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The latest release from Caldera presents David Shire's music for the 1974 TV movie KILLER BEES, co-starring screen legend Gloria Swanson and directed by thriller specialist Curtis Harrington (What's the Matter with Helen?). The disc also includes music Shire composed for two other '70s TV movies - Harpy (1971), and Isn't It Shocking? (1973), a dark comedy-thriller which was an early project from Shire's Yale buddy, director John Badham, who would reunite with Shire for Saturday Night Fever and Short Circuit.


The Adults - Alex Weston
Aurora's Sunrise - Christine Aufderhaar 
Back on the Strip - Dontae Winslow
Birth/Rebirth - Ariel Marx
Blue Beetle - Bobby Krlic
Dead Shot - Max de Wardener
Downwind - Jayna Chou, Douglas Brian Miller
The Eternal Memory - José Miguel Tobar, Miguel Miranda 
Landscape with Invisible Hand - Michael Abels
Madeleine Collins - Romaine Trouillet
Simone: Woman of the Century - Olvon Yacob
Strays - Dara Taylor
You Are So Not Invited to My Bat Mitzvah - Este Haim, Amanda Yamate 


August 25
The Super Mario Bros. Movie - Brian Tyler - iam8bit    
October 6
April Fool's Day: The Deluxe Edition
 - Charles Bernstein - Varese Sarabande CD Club
Blood Simple: The Deluxe Edition
 - Carter Burwell - Varese Sarabande CD Club 
December 1
Scream VI - Brian Tyler, Sven Faulconer - Varese Sarabande
Date Unknown

Blondie - Mark Ronson, Andrew Wyatt - Waxwork
The Bruce Rowland Collection: Vol. 1
 - Bruce Rowland - Buysoundtrax
The Daniel Licht Collection: Vol. 1 - Daniel Licht - Dragon's Domain
Et la montagne fleurrira...
- Cyrille Aufort - MovieScore Media [CD-R] 
Gli Italiani e l'industria
 - Piero Umiliani - Kronos 
Good Guys Wear Black/Silent Rage
 - Craig Safan, Peter Bernstein, Mark Goldenberg - Dragon's Domain
Ibiza Blue
- Mark Timon - MovieScore Media [CD-R]
Killer Bees/Isn't It Shocking/Harpy
- David Shire - Caldera
Le as de la jungle 2 - Operation Tour Du Monde
 - Olivier Cussac- Music Box 
Lee Holdridge Documentaries Vol. 1
 - Lee Holdridge - Dragon's Domain
97 Minutes
- Ian Livingstone - MovieScore Media [CD-R]
Oppenheimer - Ludwig Goransson - Mondo
The Punisher
 - Dennis Dreith - Notefornote 
- William Ross, Angelo Badalamenti - MovieScore Media [CD-R]
Y todos arderan - Joan Vila - MovieScore Media [CD-R]


