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Happy New Year! The January edition of FSM ONLINE is now live. The first issue of 2019 features our annual YEAR IN REVIEW coverage, including contributions from Jon & Al Kaplan, Kyle Renick, Cary Wong and Sean Wilson. Also in this issue, WEST DYLAN THORDSON breaks down the music to M. Night Shyamalan’s GLASS, including how he uses JAMES NEWTON HOWARD'S UNBREAKABLE score; SEGUN AKINOLA takes up the musical mantle on DOCTORWHO; a new COUNTERPOINT debates whether context is king in film music criticism; GOLD RUSH brings us all the way back to 1908 with CAMILLE SAINT-SAËNS and L’ASSASSINAT DU DUC DE GUISE; a preview of the film music panels of SUNDANCE; lots of album reviews, including WELCOME TO MARWEN, SPIDER-MAN: INTO THE SPIDER-VERSE and AQUAMAN; more embedded audio clips, and more.

Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.

Happy Holidays from all of us at FSMO!

Sincerely,

Your Friends at FSM ONLINE

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Film Score Monthly Online
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Today in Film Score History:
April 16
Alex North begins recording his score for Cheyenne Autumn (1964)
Basil Poledouris begins recording his score to Quigley Down Under (1990)
Charles Chaplin born (1889)
Chaz Jankel born (1952)
David Raksin records his score for Pat and Mike (1952)
Henry Mancini born (1924)
Jay Chattaway records his score for the Star Trek: The Next Generation episode “Frame of Mind” (1993)
Jerry Goldsmith begins recording his score for The Detective (1968)
Perry Botkin Jr. born (1933)
Warren Barker born (1923)
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