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TV Omnibus: Volume One (1962-1976) (1962-1976)
Music by George Duning, Don Ellis, Jerry Fielding, Billy Goldenberg, Jerry Goldsmith, Dave Grusin, Gil Melle, John Parker, George Romanis, Leonard Rosenman, Lalo Schifrin, Harry Sukman, John Williams
TV Omnibus: Volume One (1962-1976) TV Omnibus: Volume One (1962-1976) TV Omnibus: Volume One (1962-1976)
Click to enlarge images.
Price: $44.96
Limited #: 2000
View CD Page at SAE Store
Line: Silver Age
CD Release: August 2010
Catalog #: Vol. 13, No. 13
# of Discs: 5


Many of the major film composers of the 1960s and ’70s cut their teeth and honed their skills not on theatrical films but on work for the small screen. Writing for television taught them to create effective music quickly and economically. This wide-ranging 5CD set from Film Score Monthly (drawn from the archives of M-G-M Television) features rare and exciting television work by composers best known for feature films—John Williams, Leonard Rosenman, Dave Grusin, Jerry Fielding, George Duning, Lalo Schifrin—as well as musicians long adored for their television work, such as Gil Mellé, John Parker and Billy Goldenberg.

Disc One leads off the collection with John (“Johnny”) Williams’s music for a single episode of The Eleventh Hour (1963), a spin-off of the popular Dr. Kildare series. This is the only M-G-M series episode scored by Williams, who was primarily working for Universal at the time. It is followed by Leonard Rosenman’s score for The Phantom of Hollywood (1974), which mines the atonal and dissonant style of The Cobweb while also incorporating melodies from classic M-G-M musicals. Also heard on the first disc is jazz trumpeter Don Ellis’s brief but probing score for The Deadly Tower (1975), NBC’s controversial film about a real-life sniper who killed 13 people in a deadly shooting spree at the University of Texas in 1966.

Disc Two features Dave Grusin’s hip music for three episodes of Assignment: Vienna (1972-73), an international-intrigue series which starred Robert Conrad. Grusin incorporated a cimbalom into his otherwise contemporary jazz score to give the music an Old World flavor. Among the disc’s highlights are the pieces for jazz trio and quartet composed as source music for the nightclub operated by Conrad’s character, heard here for the first time absolutely complete (only truncated versions were featured in the show).

More music from the same series—but by a different composer—makes up the first half of Disc Three. John Parker, who also worked on CHiPs, brought a slightly more conventional sound to the show, although he too used cimbalom and a similar orchestration.

The other music featured on Disc Three comes from Jerry Fielding’s delightfully diverse score for the TV movie, Shirts/Skins (1973). Although he was better-known for scoring films that explored man’s dark side (The Wild Bunch, Straw Dogs), Fielding was equally adept at scoring comedies. This telefilm about six overstressed businessmen engaged in a wacky contest gave Fielding the opportunity to stretch his musical muscles in several directions. His big-band arrangement of “Sweet Georgia Brown” is just one aspect of this appealing score, which also includes a zany march, a bit of vaudeville and some quasi religioso moments for scenes set in a church.

Disc Four is devoted to music from Then Came Bronson—both George Duning’s largely traditional score for the TV-movie/pilot (1969) and Gil Mellé’s more diverse contribution to two episodes of the ensuing series (1969-70). Duning’s romantic idiom was perfectly suited to this tale of a motorcycle-riding drifter out to discover himself and his country, encompassing a beautiful love theme in its rich orchestral palette (the score is for a relatively large group of 35 musicians). Mellé’s two episode scores include one fairly traditional effort, “The Circle of Time” (this was before his electronic music breakthrough), and a more intriguing, jazz-based score written for only eight players (“The Forest Primeval”). He adapted the latter into a 14-minute jazz suite (“Waterbirds”) for a rare 1970 LP.

Lalo Schifrin’s complete score for Earth II (1971) (which FSM previewed in The Cincinnati Kid, Lalo Schifrin Scores Vol. 1), a science-fiction TV movie with its otherworldly sounds created by non-traditional use of orchestral instruments as well as extensive use of electronics, opens Disc Five. It is followed by music for a 1976 failed pilot film about an international “Impossible Missions”-type team, High Risk, composed by Billy Goldenberg. Mysterious, restrained yet elegant, this score also explores unique sounds with such instruments as electric sitar, synthesizer and echoplexed electric flutes.