August 18 - Igo Kantor born (1930)
August 18 - David Benoit born (1953)
August 18 - John Debney born (1956)
August 18 - Tan Dun born (1957)
August 18 - Stuart Matthewman born (1960)
August 18 - Stephen Endelman born (1962)
August 18 - Carlos Rafael Rivera born (1970)
August 18 - Artie Kane records his score for The New Adventures of Wonder Woman episode “The Return of Wonder Woman” (1977)
August 18 - Robert Russell Bennett died (1981)
August 18 - Jack Elliott died (2001)
August 18 - Elmer Bernstein died (2004)
August 19 - Fumio Hayasaka born (1914)
August 19 - Herman Stein born (1915)
August 19 - Luchi De Jesus born (1923)
August 19 - William Motzing born (1937)
August 19 - Ray Cooper born (1942)
August 19 - Gustavo Santaolalla born (1951)
August 19 - Elmer Bernstein begins recording his score for Desire Under the Elms (1957)
August 19 - Andre Previn begins recording his score to The Subterraneans (1959)
August 19 - Recording sessions begin for Bronislau Kaper's score for BUtterfield 8 (1960)
August 19 - Jerry Goldsmith begins recording his score for Take Her, She’s Mine (1963)
August 19 - Alexander Courage's score for the Star Trek episode "The Man Trap" is recorded (1966)
August 19 - Jerry Goldsmith begins recording his score to The Illustrated Man (1968)
August 19 - Jerry Fielding records his score for the Mission: Impossible episode “The Controllers” (1969)
August 19 - Ludovic Bource born (1970)
August 19 - John Williams begins recording the soundtrack LP of Earthquake (1974)
August 19 - Lalo Schifrin begins recording his score for Telefon (1977)
August 19 - Luchi De Jesus died (1984)
August 19 - Jay Chattaway records his score for the Star Trek: Voyager episode “Equinox, Part II” (1999)
August 19 - Geoff Zanelli wins the Emmy for Into the West; Sean Callery wins his second Emmy, for the 24 episode “Day 5: 6:00 a.m. – 7:00 a.m.”; Edward Shearmur wins for Masters of Horror’s main title theme (2006) 
August 20 - Raoul Kraushaar born (1908)
August 20 - Edward Williams born (1921)
August 20 - Alain Goraguer born (1931)
August 20 - Stelvio Cipriani born (1937)
August 20 - Isaac Hayes born (1942)
August 20 - Irving Gertz records his score for the Land of the Giants episode “The Creed” (1968)
August 20 - Ron Jones records his score for the Star Trek: The Next Generation episode "The Naked Now" (1987)
August 20 - Recording sessions begin for David Arnold’s score for Stargate (1994)
August 20 - Richard Peaslee died (2016)
August 21 - Basil Poledouris born (1945)
August 21 - Recording sessions begin for Hugo Friedhofer’s score for Two Flags West (1950)
August 21 - Constant Lambert died (1951)
August 21 - Joe Strummer born (1952)
August 21 - Walter Schumann died (1958)
August 21 - Gerald Fried records his score for the Mission: Impossible episode “The Widow” (1967)
August 21 - Angelo Francesco Lavagnino died (1987)
August 21 - Richard Band begins recording his score for Robo Warriors (1996)
August 21 - Alex Wurman wins the Emmy for his Temple Grandin score; Sean Callery wins his third Emmy, for the 24 episode score “Day 8: 3:00 p.m. – 4:00 p.m.; Wendy Melvoin and Lisa Coleman win for Nurse Jackie’s main title theme (2010)
August 22 - Stanislas Syrewicz born (1946)
August 22 - Bronislau Kaper begins recording his score for Ride, Vaquero! (1952)
August 22 - Johnny Green begins recording his score for Twilight of Honor (1963)
August 22 - James Dooley born (1976)
August 22 - Bruce Broughton begins recording his score for This Girl for Hire (1983)
August 22 - John Williams begins recording his score for the Amazing Stories episode "The Mission" (1985)
August 23 - Constant Lambert born (1905)
August 23 - Martial Solal born (1927)
August 23 - Ian Fraser born (1933)
August 23 - Willy Russell born (1947)
August 23 - Julian Nott born (1960)
August 23 - Alexandre Desplat born (1961)
August 23 - Howard Blake begins recording his score for S.O.S. Titanic (1979)
August 23 - Marvin Hatley died (1986)
August 23 - David Rose died (1990)
August 23 - Jurriaan Andriessen died (1996)
August 24 - Jean-Michel Jarre born (1948)
August 24 - Peter Kyed born (1963)
August 24 - Dave Grusin begins recording his score for Absence of Malice (1981)
August 24 - Mark Lawrence died (1991)
August 24 - John Debney wins his first Emmy, for the Young Riders episode score “Kansas;” Richard Bellis wins for part 1 of It; Randy Newman wins his first Emmy for his Cop Rock songs (1991)


THE BEASTS - Olivier Arson

"The best scenes play out in the local tavern where the villagers congregate and litigate grudges over games of dominos. Cinematographer Alex de Pablo’s camera pans Antoine and the Xan, charting their steady journey from neighbours to antagonists. Bursts of Olivier Arson’s percussive score drumbeats them towards an inevitable explosion of violence."
Phil de Semlyen, Time Out 
"It helps that Sorogoyen has found the year’s best villain in longtime collaborator Zahera, who transforms himself into a hostile creature, glowering at Antoine and taunting him with insults (Xan calls his neighbor 'Francés,' translated here as 'Frenchy,' mocking the outsider’s accent) over a nerve-racking game of dominoes … and every subsequent time their paths cross. Zahera’s menacing body language, matched by an anxious string score and arm’s-length camerawork -- as if even DP Alejandro de Pablo is wary of getting too close -- establishes a sense of dread so acute and pervasive it can be hard for audiences to breathe at times."
Peter Debruge, Variety 

