The latest release from Intrada is a reissue of their 2-disc edition of Jerry Goldsmith's thrilling, Oscar-nominated THE SAND PEBBLES, with some audio improvements.
CDS AVAILABLE THIS WEEK
Fantastic Beasts: The Secrets of Dumbledore - James Newton Howard - WaterTower
Outlander: Season 6 - Bear McCreary - Sony
The Sand Pebbles [reissue] - Jerry Goldsmith - Intrada Special Collection
IN THEATERS TODAY
The Cellar - Stephen McKeon
Dual - Emma Ruth Rundle
Fantastic Beasts: The Secret of Dumbledore - James Newton Howard - Score 2 CD-R set on WaterTower
Father Stu - Dickon Hinchliffe
The Girl and the Spider - Philipp Moll
Night Caller - Richard Band - Score CD due May 4 on Dragon's Domain
Paris, 13th District - Rone
Waterman - Timothy Stuart Jones
COMING SOON
April 22
Operation Mincemeat - Thomas Newman - Lakeshore
May 6
Invasion: Season 1 - Max Richter - Decca
Never Too Late - Angela Little - Buysoundtrax
May 27
The Power of the Dog - Jonny Greenwood - Lakeshore
June 3
Violin Concerto No. 2 & Selected Film Themes - John Williams - Deutsche Grammophon
Date Unknown
Blood on the Crown - Laurent Eyquem - Kronos
Farewell Gulsary - Andre Matthias - Kronos
Georges Delerue: Bandes Originales De Films 1959-1962 - Georges Delerue - Music Box
Il sorisso del ragno - Daniele Patucci - CSC
Le temps de secrets - Philippe Rombi - Music Box
Maurice Jarre: Bandes Originales De Films 1959-1962 - Maurice Jarre - Music Box
Sans sommation - Daniele Patucci - CSC
Storia e preistoria - Piero Umiliani - Kronos
The Thief of Bagdad [1925] - Mortimer Wilson - Naxos
THIS WEEK IN FILM MUSIC HISTORY
April 15 - Gert Wilden born (1917)
April 15 - Michael Kamen born (1948)
April 15 - Dick Maas born (1951)
April 15 - Carlo Crivelli born (1953)
April 15 - Bernard Herrmann begins recording his score for A Hatful of Rain (1957)
April 15 - John Williams records his replacement score for the Land of the Giants pilot episode “The Crash” (1968)
April 15 - Francis Lai wins his only Oscar, for Love Story’s score (1971)
April 15 - John Greenwood died (1975)
April 15 - Jerry Goldsmith begins recording his score for Parts 1 & 2 of Masada (1980)
April 15 - John Williams records his score for the Amazing Stories episode "Ghost Train" (1985)
April 15 - Tim McIntire died (1986)
April 15 - Arthur Morton died (2000)
April 15 - Dennis McCarthy records his score for the Enterprise episode “Cogenitor” (2003)
April 15 - Les Reed died (2019)
April 15 - Lee Konitz died (2020)
April 16 - Charles Chaplin born (1889)
April 16 - Warren Barker born (1923)
April 16 - Henry Mancini born (1924)
April 16 - Perry Botkin Jr. born (1933)
April 16 - Chaz Jankel born (1952)
April 16 - David Raksin records his score for Pat and Mike (1952)
April 16 - Alex North begins recording his score for Cheyenne Autumn (1964)
April 16 - Jerry Goldsmith begins recording his score for The Detective (1968)
April 16 - Basil Poledouris begins recording his score to Quigley Down Under (1990)
April 16 - Jay Chattaway records his score for the Star Trek: The Next Generation episode “Frame of Mind” (1993)
April 17 - Jan Hammer born (1948)
April 17 - David Bell born (1954)
April 17 - Recording sessions begin for Bronislau Kaper's score for The Power and the Prize (1956)
April 17 - Ernest Gold wins his only Oscar, for the Exodus score (1961)
April 17 - Elmer Bernstein begins recording his score for Summer and Smoke (1961)
April 17 - Philippe Sarde begins recording his score for The Tenant (1976)
April 17 - John Williams begins recording his score for Stanley & Iris (1989)
April 17 - Jerry Goldsmith begins recording his score for Dennis the Menace (1993)
April 17 - Paul Baillargeon records his score for the Enterprise episode “Vox Sola” (2002)
April 18 - Alois Melichar born (1896)
April 18 - Miklos Rozsa born (1907)
April 18 - Tony Mottola born (1918)
