of Hyams' attitude. If true it's pretty inexplicable - the score, as well as the production design, make the movie. Many thanks for the release. We interviewed Hyams and he never said a disparaging word about the score or about Jerry. Lukas
|
|
|
|
|
|
|
|
I think I may like the Outland score a little better than it's companion piece Alien - the up/down motive gives the whole thing more of a structure. Although Alien has cooler effects. But the urban legend is that Peter Hyams HATED it, and wouldn't work with Goldsmith again because of it. Goldsmith himself considered the score a failure as well, although probably because of Hyams' attitude. If true it's pretty inexplicable - the score, as well as the production design, make the movie. Many thanks for the release. We interviewed Hyams and he never said a disparaging word about the score or about Jerry. Lukas I don't remember where I came across that, but I'd be pleased to hear it to be completely wrong. On the DVD commentary to Capricorn One, Hyams was complimentary to the score.
|
|
|
|
|
Brilliant. Just brilliant! Thanks, FSM!
|
|
|
|
|
|
|
|
i understand the language of the Reich also. watch it! Ihr Witzbolde! Das Reich ist doch lange untergegangen... Aber das wisst ihr ja ;-) Und jetzt sind wir alle ganz friedlich in Deutschland... Wirklich. Believe me.
|
|
|
|
|
so, what did DER volk think of MARATHON MENch?
|
|
|
|
|
ein REICH ein VOLK ein FUHRER!
|
|
|
|
|
ein REICH ein VOLK ein FUHRER! Idiotic, Bruce.
|
|
|
|
|
ein REICH ein VOLK ein FUHRER! Hmmm... if you'd say these words in Germany in public, you'd be charged. Seriously... And I simply love MARATHON MAN. Film and score. And the FSM CD of course. But I already said that dozens of times, I believe ;-)
|
|
|
|
|
|
|
|
|
|