BROTHER - Todor Kobakov
"Todor Kobakov’s spellbinding score glues the film’s emotional display to its stunning visuals. Played over meditative moments, the music brings 'Brother' down to earth while warm versus cool color schemes paint the screen with damning dissonance. No feeling in 'Brother' goes unfelt; every element of its filmmaking taps into the heart. As Michael navigates his memory, trying to reconcile ideas of masculinity against unforgiving circumstances, a study erupts: that of the spirit’s resolve and the immortality of familial love. 'Brother' is a portrait of Black youth pitted against forces beyond their control."
Peyton Robinson, 
"Virgo has cited 'Moonlight' and 'If Beale Street Could Talk' as two of his movie’s biggest touchstones, and the lessons that 'Brother' has gleaned from Barry Jenkins’ example are as poignant and iterative as those Michael takes from Francis, particularly insofar as its use of operatic camerawork and a lush orchestral score to defy the gravity of its story’s downward pull. 'Brother' is littered with many of the hardships that you might expect from a hard-nosed drama about young Black men growing up in an overpoliced low-income housing complex, but Virgo doesn’t allow the familiarity of oppression to flatten the specificity of his characters. The cops are a constant threat, but they’re often blurred into the background or framed out of the picture like the grown-ups in a Charlie Brown cartoon. Gang violence plays a similarly crucial role, but only as an avenue towards exploring the finer points of Francis’ masculinity."
David Ehrlich, IndieWire 
DEAD & BEAUTIFUL - Rutger Reinders
"'Dead & Beautiful' lacks narrative bite but never lacks visual appeal. Verbeek, who has made several films in Taiwan, and cinematographer Jasper Wolf ('Monos') bring all the sheen and gloss of a high-end fashion commercial to depictions of the protagonist’s luxurious lifestyle in glitzy nightclubs and expensive restaurants. Wolf’s framing of the vampire clique prowling through eerily deserted streets and in later scenes in a seaside location bring a hypnotic other-worldliness to the tale. Monica Petit’s eye-catching costumes and a sleek electronic score by Rutger Reinders round out the film’s top-notch packaging."
Richard Kupiers, Variety
EARTH MAMA - Kelsey Liu
"There are certain threads that 'Earth Mama' regretfully doesn’t investigate -- namely, how does this country’s largely for-profit adoption system (and the oft-wealthy families it favors) contribute to this ongoing issue? -- but what it achieves is nothing short of illuminating. Cinematographer Jody Lee Lipes does stunning work here, evoking a staggering emotional undercurrent from even Nomore’s most subdued of gazes. Cellist and composer Kelsey Liu’s string-heavy score is enchanting and at times intentionally discordant, communicating the fraying and frenzied tangle of anxiety pulsing just under Gia’s stony exterior. While womanhood does not inherently breed maternal instincts, it is imperative to interrogate why working-class women of color are on such unequal footing compared to their wealthy, white counterparts. Again, it would have been fascinating to see how Leaf unpacked her family’s own relative privilege within these systems. But this heartfelt elegy, born from an encounter in Leaf’s past, is a beautiful artistic exercise in its own right."
Natalia Keogan, Paste Magazine
"Taking advantage of the film's Bay Area setting, Leaf neatly places moments of Gia, often naked, adrift and blank in a redwood forest throughout the movie. The images are elliptical, foreshadowing some kind of epochal rebeginning or rebirth, with a dreamy, menacing sounscape from musician Kelsey Lu."
Ryan Lattanzio, IndieWire