April 18 - Buxton Orr born (1924)
April 18 - Mike Vickers born (1941)
April 18 - Kings Row released in theaters (1942)
April 18 - Andrew Powell born (1949)
April 18 - Ed Plumb died (1958)
April 18 - Maurice Jarre wins his second Oscar, for Doctor Zhivago's score; presumably decides to stick with this David Lean kid (1966)
April 18 - Jerry Goldsmith begins recording his score for Players (1979)
April 18 - Dave Grusin begins recording his score for The Goonies (1985)
April 18 - John Debney records his score for the Star Trek: Deep Space Nine episode “Progress” (1993)
April 18 - Mike Leander died (1996)
April 18 - Recording sessions begin for Marco Beltrami’s score for Red Eye (2005)
April 18 - Robert O. Ragland died (2012)
April 19 - William Axt born (1888)
April 19 - Joe Greene born (1915)
April 19 - Sol Kaplan born (1919)
April 19 - Dudley Moore born (1935)
April 19 - Jonathan Tunick born (1938)
April 19 - Alan Price born (1942)
April 19 - David Fanshawe born (1942)
April 19 - Lord Berners died (1950)
April 19 - Ragnar Bjerkreim born (1958)
April 19 - Henry Mancini begins recording his score for The Great Race (1965)
April 19 - John Williams begins recording his score for Fitzwilly (1967)
April 19 - Michael Small begins recording his score to Klute (1971)
April 19 - Thomas Wander born (1973)
April 19 - John Addison begins recording his score for Swashbuckler (1976)
April 19 - Dag Wiren died (1986)
April 19 - Ron Jones records his score for the Star Trek: The Next Generation episode "We'll Always Have Paris" (1988)
April 19 - Paul Baillargeon records his score for the Star Trek: Deep Space Nine episode “When It Rains…” (1999)
April 20 - Herschel Burke Gilbert born (1918)
April 20 - David Raksin begins recording his score for Kind Lady (1951)
April 20 - Richard LaSalle records his score for The New Adventures of Wonder Woman episode “The Man Who Could Not Die” (1979)
April 20 - Bruce Broughton begins recording his score for The Monster Squad (1987)
April 20 - Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “The Die Is Cast” (1995)
April 20 - Johnny Douglas died (2003)
April 20 - Bebe Barron died (2008)
April 21 - Mundell Lowe born (1922)
April 21 - John McCabe born (1939)
April 21 - Steve Dorff born (1949)
April 21 - Franz Waxman begins recording his score to The Story of Ruth (1960)
April 21 - Jerry Goldsmith begins recording his score to Wild Rovers (1971)
April 21 - Charles Fox begins recording his score for The New, Original Wonder Woman (1975)
April 21 - Eddie Sauter died (1981)
April 21 - David Bell records his score for the Star Trek: Deep Space Nine episode “Soldiers of the Empire” (1997)
April 21 - Velton Ray Bunch records his score for the Star Trek: Enterprise episode “The Council” (2004)
DID THEY MENTION THE MUSIC?
ALL THE OLD KNIVES - Rebekka Karijord, Jon Ekstrand
"Director Janus Metz doesn’t open the by-the-numbers script much further. In fact, he keeps a very tight rein on every scene. This does build in some thoughtful suspense, especially toward the end, but prosaic visuals, a portentous score (by Jon Ekstrand and Rebekka Karijord), and flashes of cheerfully gratuitous nudity all suggest the filmmakers were aiming to create streaming filler rather than big-screen prestige."
Elizabeth Weitzman, The Wrap
"Cinematographer Charlotte Bruus Christensen’s graceful camerawork captures the key encounter and the painful memories it stirs up with a somber gaze that fits the wintry atmosphere, letting the plotting do the work of building tension and modulating suspense. And the melancholy score by Jon Ekstrand and Rebekka Karijord shifts effectively into atonal sawing strings as disturbing truths surface in a twist that comes in the closing half-hour, drastically upping the stakes and shifting the perspective on everything we’ve learned up to that point."
