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Wow. I actually get to say it first: Star Wars. Krull? I’m curious, why Krull? Awesome score, of course.
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John Barry - Beat Girl
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I don't know that I'd want to "go back" and crash certain sessions as much for the scores themselves, but more for the experience of witnessing particular incidents or personalities. I'd love to attend the "Barry Lyndon" sessions if only to witness first-hand the famous "attempted strangling" of Kubrick by Rosenman. Any sessions conducted by Lionel Newman would be towards the top of the list, too - both to watch his conducting technique and rapier-sharp tongue at work. Additionally, it would have been interesting to attend the "Psycho" sessions, if only to witness the byplay between Herrmann and Hitchcock as he reached "The Murder." Another one came to mind earlier, but for the life of me, I can't remember what it was. If I end up recalling the score in question, I'll edit this post to reflect that. (It wasn't "Fantastic Voyage," though that would certainly rank high, also. I would have loved to have seen the musicians' faces as they looked over their parts for the first time.)
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Another one came to mind earlier, but for the life of me, I can't remember what it was. If I end up recalling the score in question, I'll edit this post to reflect that. (It wasn't "Fantastic Voyage," though that would certainly rank high, also. I would have loved to have seen the musicians' faces as they looked over their parts for the first time.) 'The corridor' from Torn Curtain perhaps?
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ALIEN by Jerry, with Lionel conducting. I still can't get over the sounds that orchestra produced. I hate to break the "bad' news but.............. most of those sounds were created in the mix - i.e. JG did ALOT of processing (echo, tape manipulation, etc.) I would love to have been at THE EXORCIST session to see Friedkin "Go "Bale" on Lalo ahahahhaha!!!!!!!!!!!! b
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Hearing one of those "Goldsmith moments" where he created a wonderful, unique sound used nowhere else in the score. Oh... wait... Never mind.
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