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The May edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is an interview with LUDWIG GORANSSON about his eclectic score for Ryan Coogler’s horror blockbuster SINNERS. Also this issue are an interview with SON LUX about their MCU debut, THUNDERBOLTS*; MARK ORTON rides on from Alexander Payne to Daniel Minahan for the steamy, period drama ON SWIFT HORSES; GAVIN BRIVIK gets surgical with his scoring for the hit Max drama THE PITT; STEVE MATTHEW CARTER channels ’70s paranoia scores for the independent thriller GAZER; listen to audio from various events at the first LONDON SOUNDTRACK FESTIVAL; OLIVIER DERIVIERE scores the action-adventure title from Compulsion Games, SOUTH OF MIDNIGHT; LEO BIRENBERG and ZACH ROBINSON conclude their discussion of the final season of COBRA KAI; The fourth and final part of SOUNDING OFF ON SAKAMOTO; CAMERON CHAMBERS scores the GOOFY MOVIE documentary, NOT JUST A GOOF; a look at another new French book on genre film scores; get to know SAM WATTS; plenty of album reviews, including A MINECRAFT MOVIE, DEATH OF A UNICORN, CAPE FEAR and ABBOTT AND COSTELLO MEET FRANKENSTEIN; plus embedded audio clips, and more. Enjoy!

 

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Your Friends at FSM ONLINE

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Film Score Monthly Online
The Sound of Sin
Thunderbolts* and Lightning
On Swift Motives
The Pitt Band
Score-Gazer
London Calling: The Inaugural Edition, Part 1
South of Deriviere, Part 1
Cobra Chords: Snakes and Spiders, Part 2
Sounding Off on Sakamoto, Part 4
Not Just a Soundtrack
C'est Fantastique! Part 2
Getting to Know Sam Watts
Ear of the Month Contest: Ludwig Goransson
Today in Film Score History:
May 16
Alan Silvestri begins recording his score for Back to the Future (1985)
Elmer Bernstein begins recording his score to Hawaii (1966)
Jerry Goldsmith begins recording his score for The Shadow (1994)
Jonathan Richman born (1951)
Recording sessions begin for David Arnold’s score for Shaft (2000)
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