David Rooney, The Hollywood Reporter
AMBULANCE - Lorne Balfe
"There’s no denying that 'Ambulance' is a dizzying assembly of footage that’s twice as impressive for being (mostly) in-camera, practical effects and stunts. The shotmaking can be breathtakingly audacious, and it comes in a delirious barrage, driven by Lorne Balfe’s pounding score. Drone cameras plunge down the sides of buildings, wheel through mazes of pillars at speed, and glide underneath leaping cars. Shots other filmmakers would linger on with pride, Bay gives one or two seconds before lining up five more. The excess is sinful, the storytelling is garbled, the effect is overpowering (especially in a theater). It made me laugh, half in mockery, half in elation."
Oli Welch, Polygon
"His action responds accordingly: As is the case with the films of Bay’s aesthetic soulmate and contemporary icon, Tony Scott, 'Ambulance' aches with a kind of coke-addled, luxury painterliness, cubist cuts (Why show a man walking through a door when you could show a man walking through a door from three wildly different angles and also show a close-up of Jake Gyllenhaal’s eyes?) and the subliminal speed of the images blurring into sumptuous bundles of color and motion, our brains just trying to keep up. Bay never settles on a coherent point of view besides that of the camera’s -- juxtaposing the absurd confines of the ambulance with the absurd sprawl of L.A., his characters beholden to the reality of what we see -- and, like in a Seijun Suzuki gangster flick, there is 'nothing,' a void, outside our view. This is how Danny can wield a large gun while hiding behind a thin yellow vest, how a man can survive a ruptured spleen and four hands deep in his guts, just as long as we don’t actually see the gaping maw in his torso any longer. How Lorne Balfe’s score goes apocalyptic. How Bay’s unacceptable needledrops work despite not working whatsoever."
Dom Sinacola, Paste Magazine
"One sequence involving helicopters and the ambulance dashing through water on the LA River in slow-motion feels uniquely exhilarating and grand as it’s crafted with the brute impetus of 'Mad Max: Fury Road' set piece. Sonically though, one could almost bet that the instruction composer Lorne Balfe received from Bay for the score of 'Ambulance' was to copy the marching band sounds pertinent to a Marines or Army recruiting commercial."
Carlos Aguilar, IndieWire
"'Ambulance' requires some patience, because its opening scenes are rough. We first meet Will Sharp (Yahya Abdul-Mateen II), a veteran of the war in Afghanistan, on the phone, pleading for help from a heartless insurance company so his wife can get an experimental medical treatment. 'This is real life, ok? This is real life,' he pleads, as their baby cries and the strings swell and Bay’s camera caresses Will’s war medals, and yes, he’s laying it on a little thick. (That score swells patriotically again a couple of scenes later, when he talks about serving his country, a pure corn reminder that Bay did, in fact, direct '13 Hours.')"
Jason Bailey, The Playlist
NITRAM - Jed Kurzel
"But 'Nitram,' while ostensibly similar to Kurzel’s staggeringly violent debut 'Snowtown' in also being based on notoriously grisly true events, is a far more mature and better modulated work. Instead of bullets and bodies, under the blood-rush swells of Jed Kurzel’s grave and glimmering score, and draped in Germain McMicking’s composed, careful handheld images, the focus is on the years, weeks and days before the tragedy."
Jessica Kiang, Variety
"A daydreamy heiress who lives with her menagerie of dogs and cats in a grand house reduced to Grey Gardens squalor, Helen has a theatrical past which informs her unconventional wardrobe choices and an enduring love for the comic operas of Gilbert and Sullivan, resulting in some wonderfully odd use of music. Those speedy patter songs from 'The Mikado' and 'The Pirates of Penzance' -- either played on the stereo or sung by Helen and Nitram in giddy moments of euphoria -- are deftly interwoven with the more unsettling tones of a score by the director’s brother, Jed Kurzel."
David Rooney, The Hollywood Reporter
UMMA - Roque Banos
"Like many Sam Raimi-produced films, there’s a staleness to the filmmaking with nothing particularly memorable as a sensory experience. Shim’s direction feels trapped somewhere in the late 2000s, a bit too digital and flat. None of the numerous jump scares land, and visually 'Umma' is bland and middling. The lighting is terrible, a combination of blacks, blues, and beiges intended to produce an eerie look, but the end result kind of just looks monotonous and dull. The music -- a constant screech of sharp, harsh strings -- is overplayed in an attempt to raise the intensity."
