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I dunno if it's their best score or not (and I saw the movie a million years ago and found it disappointing though not sure why now), but you all made me load it on my iPod, so thanks for that!
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It is a fine score, very much representing their style in those Private Music years. Love On A Real Train is used again here ( this was around the time they used it - again - in 3 O'Clock High ), but that's OK. Haven't seen the movie in years, so I'm not sure how much score didn't make it to the album. But, their best remains Thief. You mean this from Three O'Clock High? https://www.youtube.com/watch?v=bD4zKdmVdlU And this from Miracle Mile: https://www.youtube.com/watch?v=XfWBgSjQfhE I'm not familiar with them using LOART in Miracle Mile and Three O'Clock High.
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Posted: |
Aug 24, 2015 - 3:23 PM
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By: |
MikeP
(Member)
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It is a fine score, very much representing their style in those Private Music years. Love On A Real Train is used again here ( this was around the time they used it - again - in 3 O'Clock High ), but that's OK. Haven't seen the movie in years, so I'm not sure how much score didn't make it to the album. But, their best remains Thief. You mean this from Three O'Clock High? https://www.youtube.com/watch?v=bD4zKdmVdlU And this from Miracle Mile: https://www.youtube.com/watch?v=XfWBgSjQfhE I'm not familiar with them using LOART in Miracle Mile and Three O'Clock High. It isn't LOART note for note, but almost the same sequencer pattern, the same soft style to the music. First time I saw both films, that was the track that came to mind. I don't mind it and TD used some music in several different projects, but, yep, that's the music I mean.
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TD's best score, IMO, is Thief, but they have many excellent scores (Wavelength, Firestarter, Near Dark, etc.), and Miracle Mile is definitely one of them! Word
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Director announced the movie will screen in NYC in June with him in appearance.
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