8-BIT CHRISTMAS - Joseph Trapanese
"This time next year, we should have a much better idea of the NCU -- the Nintendo Cinematic Universe. If you’re a fan of video games or bizarre casting news you also might have heard about the upcoming 'Super Mario Bros.' movie, starring Chris Pratt as Mario, and co-starring Seth Rogen as Donkey Kong. As part of this Nintendo cultural wave comes Michael Dowse's '8-Bit Christmas,' an innocent but tedious Yuletide time-killer that's all about wanting a Nintendo NES console. That’s one of many half-realized details in this sentimental piece of product placement that then weakly apes some John Hughes energy, mostly with some offhand references to Illinois culture, and a score from Joseph Trapanese that seems primed to break out into John Williams’ 'Somewhere in My Memory.'"
Nick Allen,
"'India Sweets and Spices' is shot and scored more like a Lifetime movie than a theatrical release, but it’s easy to look past its basic aesthetic to the deeper film beneath. The wit in Malik’s script is a match for Ali’s lively, often sarcastic delivery, proving an excellent fit between the lead actress and the material. Warmth and intelligence -- and a strong sense of both fun and feminism -- make Malik’s film worth a watch, and rising star Ali is worth keeping an eye on as well."
Kimber Myers, Los Angeles Times 
THE LESSON - Isobel Waller-Bridge
"'The Lesson' not only has a tremendous, eerie score by Isobel Waller-Bridge, but contains phenomenal, understated performances from its cast. Richard E. Grant is simultaneously restrained and unhinged in his role, wielding Sinclair’s bitterness and arrogance like a sword as he lashes out, slowly unraveling as the film goes on. Grant casts a powerful shadow over everything, controlling and manipulating everyone around him, but gives Sinclair room to unravel. Daryl McCormack (who was in last year’s acclaimed 'Good Luck To You, Leo Grande') is able to balance outward respectability with eagerness and frustration. It’s nuanced and tempered, and the outcome of his performance benefits the finale greatly, and he expertly bounces off of Grant’s portrayal. Delpy, though she gets less to do, plays the long game in terms of Helene’s role. She’s distant and seemingly cold, but she’s patient and calculated as well, and it’s lovely to witness the myriad of emotions that swiftly play across her face."
Mae Abdulbaki, Screen Rant 

"But in the thoroughly capable hands of Grant, Delpy and McCormack, whose interplay has been playfully choreographed to the 1-2-3 tempo of a waltz-infused score by composer Isobel Waller-Bridge (Phoebe’s sister), the film proves as pleasingly undemanding as a typical summer read: neither a legit page-turner, nor easy to put down."
Michael Rechtshaffen, Los Angeles Times 

"The same holds true for the people watching along from home, as Imbert’s film gradually strips back every layer of character and conflict until its summit push is a wordless spectacle that follows two distant climbers up towards the heavens -- distant from us and from each other. It’s here, in these more high-altitude and less high-minded passages that 'The Summit of the Gods'' reaches the peak of its power, as the lush 2D animation indulges in the kind of ecstatically true vistas that live action would never allow, while Amine Bouhafa’s gorgeous and beguiling score makes every step feel like a spiritual proposition before exploding into an avalanche of synths. The combination results in an almost subliminal unreality that amounts to something between a documentary and a dream. This world is logical, and also not."
David Ehrlich, IndieWire
TALK TO ME - Cornel Wilczek
"And the horror, when it hits, hits with visceral intensity. Anyone who’s ever seen a RackaRacka horror short knows how well the Philippou brothers can craft a surprising scare, and those scares emerge with real ferocity in 'Talk to Me.' From ghosts suddenly appearing once the code phrase is spoken in a séance to quick eruptions of human violence, 'Talk to Me' is a very scary film, but the gags are about more than delivering on jumpscare thrills and outbursts of creative, chaotic gore. That’s all there, and it’s delivered with a real attention to craft, but what really makes the film work is the way 'Talk to Me' creates an atmosphere of coiled-spring dread. Energetic camerawork from Aaron McLisky, atmospheric soundscapes from Cornel Wilczek, and of course the nightmarish feeling that any one of these character could unspool at any second all come together to deliver a film that’s always teetering on the brink, threatening to spill over into full-on madness."
Matthew Jackson, Paste Magazine 

"Fully realized through clever editing and music choices (from Geoff Lamb and Cornel Wilczek), 'Talk To Me' is an adolescent tale of desperation, desire, and destruction -- a simple yet effective horror film that instills a sense of dread that never truly dissipates."
Lauren Coates, The Onion AV Club 
WAR PONY - Christopher Stracey, Mato Wahuyi
"You can’t say the story has a happy ending, but its energy revs up to a doomy, almost hallucinatory pitch as a Halloween party turns bad for everyone involved. Christopher Stracey and Mato Wayuhi’s music plays a crucial role here, and in the aftermath we also get a bracing visit from 'Come and Get Your Love,' the 1974 hit that made Redbone the first Native American band to hit the Top 5 on the Billboard charts."
Steve Pond, The Wrap 


Screenings of older films in Los Angeles-area theaters.