The 32-page booklet includes extensive background notes by film and TV music historian Jon Burlingame, plus stills and artwork selected by Joe Sikoryak—BUT there’s more! With so much fascinating music contained on these discs, FSM is providing additional notes online for selected scores. This historical collection sheds new light on the work of several well-known composers and is a must-buy for all collectors interested in the “full picture” of ’60s and ’70s dramatic scoring. Order yours and “tune in” today.

George Duning Scores on FSM
About the Composer

George Duning (1908-2000) was a longtime contract composer at Columbia Pictures (From Here to Eternity, Picnic) who later did feature films as a freelancer (including several of the titles released by FSM) as well as a great amount of television (including Star Trek). A former bandleader for Kay Kyser, he was comfortable in jazz idioms and had a sensitive and melodic touch as a symphonic dramatist. FSM is one of the only labels to showcase his work, from action-adventure (The Devil at 4 O'Clock) to magical comedy (Bell, Book and Candle) to bluesy and lyrical (Toys in the Attic). IMDB

Don Ellis Scores on FSM
About the Composer

Don Ellis (1934-1978) was a visionary West Coast jazz trumpetist, drummer, composer and arranger whose Don Ellis Band broke new ground in adventuresome time signatures and orchestration; it was said the only piece that the band played in 4/4 was "Take Five." Ellis broke his avant garde jazz sensibilities to The French Connection and French Connection II as well as other film and TV projects before his untimely death as a result of a heart ailment. IMDB

Jerry Fielding Scores on FSM
About the Composer

Jerry Fielding (1922-1980) was one of cinema's most distinctive voices in the 1960s and especially '70s, the perfect musical complement to the films of Sam Peckinpah, Michael Winner, Clint Eastwood and others. His scores are marked by modernism and intricate orchestrations but also a poetic beauty and intensity—an appropriate accompaniment to the decade's strange and often sad (but never sentimental) criminals and antiheroes, be they in westerns (The Wild Bunch) or crime films. He was, however, capable of numerous styles (he was a former Vegas bandleader), and wrote a great number of scores (from sticoms to dramas to sci-fi) for television. IMDB

Billy Goldenberg Scores on FSM
About the Composer

Billy Goldenberg (b. 1936) is one of the legendary names in television scoring of the 1960s and 1970s. He was Steven Spielberg’s composer (Night Gallery, Duel) before the latter’s collaborations with John Williams. Winner of four Emmys, the prolific Goldenberg wrote music for such series as Alias Smith & Jones, The Sixth Sense, Kojak, Rhoda, Columbo and The Name of the Game, as well as such highly rated TV-movies and miniseries as Rage of Angels and Queen of the Stardust Ballroom (the latter of which went on to become the Tony-nominated 1978 musical Ballroom). His movie credits include Play It Again Sam, Up the Sandbox and The Last of Sheila. IMDB

Jerry Goldsmith Scores on FSM
About the Composer

What to say about Jerry Goldsmith (1929-2004), the reason so many of us are soundtrack collectors in the first place? The Los Angeles native knew early on he wanted to write music for the movies, had an extensive training in television in the 1950s (starting at CBS), and went on to an unparalleled career in the movies—capable of brilliance in every genre, and beloved by his peers and fans. FSM has released as many of his scores as we could get our hands on, from classic TV work like The Man From U.N.C.L.E. to famous features (Patton) and obscure gems like The Illustrated Man and 100 Rifles...heck, make that all of them. Jerry, we love you and miss you! IMDB

Dave Grusin Scores on FSM
About the Composer

Dave Grusin (b. 1934) is a composer, arranger, jazz pianist and recording artist who has made major contributions to jazz and popular music as well as film, where his deft blending of orchestra and pop music (either/or, and often both!) has enriched projects in all genres—but he is especially known for his sensitive touch for acclaimed dramas. He has also composed a number of well-known TV themes, from The Name of the Game to Baretta to St. Elsewhere. FSM has released some of his earliest work on CD, including his TV music for The Girl From U.N.C.L.E.—our pleasure, as he was pretty much great from day one. IMDB

