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 Posted:   Jul 5, 2015 - 12:38 PM   
 By:   mild_cigar   (Member)

No, Petr, fortunately film music is not dead - it's just on a lower level than in the past.

Actually, no. It's more exciting and versatile now than it ever has been!


LOL!

 
 Posted:   Jul 5, 2015 - 12:41 PM   
 By:   Mr. Jack   (Member)

I have to admit, I've bought fewer and fewer CDs for new movies over the last decade...I think I have bought MAYBE a half-dozen for films released in the last two or three years. frown And then I think back to that initial flush of interest in the arm form from 1992-95, when I seemingly bought a half-dozen soundtracks per MONTH.

 
 Posted:   Jul 5, 2015 - 1:06 PM   
 By:   McD   (Member)

Don't you love it when someone takes their opinion, so convinced of its value, and parades it around as a fact? The person who was once a "true believer" - in this case, of film score - becomes a fascist of reasoning of his own design.

And let's be serious, the absolute WORST thing you can do for your opinion or agenda is posting other people's links as a retort. As if some schpiel on the Internet is a bulletproof criticism of one of the most successful film collaborations in history?

Lampposts and drunks, friend. Lampposts and drunks.


Do you need to be treated like a child, LeHah, with everything explained to you?

It's a discussion forum. opinions will abound. If not, it's not going to be much fun. And the original post begins by stating that it's absolutely an opinion, and not only that that I don't expect much agreement. (Actually no agreement to all of it, as stated) That should be pretty cut and dried. For everybody.

The Spielberg part quoted by whoever got offended decided to ignore all of this, and not only this, but the word 'seems' in the sentence he was offended by. How much more handholding do you need.

And it's just petty childishness to not feel willing or able to put up an opinion, but attack someone else's. And to do so by just attacking the concept of opinions which will seemingly allow you to let off steam but excuse you from presenting one. Describing the thing under attack as 'great' is nothing at all. Hodor's argument.

And rather than go off on one, I linked to a previous discussion on the matter from this here website, that you were involved in and I was not. And re-added an important link from that discussion for anyone who doesn't want to wade through it all again, which lays out the points against the film pretty succinctly. Which doesn't mean you can't have a go at attacking all of these points in turn, of course, although I suspect you wont.

Not only that, but your comments about the link in question are incorrect. It isn't about the 'great collaboration' in movies at all. Nor is it 'internet schpiel'. It's a book extract from, I think, the only Hollywood A-list talent that has ever written about the movies in such detail, ruffling plenty of feathers. It might as well have been brought to you by Bothan spies.

The thread contains this from you as an entire post:

Starship Troopers is the single greatest anti-war film made since the original version of All Quiet On The Western Front. Nothing else comes close.

I'm not five years old, I can dissect this comment for what it is - an opinion - without being told so. I can also detect - without any annoyance whatsoever - that it is an opinion made from the point of view of being completely ill-informed but pretending otherwise. Again, no big deal at all, this is how people speak, and we can infer from the statement, despite it appearing otherwise, that YOU HAVE NOT SEEN EVERY FILM THAT COULD BE DEEMED ANTI-WAR to allow you to make such a statement. But we get the gist, and can agree / disagree with the general comment and move on. Or rant about what an opinion is, and how it should be properly expressed, and when disclaimers of lack of knowledge should be provided for anyone dumb enough to assume that you were in a position to write what you had when you were not. You know, Lehah 2015 style.

You didn't even make it to the lamppost.

 
 Posted:   Jul 5, 2015 - 1:14 PM   
 By:   McD   (Member)

Not to mention that it is fairly offensive to those responsible for these scores the opening poster doesn't consider any good (?).

Well a) I didn't say any of that of course, b) it's a ridiculous comment to assume these people would be offended given the comments were pretty general post-2004, c) if they were that thin skinned (is anyone? ever?), they wouldn't make it five minutes in the movie business, d) how many of those scores were composed by someone who has gone on record saying the same thing I did? Several!