Jenny Nulf, The Austin Chronicle
THE NEXT TEN DAYS IN L.A.
Screenings of older films in Los Angeles-area theaters.
April 15
THE ADVENTURES OF ROBIN HOOD (Erich Wolfgang Korngold), CAPTAIN BLOOD (Erich Wolfgang Korngold) [New Beverly]
THE ARGYLE SECRETS (Ralph Stanley) [Hollywood Legion]
THE BIG LEBOWSKI (Carter Burwell) [Landmark Westwood]
BLACKHAT (Harry Gregson-Williams) [Alamo Drafthouse]
BLADE RUNNER (Vangelis) [Landmark Westwood]
THE COTTON CLUB (John Barry) [Los Feliz 3]
A FIELD IN ENGLAND (Jim Williams) [BrainDead Studios]
FRIDAY [Landmark Westwood]
KILL BILL: VOL. 1 (RZA) [New Beverly]
THE KING OF COMEDY (Robbie Robertson) [Los Feliz 3]
MY NEIGHBOR TORORO (Joe Hisaishi) [Aacademy Museum]
PHANTOM THREAD (Jonny Greenwood) [BrainDead Studios]
QUADROPHENIA [Los Feliz 3]
RASHOMON (Fumio Hayasaka) [Los Feliz 3]
SAN FRANCISCO (Herbert Stothart), HOLD YOUR MAN [UCLA/Hammer]
THE SPY WHO LOVED ME (Marvin Hamlisch) [New Beverly]
THRONE OF BLOOD (Masaru Sato) [Aero]
TRY AND GET ME (Hugo Friedhofer) [Hollywood Legion]
April 16
THE ACCUSED (Victor Young) [Hollywood Legion]
BLADE RUNNER (Vangelis) [Landmark Westwood]
CAGED (Max Steiner) [Hollywood Legion]
CHEECH & CHONG'S NEXT MOVIE (Mark Davis) [Landmark Westwood]
DELICATESSEN (Carlos D'Alessio) [BrainDead Studios]
THE FAN (Hans Zimmer) [Los Feliz 3]
THE FIREMEN'S BALL (Karel Mares) [BrainDead Studios]
THE FLOWER OF MY SECRET (Alberto Iglesias) [Academy Museum]
FRENZY (Ron Goodwin) [Los Feliz 3]
JESUS CHRIST SUPERSTAR (Andrew Lloyd Webber, Andre Previn, Herbert Spencer) [Alamo Drafthouse]
LIVE FLESH (Alberto Iglesias), KIKA [Academy Museum]
MAD MAX (Brian May), THE ROAD WARRIOR (Brian May), MAD MAX BEYOND THUNDERDOME (Maurice Jarre), MAD MAX: FURY ROAD (Tom Holkenborg) [New Beverly]
MIDSOMMAR (Bobby Krlic) [Alamo Drafthouse]
MYSTERIOUS OBJECT AT NOON, MEKONG HOTEL (Chai Bhatana) [Los Feliz 3]
NEW YORK, NEW YORK (Ralph Burns) [Aero]
PAN'S LABYRINTH (Javier Navarette) [BrainDead Studios]
PINK FLOYD: THE WALL (Roger Waters, Michael Kamen) [Landmark Westwood]
THE PROWLER (Lyn Murray) [Hollywood Legion]
SATURDAY NIGHT FEVER (David Shire) [Los Feliz 3]
THE SECRET WORLD OF ARRIETTY (Cecile Corbel) [Academy Museum]
SELENA (Dave Grusin) [Alamo Drafthouse]
2001: A SPACE ODYSSEY [Landmark Westwood]
April 17
AVENGERS: INFINITY WAR (Alan Silvestri) [Fine Arts]
THE BREAKING POINT [Hollywood Legion]
A CLOCKWORK ORANGE (Wendy Carlos) [Academy Museum]
THE COTTON CLUB (John Barry) [Los Feliz 3]
DAZED AND CONFUSED [Landmark Westwood]
DONNIE DARKO (Michael Andrews) [Aero]
HAROLD & KUMAR GO TO WHITE CASTLE (David Kitay) [Landmark Westwood]
HARVEY (Frank Skinner) [Los Feliz 3]
HUNGER (Leo Abrahams, David Holmes) [BrainDead Studios]
THE LAST TEMPTATION OF CHRIST (Peter Gabriel) [Alamo Drafthouse]
