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I'd be happy to interview Mark Isham some day, one of my favorite film composers ever since I saw October Sky. Could discuss replacing Jerry on The Public Eye for sure, but also their shared interest in solo trumpet! (And The Black Dahlia is the best modern noir score in the Chinatown tradition...) So yeah, good idea...but not him. Yavar
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Yeah. Lukas didn't start the label till he was ' middle aged'. Point is the newsletter/ magazine was the precursor.
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Re: Goldsmith planned re-recordings Im sad they didn't get to do SPARTACUS. But, the other titles - esp. his own scores- are well represented on disc in their original recordings. I never cared for his rerecords of PATTON, AGONY etc. /. Not a big fan of his concerts either. Then again I never cared for concerts of film music from any composer , for me, the osts are perfection! Nice job, Yav! brm
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Was the CONAN piece conducted by Basil in concert?
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Any chance of maybe getting Paul Verhoeven or Joe Dante on the show?
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Lukas and Bob both starting labels.in.their.teens! Amazing! Just goes to show there's no stopping someone who has a vision -- and wealthy grandparents! I'm thrilled Robert Townson went into business, don't get me wrong, but there's obviously more to his story than he is letting on. Doug Fake approached Fox in the early 80s about releasing The Final Conflict -- and was turned away because he had no experience in producing a record. And this was some who was already running a business. Yet a teenage boy was granted the album rights? Clearly Townsend's family had connections or a lot of influence of some kind. They were obviously loaded (most grandparents, no matter how doting, don't throw away $20,000 on their grandson's hobby). I'd like to know the full story.
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Phil Spector was a teen when he started also! The Elmo Skepticism
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My grandmother wouldn't have given me $20 to spend on "that junk" (i.e. anything that wasn't an Andy Williams album).
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