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 Posted:   Dec 16, 2015 - 12:56 PM   
 By:   Martin B.   (Member)

My Something Wicked arrived in the UK today direct from Intrada.

Listening to it now.

This sounds so much better than that disc Universal France put out a few years ago.
Fortunately Intrada have been able to the score justice with their release, and blimey, does it sound good.

Still can't quite believe the day has come that I have this disc. One grail firmly crossed off the list.

Many, many thanks Intrada.

 
 Posted:   Dec 16, 2015 - 1:17 PM   
 By:   Frank Vincent   (Member)

My discs have been sitting in a sorting office in Oakland, California for 6 days (!). Something Wicked Comes Very Slowly, I think. Not going to be here by Christmas, anyway.

Same for me, but the package (I also ordered Edward Scissorhands) has now arrived in Los Angeles, so I hope it will now be directly send to The Netherlands.

 
 Posted:   Dec 16, 2015 - 6:34 PM   
 By:   Sirusjr   (Member)

I've been enjoying it after I removed a few boring tracks and all the extras at the end. All the Mr. Dark Theme tracks needed to go plus all that droning vocals from Night Time Carneval but now I got a solid listen without anything that seriously interrupts the experience. I could do without the rest of the cues with the boring droning vocals but they have enough interesting going on to keep.

 
 
 Posted:   Dec 16, 2015 - 7:20 PM   
 By:   shureman   (Member)

For me, those " boring, droning vocals " are among the highlights of the score....

 
 Posted:   Dec 16, 2015 - 8:06 PM   
 By:   Sirusjr   (Member)

For me, those " boring, droning vocals " are among the highlights of the score....

They are an OK musical device but when they go on for 2 minutes at a time without any development it becomes boring.

 
 Posted:   Dec 16, 2015 - 8:33 PM   
 By:   Justin Boggan   (Member)

Those "boring" vocal pieces will be playing as I sit in the dark waiting to scare the living Jeebus out of kids next Halloween...

 
 
 Posted:   Dec 17, 2015 - 7:32 AM   
 By:   Last Child   (Member)

well, you know what they say, "There is no boring ___(fill in blank), only boring people."

 
 
 Posted:   Dec 18, 2015 - 5:43 AM   
 By:   Jim Doherty   (Member)

Well, as I said earlier, everybody's opinion is subjective. Personally, I love those choral cues. I find them very effective, unsettling, foreboding and chilling. As a matter of fact, they are some of my favorite parts of the score.

 
 
 Posted:   Dec 18, 2015 - 8:23 AM   
 By:   Last Child   (Member)

faced with the impossible choice of whether to play Double Indemnity or Something Wicked first, I opted for the latter since I wanted something less pulse-pounding, more calming. As expected from the samples, stunning quality. Hackle-raising, exotic, tender, eerie, poignant. I keep trying to picture scenes from the movie and how it would have played out with this score.
For some reason, the choral cues remind me of the theremin cues in DAY THE EARTH STOOD STILL, albeit more subtly here, they way they work in the background.

 
 Posted:   Dec 18, 2015 - 11:35 AM   
 By:   Sirusjr   (Member)

I don't disagree that they have that effect but musically they don't go anywhere. I of course kept them on at the end of Track 18, The First Witch because they are simply a part of that cue musically, but my problem was with how they go on and on at the end of track 4, which is already a slow suspense cue that doesn't have much going on.

 
 
 Posted:   Dec 18, 2015 - 3:24 PM   
 By:   Last Child   (Member)

I've been enjoying it after I removed a few boring tracks and all the extras at the end. All the Mr. Dark Theme tracks needed to go plus all that droning vocals from Night Time Carneval but now I got a solid listen without anything that seriously interrupts the experience. I could do without the rest of the cues with the boring droning vocals but they have enough interesting going on to keep.

some of the choral music is repetitive, although repetition doesnt make music inherently boring. Given your extensive re-arrangement, perhaps the re-recording suite would have sufficed.

 
 Posted:   Dec 18, 2015 - 5:20 PM   
 By:   Sirusjr   (Member)

Well I quite enjoy the rest of it. There is something about the sound of certain original recordings that is charming even if I am not familiar with the movie it is from.

 
 
 Posted:   Dec 19, 2015 - 1:47 AM   
 By:   ghost of 82   (Member)

My copy is STILL stuck in California. What does USPS stand for? Ultimate Slow Postal Service? Hopefully might arrive sometime in 2016. Which has me wondering, whats the longest anyone here has had to wait for soundtrack goodies to arrive in the post? Any horror stories to tell?

 
 Posted:   Dec 19, 2015 - 2:16 AM   
 By:   Justin Boggan   (Member)

I got a CD used from somebody, from Canada. It arrived a month later looking like maybe those hooisers had been playing curling with it.

 
 
 Posted:   Dec 19, 2015 - 6:36 PM   
 By:   John Black   (Member)

I have a first-class package that has apparently been sitting at the USPS depot in Phoenix, AZ, for four days now. Is there a lot of snow there?

 
 Posted:   Dec 30, 2015 - 12:20 PM   
 By:   Frank Vincent   (Member)

I finally received my copy today.

 
 
 Posted:   Dec 30, 2015 - 3:47 PM   
 By:   ghost of 82   (Member)

I finally received my copy today.


Great news Frank. Hope you enjoy it. I'm not sure how it would have worked in the film, but its wonderful music with a mournful life all of its own. It deserves to be heard after all these years.

 
 
 Posted:   Mar 3, 2016 - 9:37 AM   
 By:   Hurdy Gurdy   (Member)

I must say one thing about this CD.
If your only experience of this rejected score was from the astonishing 12 minute suite that Delerue and Varese gave us on The London Sessions, you're in for quite a surprise.
While the suite contained the exotic Mirrors music and the lovely boys theme and it opened with the explosive Dark Dies piece, it didn't have (or hardly had, in my memory) any of the Herrmann-esque brooding Mr Dark theme or choral cues, of which this CD is full of.
It could be argued it contained the finest 12 minutes of any score...EVER!
It also featured a much fuller and more robust performance by the London orchestra, in comparison to the thinner sounding USA score recording.
I will say I was a little disappointed by my first full play through.
Only time will tell if the rest of the score grows on me over time. Maybe my mood was all wrong?
On a plus note, the artwork, booklet, design etc is very, very nice.

 
 Posted:   Mar 3, 2016 - 9:48 AM   
 By:   The Mutant   (Member)

Damn, I need to pick this up.

 
 
 Posted:   Oct 14, 2016 - 12:20 PM   
 By:   Big X   (Member)

This is such a wonderful score, I am eager to compare this with the James Horner version.

I recall that there was talk of the James Horner version being released by Intrada especially as it has been OOP for sometime, maybe this year!

 
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