I have heard plenty, if not all, of those scores you have listed. A Top Ten of mine from the time after Goldsmith died would only include one of those you listed, so it is a varied landscape. But that Top 10 wouldn't have a whole bunch waiting in the wings in the way that previous decades could produce a Top 100, with 100 other classic scores waiting to take their place. Not even close.

 
 
 Posted:   Jul 5, 2015 - 4:10 PM   
 By:   BrenKel   (Member)

The more I think about it, this is a lousy thread. And with what happened only two weeks ago, it could be considered disrespectful.

James Horner certainly kept film music alive post 2004.

 
 
 Posted:   Jul 5, 2015 - 4:10 PM   
 By:   BrenKel   (Member)

The more I think about it, this is a lousy thread. And with what happened only two weeks ago, it could be considered disrespectful.

James Horner certainly kept film music alive post 2004.

 
 Posted:   Jul 5, 2015 - 4:13 PM   
 By:   First Breath   (Member)

"2004: The year film music died"

LOL!

Film Music is alive and well.

Must be sad being you.


LOL!

Must be sad being you.


Because I like film music from after 2004?

 
 Posted:   Jul 5, 2015 - 4:19 PM   
 By:   McD   (Member)

The more I think about it, this is a lousy thread. And with what happened only two weeks ago, it could be considered disrespectful.

James Horner certainly kept film music alive post 2004.


He was actually one of the naysayers. I don't think he thought his 30 year old self would have flourished the same way he did had he been dropped into 2010.

 
 
 Posted:   Jul 5, 2015 - 4:27 PM   
 By:   .   (Member)

Film music isn't dead.
It's been in hibernation for a while.

 
 Posted:   Jul 5, 2015 - 4:56 PM   
 By:   LeHah   (Member)

Don't you love it when someone takes their opinion, so convinced of its value, and parades it around as a fact? The person who was once a "true believer" - in this case, of film score - becomes a fascist of reasoning of his own design.

And let's be serious, the absolute WORST thing you can do for your opinion or agenda is posting other people's links as a retort. As if some schpiel on the Internet is a bulletproof criticism of one of the most successful film collaborations in history?

Lampposts and drunks, friend. Lampposts and drunks.


Do you need to be treated like a child, LeHah, with everything explained to you?

You didn't even make it to the lamppost.


What's hilarious about your schpiel is two things:

Firstly, you don't get the lamppost joke. The old quote is "You use points like a drunk uses a lamppost,: to support yourself, instead of to illuminate." which you are most certainly guilty of here.

But mostly, and I'm so happy someone else played the card, you're saying this less than two weeks after James Horner's passing. Really? Even if no one had said it, it was the elephant in the room. This is the card you want to play? Really?

 
 Posted:   Jul 5, 2015 - 5:15 PM   
 By:   Heath   (Member)

What the hell... most film music is junk both now and in the "golden past". A handful of extraordinarily talented composers scattered thinly over the decades have provided the comforting illusion that this industrial craft was actually an art form. No. While they certainly implied that it COULD be an artform, particularly when composer/director partnerships were forged, film music never really developed beyond its service industry status. How could it? It's in the service of a bigger product - the movie.

It's mostly junk. Always was. People today moan about Zimmer's multi-composer factory approach, and also the preset-music-template mentality that makes most scores indistinguishable from each other, But they forget that Joe Gershenson did pretty much the same thing at Universal in the 50s where entire scores were cut and past jobs from previous films! In fact most of the scores from that era and from all studios were deeply uninteresting and, yup, indistinguishable from each other.

The whole reputation of film music rests with a tiny handful of guys in the right place at the right time. But for every Alex North type genius there were ten Paul Sawtell type bland professionals churning out paste.

I'm beginning to think it was all just a fluke.

 
 Posted:   Jul 5, 2015 - 5:27 PM   
 By:   JohnnyG   (Member)

What the hell... most film music is junk both now and in the "golden past". A handful of extraordinarily talented composers scattered thinly over the decades have provided the comforting illusion that this industrial craft was actually an art form. No. While they certainly implied that it COULD be an artform, particularly when composer/director partnerships were forged, film music never really developed beyond its service industry status. How could it? It's in the service of a bigger product - the movie.

