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Hhmmm ... Tre Per Una Rapina is a 1964 crime thriller with Barbara Steele that doesn't even have an English translation @ IMDB.com.
Apparently Tre Per Una Rapina was released only in Italy and Spain. One would think that the presence of Barbara Steele in the cast could have made this title a little better known (I only just learned about this by looking up Tre Per Una Rapina online this evening).
Whether Piccioni's music approach is jazzy or suspenseful, I'm certainly interested in witnessing this item getting a soundtrack issued. 
[I guess "wayoutwest" & "slint" & "Ag^Janus" plus many others would have interest in this, too.]
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Posted: |
Aug 6, 2015 - 1:12 PM
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By: |
wayoutwest
(Member)
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Count me in as well it sounds like it could have a very interesting score.
Google Translation:
Gerhard, a young technical designer who works at a factory alarm equipment for banks, in Düsseldorf, prepares the ground for a robbery. The performers will be: Nicola, a southern unemployed easy to compromise, Mario, a former paratrooper Milan ready to do anything to not lose the love of Anna, an attractive model, and Hans who carries the legacy of a world ruined by the Nazis . Leveraging psychological effect of surprise, the coup succeeds. But the three young people become soon realize the futility of their actions: Mario fails to preserve Anna, Nicholas must report on his work to the father, Hans, in the grip of a strong shock, dies in an accident.
http://www.comingsoon.it/film/tre-per-una-rapina/11776/scheda/
Looks like it might also have had an LP release if Sound track collector is anything to go by:
http://www.soundtrackcollector.com/title/19873/Tre+per+una+Rapina
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From the list unreleased Piccioni above, there's a gap between 1964 and 1969.
Nothing from between 1965 & 1968, then 3 titles from 1969:
GIOVINEZZA GIOVINEZZA (Youth March)
ADDIO ALEXANDRA (Love Me, Love My Wife) ... an X-rated comedy
TOH E' MORTA LA NONNA (Oh, Grandmother's Dead) ... black comedy/ crime flick
Don't know about how any of these scores sound, but the 3rd one listed seems the most intriguing to me.
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Fermate il mondo... voglio scendere! is the only unreleased Piccioni within the C.A.M. archives from year 1970.
It's another comedy, so I expect reactions to this would be mixed.
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Per questa note (This Is The Night) is a drama from 1977 and might accumulate some interest amongst Piccioni fans.
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The 1979 Francesco Rosi film Cristo si è fermato a Eboli has been mentioned with regularity within these FSM threads on Piccioni; one might have thought this would have already been released by now since there's an established customer base of Piccioni collectors who have been wanting this for years...
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The final item on this list of unreleased Piccioni @ C.A.M. is most intriguing to me.
It's a single television segment from 1981 entitled La presenza perfetta.
This was part of a TV-mini series called I giochi del diavolo, and the story is a horror/fantasy based upon a short story by Henry James!
I no doubt speak on behalf of many when I request La presenza perfetta be issued onto disc pronto.
Is Daniela Durazzini still the person who licenses titles from C.A.M. for Gruppo Sugar?
Does anybody from Sugar read our ramblings here ... ? ...
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li]GIOVINEZZA GIOVINEZZA (Youth March)
ADDIO ALEXANDRA (Love Me, Love My Wife) ... an X-rated comedy
TOH E' MORTA LA NONNA (Oh, Grandmother's Dead) ... black comedy/ crime flick
Don't know about how any of these scores sound, but the 3rd one listed seems the most intriguing to me.
I am sure that the most intriguing of the three for you would be GIOVINEZZA GIOVINEZZA. This is not at all a lounge score, but a very sombre symphonic one. This one should be right up your alley because there are reminiscences of SENILITÀ, LA VIACCIA and of LO STRANIERO, also a bit of FRATELLI KARAMAZOV creeps in in the melodic main theme. I hope that this quite fascinating score will still get an official release, but as the movie is a very unknown one this is of course not sure at current times.
There are a few source music cues in the style of the 30s, but for the most part this is very impressionistic, reflective and introspective, almost meditative music which throughout conveys a real feeling of loneliness and despair.
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The final item on this list of unreleased Piccioni @ C.A.M. is most intriguing to me.
It's a single television segment from 1981 entitled La presenza perfetta.
The complete LA PRESENZA PERFETTA TV movie is on Youtube and I have viewed it last year. Most of the music was just reused from older Piccioni scores - as far as I remember mainly from LO STRANIERO and LA VIACCIA. So you can't fill a CD with the score.
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It's a single television segment from 1981 entitled La presenza perfetta.
The complete LA PRESENZA PERFETTA TV movie is on Youtube and I have viewed it last year. Most of the music was just reused from older Piccioni scores - as far as I remember mainly from LO STRANIERO and LA VIACCIA. So you can't fill a CD with the score.
Thanks again, Stefan.
Was this segment 'tracked' as if stock library music cues were used?
Or did Piccioni hold a seperate recording session and repeated his earlier compositions?
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It seemed to be rather "tracked" with some short bits and pieces in between probably newly composed.
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Besides the two mentioned episodes from ITALIA VISTA DAL CIELO these are the titles in more or less chronological order:
- IL SEGRETO DELLA SIERRA DORADA
- I RAGAZZI DEI PARIOLI
- L'IMPIEGATO
- BREVI AMORI A PALMA DI MAJORCA
- LA NOTTE BRAVA
- MONDO DI NOTTE (1 + 2)
- I DOLCI INGANNI
- LA VIACCIA on Saimel
- L'ASSASSINO
- LE SVEDESI
- MANI IN ALTO
- IL GIORNO PIU' CORTO
- TRE PER UNA RAPINA
- GIOVINEZZA GIOVINEZZA
- ADDIO ALEXANDRA
- FERMATE IL MONDO...VOGLIO SCENDERE on Beat
- TOH E' MORTA LA NONNA
- PER QUESTA NOTTE
- CRISTO SI E' FERMATO A EBOLI
- LA PRESENZA PERFETTTA
2 of these have materialized thus far in 2016.
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Beat Records is also offering an expansion of F. de Masi's Lo Squaratore di New York, but no indication yet of an expansion on Piccioni's Una Tomba Aperta, Una Bara Vuota (both were paired together on previous Beat editions).
... we can but hope ...
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Is there much unreleased music from Piccioni's Una Tomba Aperta, Una Bara Vuota?
I'm not aware of how much music from Una Tomba Apert ... is unreleased, but I'm hoping there is more than the 8 cues on the older Beat issue.
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