August 18
CAPE FEAR (Bernard Herrmann, Elmer Bernstein) [New Beverly]
CARRIE (Pino Donaggio) [Vidiots]
THE COUNSELOR (Daniel Pemberton) [Los Feliz 3]
NIGHTS OF CABIRIA (Nino Rota) [New Beverly]
THE OUTSIDERS (Carmine Coppola) [Vidiots]
SHIVA BABY (Ariel Marx) [Alamo Drafthouse]
TWIN PEAKS FIRE WALK WITH ME (Angelo Badalamenti) [BrainDead Studios]
WHERE THE WILD THINGS ARE (Carter Burwell) [Alamo Drafthouse]

August 19
ALL I WANNA DO (Graeme Revell) [Alamo Drafthouse]
AN AMERICAN WEREWOLF IN LONDON (Elmer Bernstein) [Vidiots]
BROTHER (Joe Hisaishi) [Los Feliz 3]
CRIA CUERVOS [Los Feliz 3]
DAVID BYRNE'S AMERICAN UTOPIA (David Byrne) [Academy Museum]
ENCANTO (Germaine Franco) [Academy Museum]
EVIL DEAD 2 (Joseph LoDuca), SUPERSTITION (David Gibney), TRICK OR TREAT (Christopher Young) [New Beverly]
THE FUGITIVE (James Newton Howard) [Aero]
JAMES AND THE GIANT PEACH (Randy Newman) [Vidiots]
LA HAINE [Vidiots]
PAPRIKA (Susumu Hirasawa) [Landmark Westwood]
RAISING ARIZONA (Carter Burwell) [Vidiots] 
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Nuart] 
SHIVA BABY (Ariel Marx) [Alamo Drafthouse]
THREE O'CLOCK HIGH (Tangerine Dream, Sylvester Levay) [New Beverly]

August 20
ARIZONA DREAM (Goran Bregovic) [BrainDead Studios]
DROP DEAD GORGEOUS (Mark Mothersbaugh) [Alamo Drafthouse]
EVIL DEAD 2 (Joseph LoDuca), SUPERSTITION (David Gibney), TRICK OR TREAT (Christopher Young) [New Beverly] 
HOOK (John Williams) [Vidiots]
MAD MAX: FURY ROAD (Tom Holkenborg) [Vidiots]
PARK ROW (Paul Dunlap) [Los Feliz 3]
PREY (Sarah Scachner), PREDATOR (Alan Silvestri) [Aero]
THE RACKET [Academy Museum]
ROGUE ONE: A STAR WARS STORY (Michael Giacchino) [Academy Museum]
SAY ANYTHING (Richard Gibbs, Anne Dudley) [Vidiots]
SOUTHERN COMFORT (Joel Harrison), VERA (Arrigo Barnabe) [UCLA/Hammer]
A TALE OF SUMMER [Los Feliz 3]
THREE O'CLOCK HIGH (Tangerine Dream, Sylvester Levay) [New Beverly] 
WISE BLOOD (Alex North) [BrainDead Studios] 

August 21
AMORES PERROS (Gustavo Santaolalla) [Vidiots]
BILLY LIAR (Richard Rodney Bennett), DARLING (John Dankworth) [New Beverly]
CLASS OF 1984 (Lalo Schifrin) [Los Feliz 3]
DEATH BECOMES HER (Alan Silvestri) [Vidiots]
GRAVE OF THE FIREFLIES (Michio Mamiya) [Los Feliz 3]

August 22
BILLY LIAR (Richard Rodney Bennett), DARLING (John Dankworth) [New Beverly] 
CARMEN (Paco De Lucia) [Los Feliz 3]
DEATH BECOMES HER (Alan Silvestri) [Vidiots]
PARIS, TEXAS (Ry Cooder) [Vidiots]
WE ARE THE FLESH (Esteban Aldrete) [Los Feliz 3]
WORKING GIRL (Carly Simon, Rob Mounsey) [Academy Museum]

