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The October edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is an interview with TERENCE BLANCHARD, who scores Gina Prince-Bythewood’s THE WOMAN KING and the Louis Armstrong documentary BLACK & BLUES. Also this issue are an interview with AARON ZIGMAN about A JAZZMAN’S BLUES, which also features songs by Blanchard; AMIE DOHERTY joins the MCU with Disney+’s SHE-HULK, starring Tatiana Maslany; a look at the full written score of BASIL POLEDOURIS’ CONAN THE BARBARIAN; AUSTIN WINTORY and SUSIE SEITER team up for THAI CAVE RESCUE; BENJAMIN WALLFISCH takes a deep dive of his own for Ron Howard’s THIRTEEN LIVES; ALDO SHLLAKU delivers the good for De Niro, Jones and Freeman in THE COMEBACK TRAIL; PHILIP WHITE co-scores the SUPERNATURAL spin-off, THE WINCHESTERS; a LESLIE NIELSEN-themed SOUNDTRACK OBSCURITIES; RYAN SHORE travels to Verona for Netflix’s LOVE IN THE VILLA; lots of album reviews including PINOCCHIO, DON’T WORRY DARLING, PEARL, LIGHT & MAGIC and both LIFEFORCES; plus embedded audio clips, and more. Enjoy!

 

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Sincerely,

Your Friends at FSM ONLINE

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Today in Film Score History:
October 3
Arnold Bax died (1953)
Bernard Herrmann begins recording his score for Tender Is the Night (1961)
Dennis McCarthy begins recording his score for Star Trek: Generations (1994)
Gerald Fried records his score for the Lost in Space episode "Collision of Planets" (1967)
Harry Sukman begins recording his score for Salem’s Lot (1979)
Jeff Alexander begins recording his unused score to Saddle the Wind (1957)
Jerry Goldsmith begins recording his score for The Reincarnation of Peter Proud (1974)
Johnny Mandel begins recording his unused score to The Seven-Ups (1973)
Nick Glennie-Smith born (1951)
Richard Bellis records his score for the Star Trek: Deep Space Nine episode “The House of Quark” (1994)
Robert Drasnin records his score for the Lost in Space episode "The Thief from Outer Space" (1966)
Roy Webb born (1888)
Shirley Walker begins recording her score for Turbulence (1996)
Stu Phillips begins recording his score for the two-part Buck Rogers in the 25th Century episode “The Plot to Kill a City” (1979)
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