LITTLE DIETER NEEDS TO FLY [BrainDead Studios]
MAD MAX (Brian May), THE ROAD WARRIOR (Brian May), MAD MAX BEYOND THUNDERDOME (Maurice Jarre), MAD MAX: FURY ROAD (Tom Holkenborg) [New Beverly]
MIDSOMMAR (Bobby Krlic) [Alamo Drafthouse]
NO WAY OUT (Alfred Newman) [Hollywood Legion]
REAR WINDOW (Franz Waxman) [IPIC Westwood]
REEFER MADNESS [Landmark Westwood]
THE TEN COMMANDMENTS (Elmer Bernstein) [Alamo Drafthouse]
2001: A SPACE ODYSSEY [Landmark Westwood]
THE UNDERWORLD STORY (David Rose) [Hollywood Legion]
VAGABOND (Joanna Bruzdowicz) [BrainDead Studios]
THE VIKINGS (Mario Nascimbene) [Los Feliz 3]
VIVE L'AMOUR [Los Feliz 3]
WHEN LADIES MEET (Bronislau Kaper), SUSAN AND GOD (Herbert Stothart) [UCLA/Hammer]
April 18
BLACKHAT (Harry Gregson-Williams) [Alamo Drafthouse]
CHEECH & CHONG'S NEXT MOVIE (Mark Davis) [Landmark Westwood]
THE FOG (John Carpenter) [Los Feliz 3]
FRENZY (Ron Goodwin) [Los Feliz 3]
FRIDAY [Landmark Westwood]
JESUS CHRIST SUPERSTAR (Andrew Lloyd Webber, Andre Previn, Herbert Spencer) [Alamo Drafthouse]
MIDSOMMAR (Bobby Krlic) [Alamo Drafthouse]
POLICE STORY (Siu-Tin Lai), POLICE STORY 2 (Siu-Tin Lai, Siu-Tam Lang) [New Beverly]
2001: A SPACE ODYSSEY [Alamo Drafthouse]
THE WITCH (Mark Korven) [Alamo Drafthouse]
April 19
THE BIG LEBOWSKI (Carter Burwell) [Landmark Westwood]
BLISSFULLY YOURS [Los Feliz 3]
FLASHDANCE (Giorgio Moroder) [Los Feliz 3]
MANDY (Johann Johannsson) [Alamo Drafthouse]
MIDNIGHT COWBOY (John Barry) [Academy Museum]
REEFER MADNESS [Landmark Westwood]
SPEED (Mark Mancina), UNSTOPPABLE (Harry Gregson-Williams) [New Beverly]
2001: A SPACE ODYSSEY [Alamo Drafthouse]
April 20
THE COLOR OF POMEGRANATES (Tigran Mansuryan) [BrainDead Studios]
FOREVER A WOMAN (Takanobu Saito), THE MOON HAS RISEN (Takanobu Saito) [Academy Museum]
HAROLD & KUMAR GO TO WHITE CASTLE (David Kitay) [Landmark Westwood]
I LIVE IN FEAR [Los Feliz 3]
THE LAST TEMPTATION OF CHRIST (Peter Gabriel) [Alamo Drafthouse]
MANDY (Johann Johannsson) [Alamo Drafthouse]
MO BETTER BLUES (Terence Blanchard) [Los Feliz 3]
REAR WINDOW (Franz Waxman) [IPIC Westwood]
THE SECRET LIFE OF PLANTS (Stevie Wonder) [Alamo Drafthouse]
SPEED (Mark Mancina), UNSTOPPABLE (Harry Gregson-Williams) [New Beverly]
2001: A SPACE ODYSSEY [Alamo Drafthouse]
2001: A SPACE ODYSSEY [Landmark Westwood]
April 21
DAZED AND CONFUSED [Landmark Westwood]
GODZILLA (Akira Ifukube) [Los Feliz 3]
PINK FLOYD: THE WALL (Roger Waters, Michael Kamen) [Landmark Westwood]
PRESUMED INNOCENT (John Williams), THE PELICAN BRIEF (James Horner) [Aero]
SPEED (Mark Mancina), UNSTOPPABLE (Harry Gregson-Williams) [New Beverly]
SYNDROMES AND A CENTURY (Kantee Anantagant) [Los Feliz 3]
April 22
ALL THE PRESIDENT'S MEN (David Shire), THE PARALLAX VIEW (Michael Small) [Aero]
