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Of course Batman Begins with Hans Zimmer and James Newton Howard.
David Arnold and Michael Price on Sherlock.
Marco Beltrami and Marilyn Manson on Resident Evil (taking over for Clint Mansell I believe).
More recently, Clint Mansell and Lorn Balfe with Kevin Kiner and one other on Ghost in the Shell.
Then there's Daft Punk and Joseph Trapanese on TRON: Legacy and M83 and Trapanese on Oblivion. These pairings I understand better than the others with Trapanese bringing his orchestral skills and the music groups bringing their own sounds and ideas.
But the others—especially HZ and JNH on the Batmans—I don't understand the need for two or how exactly their collaboration process worked.
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Heil & Klimek regularly score movies together.
Separately...
David Newman recorded a replacement score for "How to Make Love Like an Englishman", but in the end he and Stephen Endelman each get their own separate screen credits in the opening of the film.
And there are regular duos like:
The Newton Brothers
And on season three of"First Wave", The Collision Brothers (tried searching but couldn't identify who that was comprised of)
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Not sure if Jones and Edelman count as they really weren't collaborating in any way. That's like listing Henry Mancini and Michael Kamen for Lifeforce, or Hans Zimmer and Basil Poledouris for White Fang. They are the odd pair out, at the very least.
But I'm surprised you've forgotten the brothers Danna, who regularly score films together (i.e. The Good Dinosaur). Other talented composing teams: Sawtell & Shefter, Morgan & Stromberg, Wendy & Lisa (Heroes), Jon Ehrlich & Jason Derlatka (incredible JNHesque orchestral work for the TV series Invasion)...
Aside from Sawtell & Shefter, there was a lot of other regular composer collaboration in the Golden Age beyond the famous Newman/Herrmann masterpiece of The Egyptian. Much of it happened at Universal (and much sadly uncredited), but it happened a lot at Fox too -- Friedhofer worked extensively with Newman on multiple occasions including The Bravados and The Mark of Zorro (and Broken Arrow, though that was Alfred contributing just one great cue to Hugo's excellent score).
Yavar
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Richard Band collaborated with Joel Goldsmith and Shirley Walker on occasion as well...
Yavar
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KUNG FU PANDA 1 & 2 - POWELL AND ZIMMER - #1 is one of the few Zimmer scores I own and the Powell I play the least.
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Garry McDonald and Laurie Stone have been regularly scoring TV series, TV movies, and some films, for at least three decades now. There's no much the two haven't scored together.
Also, I don't know what the story behind this was, but both Michael Kamen and Herbie Hancock for "Action Jackson".
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Better are the three delightful, energetic, and creative collaborations between John Powell and Harry Gregson-Williams: Antz, Chicken Run, Shrek.
Yavar
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Mychael Danna also has done some stuff with Rob Simonson, including the terrible "Dollhouse" TV series.
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Early on, Michael Convertino shared co-composing efforts on two or three things with David Newman.
Peter Golub and James Newton Howard are both credited for "The Great Debators".
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Mychael Danna also has done some stuff with Rob Simonson, including the terrible "Dollhouse" TV series.
Hey. Dollhouse took a while to get going, and the ending episode was just awful, I grant you. But in between there was a lot of fantastic stuff.
Yavar
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