Gil Melle Scores on FSM
About the Composer

Gill Mellé (1931-2004) was a gifted artist (painting and sculpture), prominent jazz musician (tenor and baritone sax), designer of electronic instruments, and prolific composer. Throughout the 1970s and 80s he wrote extensively for television, including episodes of Night Gallery, Columbo, Kolchak: The Night Stalker and Tenafly, plus such made-for-TV films as My Sweet Charlie and The Six Million Dollar Man. He also scored a few theatrical films, such as The Andromeda Strain and Hot Target. Mellé pioneered many developments in electronic music, including early analog synthesizers and drum machines; many of his scores incorporated electronic instruments of his own design. IMDB

John Parker Scores on FSM
About the Composer

John Parker (b. 1926) taught in the Film Music Department at USC for seven years. He is a prolific composer of film and television scores. Formerly the musical director for Arthur Godfrey, he later scored numerous episodes of Dallas, Medical Center and Gunsmoke, plus all of the music for Trapper John, M.D. He also composed music for Love Boat, M*A*S*H, The Streets of San Francisco and many other series. Parker has arranged and conducted albums for such popular artists as Ray Charles, Sammy Davis Jr., Tony Bennett, Merv Griffin, Carol Lawrence, Connie Francis and Rosemary Clooney. IMDB

George Romanis Scores on FSM
About the Composer

George Romanis (b.1929) worked as a jazz bassist, arranger and president of a commercial jingle house until 1970. He was active in television scoring during the 1970s and '80s. His credits include episodes of such well-known series as Hawaii Five-O, Hawkins, Medical Center, Cannon and Beyond Westworld. He also scored the TV version of Steinbeck’s Of Mice and Men. His non-commercial work includes a concerto for guitar and orchestra, premiered in 1981. IMDB

Leonard Rosenman Scores on FSM
About the Composer

Leonard Rosenman (1924-2008) was an accomplished 20th century American composer with a major career in film and television. He was an up-and-coming New York concert composer when his friendship with James Dean lead to his groundbreaking 1955 scores for East of Eden and Rebel Without a Cause; his score for The Cobweb that same year is acknowledged as the first to be based on twelve-tone music. His other film projects include Fantastic Voyage, the 1978 Lord of the Rings, Cross Creek and Star Trek IV; his television work includes Combat, Marcus Welby, M.D. and Sybil. Rosenman made no apologies for his modernist style and was outspoken about using his film projects as testing grounds for concert works. IMDB

Lalo Schifrin Scores on FSM
About the Composer

Lalo Schifrin (b. 1932) is an Argentinean-born composer, conductor, arranger and pianist who has made a major impact on film, TV, the concert hall and jazz stage. He parlayed an early career as a pianist and arranger for Dizzy Gillespie into a run as one of the hottest film and TV composers of the 1960s and '70s, with projects such as Mission: Impossible, Bullitt, Dirty Harry, Cool Hand Luke, Enter the Dragon and more. His more recent films include the popular Rush Hour series. He is beloved for his Latin jazz but is also an accomplished classical composer and conductor with ongoing recording, composing and performing projects.IMDB

Harry Sukman Scores on FSM
About the Composer

Harry Sukman (1912-1984) was a veteran composer of feature films as well as television, both episodic (Dr. Kildare) and longform (Salem's Lot). He won an Oscar for Best Scoring of a Musical Picture for 1960's Song Without End (adapting Franz Liszt). IMDB

John Williams Scores on FSM
About the Composer

John Williams (b. 1932) is not only the composer of most of the biggest blockbusters of all time—including Star Wars, E.T., Jaws, the Indiana Jones films, Harry Potter, Jurassic Park and many more, many of them directed by Steven Spielberg—but he has transcended film music to become the world's most famous living composer, and an American institution. His popular symphonic scores are so iconic that they often overshadow the fact that he has been equally proficient at sophisticated, adult fare (Schindler's List, Images) and had a successful career in composing (for television and often comedy features), arranging and performing well before he even met Steven Spielberg. FSM, like most labels, will release everything it can of Williams's music, and has concentrated (for reasons of availability) on his early years as "Johnny" Williams when he was doing sterling work on relatively little-known television and films—always with an amazing attention to melody and detail. In fact, his early works are fascinating for the ways in which they foreshadow his later, world-renowned efforts. IMDB

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TV Omnibus: Volume One (1962-1976)

Film Score Monthly presents a TV music treasure by great composers on five CDs!!!!

http://www.screenarchives.com/title_detail.cfm/ID/14279/TV-OMNIBUS-VOLUME-ONE-1962-1976/

Holy Schidt!

