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 Posted:   Feb 26, 2008 - 5:29 PM   
 By:   scorechaser   (Member)

I have never heard them, but there is always so much praise about them on this board, I would like to know more. Would anyone be so kind as to describe them, and tell if they are somehow avaiable?

Thank you,

Philipp

 
 Posted:   Feb 26, 2008 - 5:32 PM   
 By:   Steve Johnson   (Member)

Not a blessed one in print- Alfred Newman's score for AIRPORT (1970) is a classic, with arguably one of the finest title themes of all time. The others are good in varying degrees of quaility. Prepare to put up some cake to get them.

 
 Posted:   Feb 26, 2008 - 5:43 PM   
 By:   LeHah   (Member)

Theres how many Airport movies? Three, four? It would make one hell of a nice set if it were to get a re-release...

 
 
 Posted:   Feb 26, 2008 - 5:45 PM   
 By:   Sean   (Member)

Not a blessed one in print- Alfred Newman's score for AIRPORT (1970) is a classic, with arguably one of the finest title themes of all time. The others are good in varying degrees of quaility. Prepare to put up some cake to get them.

Opinion heartily seconded! Newman's Main Title for the original Airport is why we go to the movies. (Too bad that Hunter/Seaton snoozefest had to follow, although Maureen Stapleton is rather heartbreaking.)

You likely already know, but Varese Sarabande reissued the original LP on disc in the 90s, but like STEVENJ says, it's currently OOP and fetching a bundle on eBay. Interesting subject, however. I'd love to have a multi-disc, non-boot collection of the Airport series -- even The Concorde: Airport '79!

 
 Posted:   Feb 26, 2008 - 5:50 PM   
 By:   Steve Johnson   (Member)

Not a blessed one in print- Alfred Newman's score for AIRPORT (1970) is a classic, with arguably one of the finest title themes of all time. The others are good in varying degrees of quaility. Prepare to put up some cake to get them.

Opinion heartily seconded! Newman's Main Title for the original Airport is why we go to the movies. (Too bad that Hunter/Seaton snoozefest had to follow, although Maureen Stapleton is rather heartbreaking.)

You likely already know, but Varese Sarabande reissued the original LP on disc in the 90s, but like STEVENJ says, it's currently OOP and fetching a bundle on eBay. Interesting subject, however. I'd love to have a multi-disc, non-boot collection of the Airport series -- even The Concorde: Airport '79!


AIRPORT is entertaining, but suffered from a feeble script. The movie was an enormous hit; I know, I saw it on Easter Sunday when it came out in the spring of 1970. In fact, it was one of the biggest blockbusters of all time for a while. Great cast and some real suspense at the climax.

 
 
 Posted:   Feb 26, 2008 - 5:54 PM   
 By:   Todesmelodie   (Member)

It would make one hell of a nice set if it were to get a re-release...

I just thought that bore repeating.

Airport (Alfred Newman)
Airport 75 (John Cacavas)
Airport 77 (John Cacavas)
The Concorde - Airport 79 (Lalo Schifirin)

And as long as we're dreaming why not add

Airplane! (Elmer Bernstein)

Of course, I'm sure it would be a licensing nightmare.

Oh to dream... the metallic gray box...

 
 
 Posted:   Feb 26, 2008 - 5:56 PM   
 By:   mdh721   (Member)

Oh boy! I'm partial to Airport '75 and '77 because of their wonderful dramatic opening/end title music. Cacavas can write wonderful themes.

'75 has some neat additional coloring due to the use of electronics which I feel enhances the score. The scores pretty much have that classic 60s/70s sound with rich soaring strings, horns, and the occasional solo piano. It's wonderful! '77 features much less music than '75, but the material that is there is quite excellent (such as the cue when Steve dies in Julie's arms).

Please Please Please Intrada!

 
 
 Posted:   Feb 26, 2008 - 8:56 PM   
 By:   Greg Bryant   (Member)

Oh boy! I'm partial to Airport '75 and '77 because of their wonderful dramatic opening/end title music. Cacavas can write wonderful themes.

'75 has some neat additional coloring due to the use of electronics which I feel enhances the score. The scores pretty much have that classic 60s/70s sound with rich soaring strings, horns, and the occasional solo piano. It's wonderful! '77 features much less music than '75, but the material that is there is quite excellent (such as the cue when Steve dies in Julie's arms).

