OT: I remember Sickel and Ebert ripping this film to shreds! The original shark is dead yet some how was resurrected for the soul purpose of going after Brody's wife.
...but ultimately realized I got it because of the Williams connection, which is marginal at best. So I gave it away, I think.
So you would have kept it if Williams was the one who actually did it? That makes a lot of sense.
Yeah, probably. I acquired it at a time when my Williams completism was a bit out of control, but it's basically just a Michael Small score that happens to have a couple of brief cameos of the JAWS theme.
Yeah, probably. I acquired it at a time when my Williams completism was a bit out of control, but it's basically just a Michael Small score that happens to have a couple of brief cameos of the JAWS theme.
This score is more than just a few cameos of Williams. There is great new original material.
Yeah, probably. I acquired it at a time when my Williams completism was a bit out of control, but it's basically just a Michael Small score that happens to have a couple of brief cameos of the JAWS theme.
This score is more than just a few cameos of Williams. There is great new original material.
It was that original material that didn't 'suit my fancy', I'm afraid. Then again, I'm not a big fan of thriller scores in the first place (and I also think Small has done better work elsewhere). My acquisition of this was merely to have a complete set of soundtracks from all JAWS films because of a Williams connection (that was just barely present after no. 2), and in retrospect I can see how silly that was.