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Another rather obscure Noir I reccomend is 1952's 99 River Street, starring John Payne and Evelyn Keyes. Saw this one recently and Keyes is GREAT!
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Posted: |
Sep 2, 2009 - 7:02 PM
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By: |
Castile
(Member)
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I just ordered The Film Noir Classic Collection from WB, which includes: The Asphalt Jungle Gun Crazy Murder My Sweet Out of the Past The Set-Up I've not seen any of these, so I'm looking forward to a few late Friday nights to suck 'em up. Peggy Cummins is certifiable in GUN CRAZY. That is one scary dame. Another noir I like is WHILE THE CITY SLEEPS. Check out this cast: Vincent Price, Dana Andrews, Rhonda Fleming, George Sanders, Ida Lupino, Howard Duff, Thomas Mitchell, Mae Marsh (who appeared in both THE BIRTH OF A NATION and INTOLERANCE) and John Barrymore, Jr., (a/k/a John Drew Barrymore, dad of Drew Barrymore). Pretty good little thriller, I think.
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The Killer That Stalked New York (1950) aka Frightened City. Anybody seen that? I'm interested. (No spoilers, please!)
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Watched two from the WB Noir set last weekend: The Set-Up (1949) - Meh. While I can appreciate the technical expertise and the real-time novelty of the film, I found it rather boring. But it should be noted that boxing films, even noir, are exquisitely dull to me. And it didn't help that this starred Robert Ryan, an actor I know many appreciate, but an actor I've never cared for. I find him to be relentlessly bland, though I do like him in Bad Day at Black Rock. Murder, My Sweet (1944) - Great-looking, intriguing film that I enjoyed with one exception: Dick Powell. Eeesh. The guy was a stiff. No charisma. No charm. Nuthin'. Can't stand him. If someone stronger had been cast as Marlowe, I would have liked this one much, much more. The dream/hallucination sequence was AWESOME!
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Watched two from the WB Noir set last weekend: Murder, My Sweet (1944) - Great-looking, intriguing film that I enjoyed with one exception: Dick Powell. Eeesh. The guy was a stiff. No charisma. No charm. Nuthin'. Can't stand him. If someone stronger had been cast as Marlowe, I would have liked this one much, much more. The dream/hallucination sequence was AWESOME! Mostly I remember that the actors spent precious minutes having to spout exposition that I got very irritated. Not even the amazing Claire Trevor could save it for me. I didn't think Powell was any better as a radio detective. I wish he'd stuck to musicals.
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Just saw CRIME WAVE. I got tired of James Ellroy panting into the microphone during the commentary, but liked the movie. And whatta heada hair Gene Nelson had! Whatta setta biceps Charles Bronson had!
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I finally saw RIDE THE PINK HORSE. It was a little sour (the main character wasn't very sympathetic), but it's always nice to see a black and white noir and the amazing lighting (Russell Metty).
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This is why I like film noir. Even in an ordinary moment like this, the lighting makes the scene look really interesting. from THE DARK MIRROR, Milton Krasner
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I saw THE CHASE, the spaciest noir I've seen since THE BIG SLEEP.
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