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The June edition of FSM ONLINE is now live! This month’s cover story is the first part of Erik Heine’s Top 10 Film Music Clichés, featuring the DIES IRAE, BRAAAM and more. Also in this issue are an interview with LESLEY BARBER about her score to LATE NIGHT, starring Emma Thompson and Mindy Kaling; KRIS BOWERS discusses the intersection of horror and reality for WHEN THEY SEE US; EMILE MOSSERI makes his feature debut with THE LAST BLACK MAN IN SAN FRANCISCO; MATTHEW MARGESON and BEN FOSTER tackle the massive ELTON JOHN musical ROCKETMAN; HARRY GREGSON-WILLIAMS and RUPERT GREGSON-WILLIAMS join forces on Hulu's CATCH-22; BRIAN TYLER is back on the ranch for the second season of YELLOWSTONE; reflections on MIKLÓS RÓZSA’s score to THE MACOMBER AFFAIR; lots of album reviews, including DARK PHOENIX, CHILD’S PLAY, ALADDIN and SHAZAM!; more embedded audio clips, and more. Enjoy!

Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.

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Your Friends at FSM ONLINE

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Film Score Monthly Online
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Today in Film Score History:
June 2
Alex North begins recording his score to Les Miserables (1952)
Bill Conti begins recording his score for Cohen & Tate (1988)
David Dundas born (1945)
Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Duet” (1993)
Frederic Devreese born (1929)
Marvin Hamlisch born (1944)
Patrick Williams begins recording his replacement score for Used Cars (1980)
Recording sessions begin for Danny Elfman’s score to Big Top Pee-Wee (1988)
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