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And then:
JUDICIAL CONSENT - music by Christopher YOUNG
Absolutely love these Jennifer... 9, 10, 11... type scores. Beautiful, familiar and yet all different and quite distinct. A lesser composer would have copy pasted his way through, but never a truly talented gentleman like Mr. Young.
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STARSHIP TROOPERS - music by Basil POLEDOURIS
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LOFT - music by Wolfram de MARCO
From MovieScore Media: "Performed by the London Metropolitan Orchestra, the music evokes the darkness and sensual mystery of Loft"
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LET THE RIGHT ONE IN - music by Johan Söderqvist
From MovieScore Media: ""The music effectively juxtaposes elements of melodic beauty with dark and ominous textures (including the use of the unusual instrument, the bass waterphone)."
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SNEAKERS - music by James HORNER
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Posted: |
May 8, 2016 - 7:51 PM
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By: |
Mr. Jack
(Member)
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Disc #2 (Maurice Jarre score)
Interesting...I watched a "Score Restore" video on YouTube a few years back with Jarre's main title accompanying the film's opening credits, but hearing the entire thing, and it's a shame it was junked. It lacks a central melody as strong as "The Water Is Wide", but the action and suspense music is very well-done. Nice to have this paired with the Goldsmith score. 
Disc #2 (scores by Gail Kubik, Leith Stevens, Heinz Roemheld, Victor Young)
The Victor Young score is the definite highlight of disc #2...in fact, this is the only Young score I own on CD.  That will have to be rectified. More of that tempestuous, churning Golden Age dramatic scoring I love, and good sound.
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THE HOME OF DARK BUTTERFLIES - music by Panu AALTIO
Yet more excellence from MovieScore Media in this very restrained and elegant score.
From their website: "His score for The Home of Dark Butterflies is a deeply emotional work, recorded with a string orchestra in London, conducted by Matt Dunkley. 26-year old Aaltio makes prominent use of solo piano in his score, while his string writing has a stroke of minimalism that perhaps will remind some listeners of the work of Michael Nyman."
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LIKE MINDS - music by Carlo GIACCO
From MovieScore Media: "Clearly evident in Giacco’s dark and foreboding music, which makes prominent use of murky string writing and slowly swelling low brass clusters, the story soon develops into a psychological drama with thriller elements."
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