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Best Original Score
Carter Burwell, “Three Billboards Outside Ebbing, Missouri”
Alexandre Desplat, “The Shape of Water”
Jonny Greenwood, “Phantom Thread”
John Williams, “Star Wars: The Last Jedi”
Hans Zimmer, “Dunkirk”
aside from Dunkirk it makes perfect sense
Well...the fact that the Onna Joushu Naotora soundtrack didn't get a nomination makes me sympathize even more with Waxman's quitting the Academy. It's mostly a joke, and the Dunkirk nomination reinforces that imo.
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Well...the fact that the Onna Joushu Naotora soundtrack didn't get a nomination makes me sympathize even more with Waxman's quitting the Academy. It's mostly a joke, and the Dunkirk nomination reinforces that imo.
A foreign TV drama getting a nomination for the American Oscars... [Spock] That would be illogical! [/Spock]
You said it, Christian! Never mind the fact that it was one of the elite soundtracks...perhaps of this decade. Nothing original or innovative...but I don't think that was the composer's intention. Just a spectacularly well crafted, nostalgic-smile-bringingly orchestrated, involving to listen to effort. An excellent soundtrack imo.
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Posted: |
Jan 23, 2018 - 6:54 AM
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By: |
johnbijl
(Member)
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Best Original Score
Carter Burwell, “Three Billboards Outside Ebbing, Missouri”
Alexandre Desplat, “The Shape of Water”
Jonny Greenwood, “Phantom Thread”
John Williams, “Star Wars: The Last Jedi”
Hans Zimmer, “Dunkirk”
aside from Dunkirk it makes perfect sense
Dunkirk makes perfect sense. This nomination is, of course, for the most *effective* use of music in a movie. And hot damn, it was that.
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Five of Williams' eight Star Wars scores have been nominated. Man, talk about a legacy.
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Five of Williams' eight Star Wars scores have been nominated. Man, talk about a legacy.
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Agreed. I also have to say that I'm pleasantly surprised they nominated Last Jedi rather than The Post. While I can't judge which is better as I have not yet heard The Post, Last Jedi's nomination is very well deserved.
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Dunkirk makes perfect sense. This nomination is, of course, for the most *effective* use of music in a movie. And hot damn, it was that.
Scream, FSM, SCREAM!
"Squeal like a peeeeg!"
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