COLLATERAL (James Newton Howard) [Alamo Drafthouse]
DUNE (Toto) [Landmark Westwood]
THE HIDDEN FORTRESS (Masaru Sato) [New Beverly]
KILL BILL: VOL. 1 (RZA) [New Beverly]
THE KING OF COMEDY (Robbie Robertson) [Los Feliz 3]
PURPLE RAIN (Prince, Michel Colombier) [Los Feliz 3]
RASHOMON (Fumio Hayasaka) [Los Feliz 3]
SKYFALL (Thomas Newman) [New Beverly]
WHO FRAMED ROGER RABBIT (Alan Silvestri) [Nuart]
WISHMASTER (Harry Manfredini) [Los Feliz 3]
April 23
AKIRA (Yamashiro Shoji) [New Beverly]
BEN (Walter Scharf) [Los Feliz 3]
BLOOD DINER (Don Preston) [BrainDead Studios]
DUNE (Toto) [Landmark Westwood]
EATING RAOUL (Arlon Ober) [BrainDead Studios]
FROM UP ON POPPY HILL (Satoshi Takebe) [Academy Museum]
THE FUGITIVE (James Newton Howard) [New Beverly]
GENTLEMEN PREFER BLONDES (Jule Styne, Lionel Newman) [UCLA/Hammer]
GHIDORAH, THE THRE-HEADED MONSTER (Akira Ifukube) [Los Feliz 3]
THE HIDDEN FORTRESS (Masaru Sato) [New Beverly]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [Alamo Drafthouse]
THE KING OF COMEDY (Robbie Robertson) [Los Feliz 3]
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Nuart]
TAMPOPO (Kunihiko Murai) [BrainDead Studios]
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES [Los Feliz 3]
VERTIGO (Bernard Herrmann) [Alamo Drafthouse]
April 24
BABETTE'S FEAST (Per Norgard) [BrainDead Studios]
FIDDLER ON THE ROOF (Jerry Bock, John Williams) [Academy Museum]
THE FUGITIVE (James Newton Howard) [New Beverly]
THE HIDDEN FORTRESS (Masaru Sato) [New Beverly]
JAMES AND THE GIANT PEACH (Randy Newman) [BrainDead Studios]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [Alamo Drafthouse]
LENNY (Ralph Burns) [Los Feliz 3]
QUADROPHENIA [Los Feliz 3]
RAIDERS OF THE LOST ARK (John Williams) [Fine Arts]
THE TRIP [BrainDead Studios]
TROPICAL MALADY, UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES [Aero]
VERTIGO (Bernard Herrmann) [Alamo Drafthouse]
VIVE L'AMOUR [Los Feliz 3]
ZOTZ! (Bernard Green) [Los Feliz 3]
THINGS I'VE HEARD, READ, SEEN OR WATCHED LATELY
Heard: A Wrinkle in Time (Djawadi); Rich in Love (Delerue); Mudbound (Tamar-kali); Wolf (Morricone); One Night in Miami... (Blanchard, various); Futureworld (Karlin); The Caveman's Valentine (Blanchard); As Good As It Gets (Zimmer); Coma (Goldsmith); Bed and Breakfast (Shire); Sphere (Goldenthal); The Cutting Edge (P. Williams)
Read: Blood and Rubles, by Stuart M. Kaminsky
Seen: Castle in the Sky; The Cat Returns; All the Old Knives; Ambulance [2022]; Memoria; Tummy Trouble [1989]; Hard Boiled; Mothering Sunday; Planet of the Apes [1968]
Watched: Star Trek ("The Omega Glory"); Archer ("Deadly Velvet Part 1," "Deadly Velvet Part 2"); Manhattan ("Brooklyn," "Jupiter"); The Shuttered Room; Veep ("Midterms")
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