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Posted: |
May 28, 2014 - 6:17 PM
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By: |
nuts_score
(Member)
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My case in mentioning Minority Report being "rated just fine" amongst cinephiles is that it always is brought up in conversation like this. Thusly, it is talked about and argued amongst almost as much as A.I. or War of the Worlds when considering Spielberg's late-period attempts at another masterpiece. Minority Report is still justly admired by those who care to know, and still seems apparent in a general public knowledge. Hell, it has even pre-cog'd some modern tech and culture like intuitive touch screens, subliminal advertisements, eye prosthesis, drug-addled cops, and -- most importantly -- jetpacks. Minority Report marks another event of Spielberg working as a go-for-broke sensationalist and dramatist. It sags a bit in its conclusion (and none of the stupid fan theories can make up for it), and the jetpack action is a little goofy, but Minority Report still satisfies. A great script by Scott Frank too, Spielberg always excels with screenwriters who are not David Koepp. In War of the Worlds, Spielberg really delivers as a whopper of sensationalism, but it doesn't have a lick of brains or even guts. And A.I. is perhaps too hampered by its brains and guts to deliver any kind of thrill or indulgence for anyone in the audience NOT trying to connect with its abstract ending. That's why I settle on Munich: thrills, brains, and balls. It's got it all(s).
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