Please Please Please Intrada!



I knew of Cacavas because he often arranged music for performance by school bands.

 
 Posted:   Feb 26, 2008 - 8:59 PM   
 By:   LeHah   (Member)

And as long as we're dreaming why not add

Airplane! (Elmer Bernstein)


Hey, if you're going to go all out, we might as well add the classic score to The High And The Mighty by Tiomkin and just call it the Aviation Box! smile

 
 Posted:   Feb 26, 2008 - 9:06 PM   
 By:   EdG   (Member)

Hey, if you're going to go all out, we might as well add the classic score to The High And The Mighty by Tiomkin and just call it the Aviation Box! smile

Ladies and gentlemen, the FSM BLack Box: now arriving in 2008 . . . 2009 . . . 2010 . . . 2011 . . .

:-)

 
 
 Posted:   Feb 26, 2008 - 9:08 PM   
 By:   Todesmelodie   (Member)


Hey, if you're going to go all out, we might as well add the classic score to The High And The Mighty by Tiomkin and just call it the Aviation Box! smile


Yes!! I've always wanted that one!!

But I guess it's not so much the Aviation box - rather the Fear Of Flying box. If you didn't just listen to the scores but instead did a marathon of the films you'd never want to set foot on an airplane again!

 
 
 Posted:   Feb 27, 2008 - 12:13 AM   
 By:   Bob DiMucci   (Member)


AIRPORT is entertaining, but suffered from a feeble script. The movie was an enormous hit; I know, I saw it on Easter Sunday when it came out in the spring of 1970. In fact, it was one of the biggest blockbusters of all time for a while. Great cast and some real suspense at the climax.


"Airport" has been a guilty pleasure of mine since I saw it in the theater 37 years ago. It was produced in 70mm but I've never heard that it had any "roadshow" presentations, as many of the 70mm films did. Aside from the main title, the most thrilling part of the score is when the crippled plane finally comes in view of the runway, and the runway lights appear through the snowstorm. Newman's score, which for many tense minutes has been silent, kicks into a suspense cue that follows the plane down to the ground. It put chills up my spine when I first heard it.

 
 
 Posted:   Feb 27, 2008 - 4:40 AM   
 By:   Thread Assasin   (Member)

I've always liked Gerhardt's take on the main theme on the Newman album.

 
 Posted:   Feb 27, 2008 - 5:45 AM   
 By:   Steve Johnson   (Member)

I've always liked Gerhardt's take on the main theme on the Newman album.

Another excellent take is Morton Gould's from that old DIGITAL SPACE lp, now also available on MORTON GOULD CONDUCTS FILM SCORES AND RARITIES on Citadel- a great little release by the way, including a terrificly good recording of Newman's 1931 STREET SCENE.

 
 
 Posted:   Feb 27, 2008 - 5:52 AM   
 By:   Gordon Reeves   (Member)





 
 Posted:   Feb 27, 2008 - 6:06 AM   
 By:   Steve Johnson   (Member)

I've still got that old silver foil AIRPORT lp boxed away, an original from Decca in 1970. The cd, too, of course.

 
 
 Posted:   Feb 27, 2008 - 6:18 AM   
 By:   Gordon Reeves   (Member)

TRES kool, wasn't it? ... big grin

 
 Posted:   Feb 27, 2008 - 6:30 AM   
 By:   Steve Johnson   (Member)

TRES kool, wasn't it? ... big grin

I remember buying it with allowance money at a discount department store here in Dallas called Medallion in the spring of 1970- I was in 8th grade. It was one of my first soundtrack purchases. I think it cost $4.99 which was a lot of dough to me back then.

 
 
 Posted:   Feb 27, 2008 - 7:00 AM   
 By:   Thread Assasin   (Member)

I have the old LP, too, and still play it from time to time. Decca red label, I think, but could be mistaken there.

Thanks for the tip on the Gould CD.

 
 Posted:   Feb 27, 2008 - 7:36 AM   
 By:   Steve Johnson   (Member)

I have the old LP, too, and still play it from time to time. Decca red label, I think, but could be mistaken there.

Thanks for the tip on the Gould CD.


Yes, the old Decca red lable, with the beautiful, smooth bevelled edges which I want to say stopped around 1972-1973 and gave way to flimsy, non- bevelled MCA releases.

 
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