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Posted: |
Feb 10, 2015 - 1:14 AM
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By: |
Thor
(Member)
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So, here is -- simply said -- the best horror film I've seen in years, and my current no. 1 of the year regardless of genre. It premiered at festivals last year, but is getting normal distribution in 2015. It premieres in Norway in April, but I saw it at a festival a few weeks ago. On the one hand, David Robert Mitchell's film clearly references 80s stylings in terms of narrative, on the other hand there's something "Japanese" about it, on the third(!) hand, there's something truly original about a 'sticky' spirit following the protagonists around and the non-traditional way it's shown. The atmosphere is simply unbelieveable. The music is by Rich Vreeland, better known under his pseudonym Disasterpeace. It's a synth score clearly referencing the minimalism of John Carpenter and Tangerine Dream, but also with some weird sonorities - a sizzling kind of presence that jitters the nerves without being grating. Truly fascinating. The soundtrack was released digitally on February 2nd, and will get a vinyl release on Milan on April 7th. Heartily recommended -- and I hope we can get some discussion going once it's doing its rounds in cinemas around the world.
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Thor, thanks for bringing my attention to Disasterpeace. I've just started listening to another of his albums - Rise of the Obsidian Interstellar (wotta title!). Wonderful electronic music. I've been growing away from horror for some years now, but this is more intriguing to me, just because of the music.
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Posted: |
Feb 10, 2015 - 9:49 AM
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By: |
jkannry
(Member)
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So, here is -- simply said -- the best horror film I've seen in years, and my current no. 1 of the year regardless of genre. It premiered at festivals last year, but is getting normal distribution in 2015. It premieres in Norway in April, but I saw it at a festival a few weeks ago. On the one hand, David Robert Mitchell's film clearly references 80s stylings in terms of narrative, on the other hand there's something "Japanese" about it, on the third(!) hand, there's something truly original about a 'sticky' spirit following the protagonists around and the non-traditional way it's shown. The atmosphere is simply unbelieveable. The music is by Rich Vreeland, better known under his pseudonym Disasterpeace. It's a synth score clearly referencing the minimalism of John Carpenter and Tangerine Dream, but also with some weird sonorities - a sizzling kind of presence that jitters the nerves without being grating. Truly fascinating. The soundtrack was released digitally on February 2nd, and will get a vinyl release on Milan on April 7th. Heartily recommended -- and I hope we can get some discussion going once it's doing its rounds in cinemas around the world. Digitall where? cant find it on itunes
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I found the soundtrack on Youtube - individual tracks and full score.
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Posted: |
Feb 12, 2015 - 12:36 AM
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By: |
Mr. Popular
(Member)
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So, here is -- simply said -- the best horror film I've seen in years, and my current no. 1 of the year regardless of genre. It premiered at festivals last year, but is getting normal distribution in 2015. It premieres in Norway in April, but I saw it at a festival a few weeks ago. On the one hand, David Robert Mitchell's film clearly references 80s stylings in terms of narrative, on the other hand there's something "Japanese" about it, on the third(!) hand, there's something truly original about a 'sticky' spirit following the protagonists around and the non-traditional way it's shown. The atmosphere is simply unbelieveable. The music is by Rich Vreeland, better known under his pseudonym Disasterpeace. It's a synth score clearly referencing the minimalism of John Carpenter and Tangerine Dream, but also with some weird sonorities - a sizzling kind of presence that jitters the nerves without being grating. Truly fascinating. The soundtrack was released digitally on February 2nd, and will get a vinyl release on Milan on April 7th. Heartily recommended -- and I hope we can get some discussion going once it's doing its rounds in cinemas around the world. Agreed with Thor. Also pay attention to the great score by Steve Moore who nailed the Carpenter / TD sound for the score to The Guest. Some very good times for those of us who grew up loving the electronic geniuses from the 80s.
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