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Oddly enough, that BILLY TWO HATS end title is nowhere to be found in the allegedly complete copy of the score John gave me - nor does it really sound like anything else from the corpus of the larger work. Strange!
Most interesting Bob. I cant recall if the opening title is the same or a different piece. I seem to recall some scottish fiddle flavour, similar to patrick Williams Butch n sundance.
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Posted: |
Jun 17, 2018 - 3:54 PM
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By: |
bobbengan
(Member)
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Velazquez is indeed also a talented fellow. Love THE ORPHANAGE and CRIMSON PEAK especially, though his most acclaimed score, THE IMPOSSIBLE, didn't click with me - Too simple, too obvious. Yes, it's"sweeping", but there's a kind of simple-mindedness to the writing that felt... A bit trite I suppose? Like a Mark Mckenzie Christian family film score. Yes, it's thematic and orchestral, which we all love of course, but if those ingredients aren't used in the right fashion, does it really matter that much? Likewise A MONSTER CALLS felt like a hugely missed opportunity to me.
But I digress.
I'd love to see him do an "everything-and-the-kitchen-sink" symphonic western, and really push himself compositionally while he's at it. Crimson Peak especially shows a great voice is lurking in there but the inspiration obviously isn't equal across all his output.
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Oddly enough, that BILLY TWO HATS end title is nowhere to be found in the allegedly complete copy of the score John gave me - nor does it really sound like anything else from the corpus of the larger work. Strange!
Could it have been mislabeled for you perhaps? Have you checked the film to see if it matches up?
Yavar
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Duzza me madre maka da spaghetti, Bob?!!!!!
Yes Please do.
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Tan Dun.
Shigeru Umebayashi.
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