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 Posted:   May 11, 2008 - 2:04 PM   
 By:   JSWalsh   (Member)

It would have been interesting to see Kubrick make another futuristic science fiction as director. A.I. certainly bears his stamp to an extent, but I never cared for it the way some do--it's a cliche, but it really does seem to have the worst traits of both Spielberg and Kubrick in evidence.

For all my decreased love for the movie, I don't get the idea that it looks dated. The effects still impress in this age of CGI. I don't find the effects in, say, the last couple of Star Trek movies to be believable at all--they look like special effects. The 2001 effects look like real spaceships--not that fakey shakey-cam crap that's an attempt to make movies resemble bad video footage. Think of the shots of the Discovery--magnificent. The silence is SO effective, too. Most space shots in the CGI era just don't seem to be able to stand up to silence and music alone--the audience needs the WHOOOSH!

A couple of my students who are very into science really enjoyed 2001 (I asked the other morning), so it's not just a matter of "the kids these days, they need the WHOOOSH!"). When audiences are respected, they will appreciate it. Not all viewers, of course, but when has that ever been so?

As to nuts score's comment, 2001 surely has been one of the most written-about movies ever, so it's no surprise we can't come up with anything new! frown

 
 Posted:   May 11, 2008 - 2:06 PM   
 By:   Eric Paddon   (Member)

I'll grant that the movie's FX look doesn't look dated at all. And Kubrick's wise avoidance of politics (which Peter Hyams was incapable of doing in "2010") in the sequences between Floyd and the Russians, also keeps the film from being dated in a "Cold War is still going on" way.

 
 
 Posted:   May 11, 2008 - 2:13 PM   
 By:   JSWalsh   (Member)

2010 had fine production design and effects, and the acting was good, though the characters were bland, but the whole enterprise was pointless. In the end, it gave explanations for things which were better left unexplained ("The damned government!" snore...). I prefer my enigmas left enigmatic. And the "Can't we all live together" generic PC crap is just so tired. I'll take a strong, individual political message I don't care for over more Hollywood leftist bilge disguised as "common sense" any day. (American audiences have no problem with such rote US bashing, but imagine how "controversial" 2010 would have been if the aliens had said "You know, you Soviets really need to knock down that Berlin wall"? wink

 
 
 Posted:   May 11, 2008 - 4:15 PM   
 By:   Cooper   (Member)

And Kubrick's wise avoidance of politics (which Peter Hyams was incapable of doing in "2010") in the sequences between Floyd and the Russians, also keeps the film from being dated in a "Cold War is still going on" way.


Yep, a pretty tiresome part of 2010: To get out there in deep space for something way-existential...and to have it all brought down to earth again for some tepid, ground-based drama. With Kubrick, man, we were out there. Way, way out there...

And Eric (pardon the mini thread hi-jack): You might be intrigued by what Galactica's doing with religion at the moment (only the mildest conceptual spoilers follow)...approaching the basis of it as secular sci-fi; is there a cosmic power? What's its nature? Drama ensues as different doctrines either reliably portray this thing, or--potentially--get it very, very wrong...and that's if there's anything there at all... It's all very speculative and intriguing, and I haven't seen the subject dealt with this way before. It's about religion, not an advancement of it...in a universe where ultimate truths are only half-heard, misunderstood outright or just plain made up...while the glimmer of something twinkles in the dark...or doesn't. I think Kubrick would've liked this show. I should start a new thread about this...




--Coop

 
 Posted:   May 11, 2008 - 5:27 PM   
 By:   Eric Paddon   (Member)


And Eric (pardon the mini thread hi-jack): You might be intrigued by what Galactica's doing with religion


Not interested. Ever. The worthlessness of that entity is cemented with me for all time, and there's nothing I'll ever give it any credit for, unlike 2001, which I can acknowledge a few positives of.

 
 Posted:   May 11, 2008 - 6:08 PM   
 By:   Heath   (Member)

2001 surely has been one of the most written-about movies ever, so it's no surprise we can't come up with anything new! frown

Wrong AGAIN! Here's something new: 2001 A Space Odyssey was Robert Stack's favourite movie. There.

Yeah, it's bullshit, but it's new.

 
 
 Posted:   May 11, 2008 - 6:22 PM   
 By:   Cooper   (Member)



Yeah, it's bullshit, but it's new.




And we have Tom Hanks to thank for opening the novel subject of whether it'd be possible to pour coffee into cups while flying over the lunar surface (as seen in the shuttle just prior to the astronauts' investigation of the monolith).

I say: Probably, given that the moon's gravity would be powerful enough at that altitude to make it work...or at least for it to do an "approximate slopping" into the cups.



--Coop

 
 
 Posted:   May 11, 2008 - 6:28 PM   
 By:   Cooper   (Member)


Not interested. Ever. The worthlessness of that entity is cemented with me for all time, and there's nothing I'll ever give it any credit for, unlike 2001, which I can acknowledge a few positives of.




Unfortunate. I would think it's enough of its own thing now to have shed some of the negative baggage you feel from its having been born of The Larson Classic.

It's unique...if you can get past that.

 
 Posted:   May 11, 2008 - 6:34 PM   
 By:   Heath   (Member)

Well, you know when a movie's been talked-out when the conversation turns to the viability of props.

My own version of this is why, in the movie Blow Up, does David Hemmings use a 50mm lens hood on a 35mm lens? He'd get an unwanted vignette, surely!!!! It's wrong wrong wrong!!!

Wh... where are my pills...?

 
 Posted:   May 11, 2008 - 6:50 PM   
 By:   Eric Paddon   (Member)


Unfortunate. I would think it's enough of its own thing now to have shed some of the negative baggage you feel from its having been born of The Larson Classic.
It's unique...if you can get past that.


So long as there is no live action continuation of the show that had the name first, and for which the fanbase has waited for with the patience of Job since 1979 to see closure to a storyline we cared about, the bitterness is always going to be there. And that's all I can say about that.

 
 
 Posted:   May 11, 2008 - 9:55 PM   
 By:   JSWalsh   (Member)

2001 surely has been one of the most written-about movies ever, so it's no surprise we can't come up with anything new! frown

Wrong AGAIN! Here's something new: 2001 A Space Odyssey was Robert Stack's favourite movie. There.

Yeah, it's bullshit, but it's new.


Ah, well, I gotta go with nuts and agree we've hit the monolith on this subject. Oh well...

 
 
 Posted:   May 13, 2008 - 6:19 AM   
 By:   antipodean   (Member)

I have a 2001 story.

A few years ago, a local cinema was doing a one-night only screening of 2001, which I got tickets to because I've never watched it on the big screen. As a bonus, two of the stars (Keir Dullea and Gary Lockwood) made an appearance before the main screening, holding an autograph session.

My daughter, rather inconveniently, chose that very morning to be born. Somehow I finally managed to get away from the hospital at about 4pm (bearing in mind I was still in my work clothes which I had been wearing for two days, at that point), get home to shower, change, then rush over to the cinema for the signing.

I managed to get both of them to sign a 2001 soundtrack CD for me, as well as a poster (in the horizontal European style) to my daughter - so now she has a 2001: A Space Odyssey poster signed *and* dated to her. (Mr Lockwood also kindly signed one of his Star Trek 8x10 glossies to her as well, what with it being her birthday and all.) I got back to the hospital at about 7pm.

I really hope she likes the film when she grows up.

 
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