That some great music! Heck of a cover too!

Finally!!!
Something to go with my order of Hunters Are For Killing.
With all this 70's music, I'm gonna have to grow my hair and dig out those flares!!! :)
Very Cool FSM!

Great work!! An incredible treasure!

Son Of A B*tch....

Ok now THIS is a must have. Lord, what, Lukas thought this was obscure stuff??? Hmmm. If that job offer comes my way this week I'm getting this one.

Or, who wants a copy of the FSM MGM Treasury in trade? :)


DAMN good work, guys!!!

Wow. Looks incredible. I'll start scrounging up the pennies.

Many thanks Lukas for what looks like a labor intensive project.

I dunno what it is, but there's something about the cover of this thing that gives me 'nostalgia butterflies' in my tummy.
Everytime I look at it, I'm reminded of things like my Planet Of The Apes annual, all those Look-In magazine covers, Top Of The Pops LP's, even Kojak bubble gum cards!
Help!!! Someone pull me back into the present!

Hyper...ventiliating!

This does look and sound like a tremondous amount of fun. Looking forward to hearing it all. If you'll excuse me, I have to go knock over a liquor store...

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Track List
Instruments/Musicians
Click on each musician name for more credits
For more specific musician lists for the scores on this album, go here:
Assignment Vienna: A Deadly Shade Of Green
Assignment Vienna: Hot Potato
Assignment Vienna: So Long Charlie
Assignment Vienna: The Last Target
Assignment Vienna: There Was An Old Woman
Earth II (TV Pilot)
Eleventh Hour
High Risk (TV Movie)
Shirts / Skins (TV Movie)
The Deadly Tower (TV Movie)
The Phantom of Hollywood (TV Movie)
Then Came Bronson: Pilot
Then Came Bronson: The Circle of Life
Then Came Bronson: The Forest Primeval

Leader (Conductor):
George Duning, Don Ellis, Jerry Fielding, Billy Goldenberg, David Grusin, Gil Melle, John C. Parker, George Romanis, Leonard Rosenman, Lalo Schifrin, John T. Williams

Violin:
Murray Adler, Israel Baker, Arnold Belnick, Harry Bluestone, Samuel Boghossian, Tom Buffum, Glenn Dicterow, Adolph DiTullio, Bonnie J. Douglas (Shure), Hyman Goodman, Thelma Hanau (Beach), Anatol Kaminsky, Nathan Kaproff, George Kast, Richard Kaufman, Ezra Kliger, Bernard Kundell, Marvin Limonick, Alfred Lustgarten, Joy Lyle (Sharp), Erno Neufeld, Stanley Plummer, Lou Raderman, Sally Raderman (aka Sarah Kreindler), Nathan Ross, Myron Sandler, Paul C. Shure, Marshall Sosson, Lya Stern, Gerald Vinci, Heimann Weinstine

Viola:
Myer Bello, Samuel Boghossian, Rollice Dale, Allan Harshman, Myra Kestenbaum, Louis Kievman, Virginia Majewski, Robert Ostrowsky, David Schwartz, Barbara A. Simons (Transue), Milton Thomas, Abe Weiss

Cello:
Margaret Aue-Van Wyck, Douglas L. Davis, Justin DiTullio, Jesse Ehrlich, Christine Ermacoff, Igor Horoshevsky, Armand Kaproff, Dennis Karmazyn, Raymond J. Kelley, Raphael "Ray" Kramer, Lucien Laporte, Edgar Lustgarten, Emmet Sargeant, Frederick R. Seykora, Jeffrey G. Solow, Gloria Strassner, Mary Louise Zeyen

Bass:
Max R. Bennett, Charles C. Berghofer, Raymond M. "Ray" Brown, Charles L. Domanico, Arni Egilsson, Milton Kestenbaum, Abraham Luboff, Peter A. Mercurio, Keith "Red" Mitchell, Dave Parlato, Ray Siegel, Robert King Stone, John B. Williams, Jr.

