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The October edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is an interview with TERENCE BLANCHARD, who scores Gina Prince-Bythewood’s THE WOMAN KING and the Louis Armstrong documentary BLACK & BLUES. Also this issue are an interview with AARON ZIGMAN about A JAZZMAN’S BLUES, which also features songs by Blanchard; AMIE DOHERTY joins the MCU with Disney+’s SHE-HULK, starring Tatiana Maslany; a look at the full written score of BASIL POLEDOURIS’ CONAN THE BARBARIAN; AUSTIN WINTORY and SUSIE SEITER team up for THAI CAVE RESCUE; BENJAMIN WALLFISCH takes a deep dive of his own for Ron Howard’s THIRTEEN LIVES; ALDO SHLLAKU delivers the good for De Niro, Jones and Freeman in THE COMEBACK TRAIL; PHILIP WHITE co-scores the SUPERNATURAL spin-off, THE WINCHESTERS; a LESLIE NIELSEN-themed SOUNDTRACK OBSCURITIES; RYAN SHORE travels to Verona for Netflix’s LOVE IN THE VILLA; lots of album reviews including PINOCCHIO, DON’T WORRY DARLING, PEARL, LIGHT & MAGIC and both LIFEFORCES; plus embedded audio clips, and more. Enjoy!

 

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Your Friends at FSM ONLINE

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Film Score Monthly Online
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Today in Film Score History:
April 25
Alec Puro born (1975)
Brian May died (1997)
David A. Hughes born (1960)
Franz Waxman records his score for Stalag 17 (1952)
Gary Hughes died (1978)
Georges Delerue records his score for L’Homme Qui Revient De Loin (1972)
Heinz Roemheld's score for Union Station is recorded (1950)
John Williams begins recording his score for How to Steal a Million (1966)
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