It's mostly junk. Always was. People today moan about Zimmer's multi-composer factory approach, and also the preset-music-template mentality that makes most scores indistinguishable from each other, But they forget that Joe Gershenson did pretty much the same thing at Universal in the 50s where entire scores were cut and past jobs from previous films! In fact most of the scores from that era and from all studios were deeply uninteresting and, yup, indistinguishable from each other.

The whole reputation of film music rests with a tiny handful of guys in the right place at the right time. But for every Alex North type genius there were ten Paul Sawtell type bland professionals churning out paste.

I'm beginning to think it was all just a fluke.



Ah, this conversation just keeps getting better!

(EDIT: big grin )

 
 Posted:   Jul 5, 2015 - 5:34 PM   
 By:   johnjohnson   (Member)

The more I think about it, this is a lousy thread. And with what happened only two weeks ago, it could be considered disrespectful.





Very.

 
 Posted:   Jul 5, 2015 - 5:40 PM   
 By:   johnjohnson   (Member)



James Horner certainly kept film music alive post 2004.


Yes, he did.

 
 Posted:   Jul 5, 2015 - 5:46 PM   
 By:   McD   (Member)

LeHah, you ignored everything I said, including all your misreading and total hypocrisy, then played the death card... So far you've said nothing except some blah blah about the presentation of opinions (when you're happy to post blatant BS as fact) and now you're 'supporting' by deflecting onto someone else's comment, already dealt with.

Be consistent: if you really feel that about the presentation of opinions, go back and delete all of your posts. And pick out a few from others whose presentations are in the LeHah style you no longer find acceptable (but that you might agree with, to save you looking like a complainer with no arguments of his own). Then pick through the Horner threads of last week - there are at least three - where Horner says something similar, or worse, and have a go at the OPs for being disrespectful by posting his negative opinions so soon after he passed. Someone already has in one of them, so you have the pre-support you crave.

Or simply stick to this - you've got nothing to say, say nothing.

 
 
 Posted:   Jul 5, 2015 - 6:46 PM   
 By:   Timmer   (Member)

No, Petr, fortunately film music is not dead - it's just on a lower level than in the past.

Actually, no. It's more exciting and versatile now than it ever has been!


More exciting? Not to me but it all comes down to personal taste.

Versatile?* Yes! Unique? No! Originality? No!

All interchangeable? Absolutely!

*Refer to 'interchangeable'

 
 Posted:   Jul 5, 2015 - 8:11 PM   
 By:   Ray Worley   (Member)

The more I think about it, this is a lousy thread.

Smartest thing said in this thread so far. I'm sorry I rose to the Troll Bait.

 
 
 Posted:   Jul 5, 2015 - 9:19 PM   
 By:   .   (Member)

But for every Alex North type genius there were ten Paul Sawtell type bland professionals churning out paste.




In my ignorance I've always considered Voyage to the Bottom of the Sea to be a very good score. But in my own defense I knew nothing about the paste until now. I'll be sure to listen out for it next time.

 
 Posted:   Jul 5, 2015 - 11:02 PM   
 By:   Heath   (Member)

But for every Alex North type genius there were ten Paul Sawtell type bland professionals churning out paste.




In my ignorance I've always considered Voyage to the Bottom of the Sea to be a very good score. But in my own defense I knew nothing about the paste until now. I'll be sure to listen out for it next time.


Mind it doesn't block your ears up. Paste will do that. wink BTW take a listen to the GNP CD of the TV VTTBOTS - the solid but conventional Sawtell and the scintillating, musically bold Goldsmith. That's the fastest way you could learn both about paste and, more importantly, why people like Goldsmith are very very rare indeed.


EDIT: I will say one thing for Sawtell - his Voyage TV theme really IS gorgeous. Credit where it's due. smile

 
 Posted:   Jul 5, 2015 - 11:39 PM   
 By:   Scott McOldsmith   (Member)

 
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