August 23
I'M STILL HERE [BrainDead Studios]
A TALE OF AUTUMN [Los Feliz 3]
A WOMAN IS A WOMAN (Michel Legrand), MADE IN U.S.A. [New Beverly]

August 24
AMADEUS [Academy Museum]
THE BABADOOK (Jed Kurzel) [Los Feliz 3]
THE HOLY MOUNTAIN (Alejandro Jodorowsky) [Vidiots]
MIAMI VICE (John Murphy) [Los Feliz 3]
THE TALENTED MR. RIPLEY (Gabriel Yared) [Aero]
A WOMAN IS A WOMAN (Michel Legrand), MADE IN U.S.A. [New Beverly] 

August 25
HAROLD AND MAUDE (Cat Stevens) [Vidiots]
JENNIFER'S BODY (Theodore Shapiro, Stephen Barton) [Nuart]
NO COUNTRY FOR OLD MEN (Carter Burwell) [Los Feliz 3]
OLDBOY (Jo Yeong-wook) [BrainDead Studios]
PRETTY WOMAN (James Newton Howard) [Los Feliz 3]
PUMP UP THE VOLUME (Cliff Martinez) [BrainDead Studios]
THE ROOM (Mladen Milicevic) [Landmark Westwood]
THELMA & LOUISE (Hans Zimmer) [Aero]
VANILLA SKY (Nancy Wilson) [New Beverly]
WINTER KILLS (Maurice Jarre) [New Beverly]

August 26
BIG HERO 6 (Henry Jackman) [Academy Museum]
CB4 (John Barnes) [Los Feliz 3]
THE CRAFT (Graeme Revell) [Vidiots]
DARKMAN (Danny Elfman) [Los Feliz 3]
F FOR FAKE (Michel Legrand) [BrainDead Studios]
GOOD BURGER (Stewart Copeland) [Alamo Drafthouse]
INHERENT VICE (Jonny Greenwood) [Los Feliz 3]
JFK (John Williams) [Aero]
NAPOLEON DYNAMITE (John Swihart) [New Beverly]
PARIAH [Los Feliz 3]
PEE-WEE'S BIG ADVENTURE (Danny Elfman) [Vidiots]
THE RED SHOES (Brian Easdale) [Vidiots]
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Nuart] 
RUSHMORE (Mark Mothersbaugh) [Vidiots]
THRONE OF BLOOD (Masaru Sato) [BrainDead Studios]
WET HOT AMERICAN SUMMER (Theodore Shapiro, Craig Wedren) [Alamo Drafthouse]
WINTER KILLS (Maurice Jarre) [New Beverly]

August 27
BLACK PANTHER: WAKANDA FOREVER (Ludwig Goransson) [Academy Museum]
CAR WASH (Norman Whitfield) [Vidiots]
FOUR DAUGHTERS (Max Steiner) [Los Feliz 3]
GALAXY QUEST (David Newman) [Aero]
LOST IN LA MANCHA (Miriam Cutler) [BrainDead Studios]
NAPOLEON DYNAMITE (John Swihart) [New Beverly]
NIM'S ISLAND (Patrick Doyle) [UCLA/Hammer]
ORLANDO(David Motion, Sally Potter) [Los Feliz 3]
SAFETY LAST (Carl Davis - performed live) [Academy Museum]
TOY STORY (Randy Newman) [BrainDead Studios]
WINTER KILLS (Maurice Jarre) [New Beverly] 


Le samourai (De Roubaix/Demarsan); Le cercle rouge (Demarsan); Mutiny on the Bounty (Kaper); Diva (Cosma); A Very Long Engagement (Badalamenti); Frantic (Morricone); Soldier Blue: The Best of the Vanguard Years (Sainte-Marie); Blue (Preisner); Amelie (Tiersen)

Read: Inconstant Moon, by Larry Niven

Seen: Haunted Mansion; Barbie; Jules; Meg 2: The Trench; Tokyo Chorus; Tron: Legacy; Mission: Impossible - Dead Reckoning Part One

Watched: Person of Interest ("Root Cause"); The Venture Bros. ("The Unicorn in Captivity"); Succession ("I Went to Market"); You're the Worst ("It's Been: Part 2"); The Wire ("Dead Soldiers"); Many Rivers to Cross

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