Flute:
Gus Bivona, Peter Christlieb, Louise M. DiTullio (Dissman), Harry Klee, Ronald Langinger (aka Ronny Lang), Ronald Langinger (aka Ronny Lang), John Lowe, Ted Nash, Martin Ruderman, Thomas W. Scott, C. E. "Bud" Shank, C. E. "Bud" Shank, Gretel Y. Shanley, Joseph Soldo, Sheridon W. Stokes

Oboe:
John F. Ellis, Arnold Koblentz, Arnold Koblentz

English Horn:
Peter Christ

Clarinet:
David N. Atkins, Gus Bivona, Dominick Fera, Charles Gentry, Ronald Langinger (aka Ronny Lang), John Neufeld, Hugo Raimondi, Hugo Raimondi, Julian Spear

Bass Clarinet:
John Lowe

Bassoon:
Charles A. Gould, Norman H. Herzberg, John Lowe, Jack Marsh

Saxophone:
Gus Bivona, Peter Christlieb, Charles Gentry, William H. Hood, Ronald Langinger (aka Ronny Lang), John Lowe, Jerome Richardson, C. E. "Bud" Shank

Woodwinds:
Don Ashworth, Norman Benno, Gary Foster, Gary L. Herbig, Jules Jacob, Ronald Langinger (aka Ronny Lang)

French Horn:
Huntington Burdick, John W. "Jack" Cave, James A. Decker, Vincent N. DeRosa, David A. Duke, Arthur Frantz, Robert E. Henderson, William E. Lane, Herman Lebow, Arthur Maebe, Jr., Richard E. Perissi, George F. Price, Alan I. Robinson

Trumpet:
John Audino, Gary A. Barone, Robert Divall, Charles B. Findley, Carroll "Cappy" Lewis, Malcolm Boyd McNab, Uan Rasey, Anthony "Tony" Terran, George Werth

Trombone:
Michael J. Barone, Milton Bernhart, Louis Blackburn, Karl Dekarske, Francis L. "Joe" Howard, Edward Kusby, Charles C. Loper, Randall Miller, Richard "Dick" Nash, Richard Noel, Barrett O'Hara, George M. Roberts, William Schaefer, Phillip A. Teele, William Tole, Lloyd E. Ulyate

Tuba:
Roger Bobo, James M. Self, Ray Siegel

Piano:
Ralph E. Grierson, Pete Jolly (Ceragloli), Artie Kane, Michael A. Lang, Lincoln Mayorga, Larry G. Muhoberac, Jr., J. Peter "Pete" Robinson, Clark Spangler

Keyboards:
John D. Berkman, Milcho Leviev, Clark Spangler, Ian R. Underwood

Moog:
Paul Beaver, Ed Lojeski, Jr.

Organ:
Clark Gassman, Ralph E. Grierson, Clark Spangler, Michael R. Wofford

Guitar:
Dennis Budimir, James E. Burton, David H. Cohen, Alton R. "Al" Hendrickson, Jaydee Maness, Joe Passalaqua, Lee M. Ritenour, Trefoni "Tony" Rizzi, Howard Roberts, Thomas "Tommy" Tedesco

Fender (electric) Bass:
Max R. Bennett

Harp:
Catherine Gotthoffer (Johnk), Lou Ann Neill, Dorothy S. Remsen, Anne Stockton (Mason)

Cymbalom:
Kenneth E. Watson

Harmonica:
Tommy Morgan

Accordion:
Carl Fortina

Drums:
Larry Bunker, Larry Bunker, Frank L. Carlson, John P. Guerin, Ralph S. Humphrey, Earl C. Palmer, Emil Radocchia (Richards), Mark Z. Stevens, Kenneth E. Watson

Percussion:
Hubert "Hugh" Anderson, Larry Bunker, Frank L. Carlson, Anthony Columbia, Milton Holland, Ralph S. Humphrey, Joe Porcaro, Emil Radocchia (Richards), Mark Z. Stevens, Tommy Vig, Kenneth E. Watson

Orchestrator:
Jeff Alexander, Don Ellis, Ralph Ferraro, Billy Goldenberg, David Grusin, John C. Parker, George Romanis

Arranger:
Jerry Fielding, Greig McRitchie, Arthur Morton, Leonard "Lennie" Niehaus

Orchestra Manager:
Harry W. Lojewski

Copyist:
Gene Bren, Jack Dulong, Ralph Ferraro, Camillo Fidelibus, Willard W. Jones, Harry W. Lojewski, Ray Mace, Dale R. McMickle, Donald J. Midgley, Barrett O'Hara, Ernest Rosecrans, Harry Taylor

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