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 Posted:   Apr 28, 2015 - 2:20 AM   
 By:   Bob DiMucci   (Member)

Guitar takes the lead in the dramatic main theme from "Ringo, Il Volto Della Vendetta" (RINGO, FACE OF REVENGE, 1967). And is that an oboe alternating with the guitar? Whatever it is, it's an unusual choice for a western score.

 
 
 Posted:   Apr 28, 2015 - 2:43 AM   
 By:   Bob DiMucci   (Member)

Here's a change of pace. The main title for "Seven Pistols for a Massacre" (not to be confused with "Seven Winchesters for a Massacre") is sung by a woman--Giulia Rei. The song is The Only Girl He Loved.

 
 Posted:   Apr 28, 2015 - 3:33 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

There you are - told you, a better selection of italian western music would be hard to find.
Thanks for the links bob! Theyre like pokemon - get one, gotta get em all!!

 
 
 Posted:   Apr 28, 2015 - 10:47 AM   
 By:   joan hue   (Member)

I spent all morning, Bob, listening to those tracks you downloaded. All of them are very good. Arizona Colt is one of my favorites.

It is interesting to see how many Americans migrated from Hollywood to Italian (maybe Spanish too) westerns. Of course there is Lee Van Cleef, Gilbert Rowland, Guy Madison, and many more. Kookie? Ed Byrnes? That’s an oldie but goodie memory. Is the reason so many Americans migrated to these movies because parts in Hollywood were dwindling? Of course, Clint Eastwood doing the Dollar Trilogy certainly helped his career.

De Masi is really good. Love his various melodies and themes. He does soft, sad, thoughtful melodies and great action music.

Yes, I’m convinced that is an oboe in Ringo II, and it works perfectly in context. Who would have thought to use an oboe in a western?

Below is a topic I did in 2004 about Italian westerns. We were toying with coming up with aspects of music that seem to be signature sounds in most Italian westerns.

http://www.filmscoremonthly.com/board/posts.cfm?threadID=22727&forumID=1&archive=1

 
 
 Posted:   Apr 28, 2015 - 10:51 AM   
 By:   Richard-W   (Member)

This De Masi song from "Quella Sporca Storia nel West" (JOHNNY HAMLET in the U.S.) is about as sweeping and lyrical as western songs come.





That voice! He sounds like Weird Al Yankovic belting out SPY HARD. Compare:



Once you get past the title song, the score is indeed sweeping and lyrical, and also uptempo the way Joan likes them. I bought the CD but for listening purposes I cloned it and omitted the song:

http://www1.screenarchives.com/title_detail.cfm/ID/17935/QUELLA-SPORCA-STORIA-NEL-WEST-500-EDITION/

 
 
 Posted:   Apr 28, 2015 - 11:11 AM   
 By:   joan hue   (Member)

Yep, I do like "tempo" in my westerns; I really do. I also enjoy listening to slower pieces. I certainly liked what Morricone could do with the slow melodies he composed for the TEN minute stand offs between two gunfighters. (We got to see very nook and cranny of their faces.wink)

While this is not by De Masi, here is another favorite track of mine by Morricone from 7 Pistole Per I MacGregor. It starts at 5:37 in this video.

https://www.youtube.com/watch?v=RAN945ZzW4E

 
 Posted:   Apr 28, 2015 - 11:20 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Good luck increasing your de masi collection.
See you soon in another thread joany. Im outtahere. X

 
 
 Posted:   Apr 28, 2015 - 1:38 PM   
 By:   joan hue   (Member)

I don't believe that I gave you permission to leave, Bill.

 
 
 Posted:   Apr 29, 2015 - 1:40 AM   
 By:   Bob DiMucci   (Member)

It is interesting to see how many Americans migrated from Hollywood to Italian (maybe Spanish too) westerns. Of course there is Lee Van Cleef, Gilbert Rowland, Guy Madison, and many more. Kookie? Ed Byrnes? That’s an oldie but goodie memory. Is the reason so many Americans migrated to these movies because parts in Hollywood were dwindling? Of course, Clint Eastwood doing the Dollar Trilogy certainly helped his career.


The number of American actors that appeared in Eurowesterns is legion. Among them:

Claude Akins
R.G. Armstrong
Carroll Baker
Martin Balsam
Lex Barker
Richard Basehart
Anne Baxter
William Berger
Richard Boone
Ernest Borgnine
Stephen Boyd
Charles Bronson
Jim Brown
Yul Brynner
Victor Buono
Edd Byrnes
Rory Calhoun
Rod Cameron
Harry Carey, Jr.
Richard Carlson
James Coburn
Anjanette Comer
Chuck Conners
Richard Conte
Alex Cord
Joseph Cotten
Broderick Crawford
Richard Crenna
Arlene Dahl
James Daly
Mark Damon
Joe De Santis
Dan Duryea
Clint Eastwood
Jack Elam
Ron Ely
John Ericson
Lola Falana
Henry Fonda
Sean Flynn
Anne Francis
James Garner
Farley Granger
Ty Hardin
Brad Harris
Richard Harrison
Sterling Hayden
Van Heflin
Craig Hill
Jeffrey Hunter
Tab Hunter
John Huston
John Ireland
Sam Jaffe
Van Johnson
Martin Landau
Janet Leigh
Sue Lyon
Kevin McCarthy
Guy Madison
George Maharis
John Marley
Cameron Mitchell
Gordon Mitchell
James Mitchum
George Montgomery
Audie Murphy
Don Murray
Tony Musante
Joe Namath
Julie Newmar
Leslie Neilsen
Warren Oates
Jack Palance
Brock Peters
James Philbrook
Slim Pickens
Michael J. Pollard
Anthony Quinn
Steve Reeves
Burt Reynolds
Jason Robards
Gilbert Roland
Telly Savalas
John Saxon
William Shatner
Rod Steiger
Stella Stevens
Woody Strode
Russ Tamblyn
Lee Van Cleef
Mamie Van Doren
Eli Wallach
Dennis Weaver
Adam West
Stuart Whitman
Robert Woods

 
 
 Posted:   Apr 29, 2015 - 8:35 AM   
 By:   joan hue   (Member)

Wow, Bob, that is a huge list. Thanks for sharing it. Am I right to think that many of these stars did Eurowesterns because they weren't offered decent parts in Hollywood? One the other hand, seems like a few of these stars didn't need to do Eurowesterns. I'm thinking of Henry Fonda. Maybe he came because Leone was getting very popular in America. Any thoughts?

 
 Posted:   Apr 30, 2015 - 7:15 AM   
 By:   Sean Nethery   (Member)

Thanks to Joan and Bob B and of course Bob M for all this terrific stuff. I think of myself as lukewarm to spaghetti western scores, but some of these themes are great, especially the one you started off with, Joan. (I listened to the full ost on Spotify, and found the main theme the best part of the album, but also liked better the suite Bob posted, so it's another one that benefits from editing.)

Plus the de Masi Rambo bonus - that's hilarious, loved it enough that I found it at a good price on Amazon and snapped it up.

 
 
 Posted:   May 2, 2015 - 1:51 PM   
 By:   Bob DiMucci   (Member)

Here's a suite from the 1968 Chuck Conners Eurowestern "Kill Them All and Come Back Alone." The best part is De Masi's muscular main title, "Gold Again." The suite contains "Gold Again" / "Challenge to the Death" / "Gold End" / "Gold" (vocal by Raoul).

 
 
 Posted:   May 2, 2015 - 2:16 PM   
 By:   Bob DiMucci   (Member)

Here's another track from De Masi's SEVEN DOLLARS ON THE RED. It's called the "Jerry Theme."

 
 
 Posted:   May 2, 2015 - 2:23 PM   
 By:   Bob DiMucci   (Member)

Here's a harmonica and bass guitar variation on the main theme from "Ringo, Il Volto Della Vendetta" (RINGO, FACE OF REVENGE).




And here's another theme from the same score.

 
 
 Posted:   May 2, 2015 - 2:43 PM   
 By:   Bob DiMucci   (Member)

The main theme from De Masi's CHALLENGE OF the McKENNAS.

 
 
 Posted:   May 2, 2015 - 4:23 PM   
 By:   Mike_J   (Member)

Really excellent, thanks for posting!

 
 Posted:   May 2, 2015 - 4:56 PM   
 By:   nilnav45   (Member)

I just want to mention that Stephen Boyd was not American but was from Northern Ireland.

 
 
 Posted:   May 2, 2015 - 6:04 PM   
 By:   joan hue   (Member)

I second what Mike said. Great new cues. We need Bob D. to write a book about these westerns and their score. What a wealth of amazing information!! Thanks, Bob.

 
 
 Posted:   May 2, 2015 - 6:15 PM   
 By:   joan hue   (Member)

I have to toss in another western cue that I just love. Nope, not De Masi nor rousing. It is just plain Gorgeous!

https://www.youtube.com/watch?v=1SjoOorQ6NM

Note the full theme at 2:30. (Riz Ortolani's A Reason to Live, A Reason to Die.)

 
 Posted:   May 3, 2015 - 6:18 PM   
 By:   Ray Worley   (Member)

Arrrrgh! So much great music, so little money to try and acquire these scores.

Thanks for posting these samples everyone. Sometimes I despair when searching websites for Italian Western scores and cannot hear samples from some of the albums. There is SO MUCH out there and one really has to choose carefully when funds are aren't unlimited. Like Joan, I like my Western scores with a great tempo or rhythm. Scores that are quieter or have a more "De Guello" feel to them are OK but not my faves.

 
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