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A Man Called Adam (1966)
Music by Benny Carter
A Man Called Adam A Man Called Adam
Click to enlarge images.
Price: $2.95
Limited #: N/A
View CD Page at SAE Store
Line: Retrograde
CD Release: June 2007
Catalog #: Retrograde
FSM-80126-2
# of Discs: 1

FSM revives the "Retrograde Records" label for its first new release since 1998: A Man Called Adam, a classic jazz album as well as movie soundtrack.

A Man Called Adam (1966) was an independent production starring Sammy Davis Jr. as a troubled jazz trumpet player, costarring Cicely Tyson, Ossie Davis and ratpacker Peter Lawford. Louis Armstrong and Mel Torme appear in the film and on the soundtrack album—as does the famously versatile Davis.

Adam was notable for its prominence of African Americans both in front of and behind the camera (it was produced by Ike Jones, an associate of Nat "King" Cole). The film's composer was Benny Carter (1907-2003), who may be little-known to soundtrack collectors, but was a hugely respected jazz artist as well as a pioneering figure for African Americans—in fact, the first black composer to receive screen credit for an original score for television (on M Squad). Carter worked on numerous classic musicals of the 1940s and '50s and became, on A Man Called Adam, one of only a small number of African Americans to score a motion picture.

The musical requirements of A Man Called Adam called almost entirely for jazz source music, particularly that for the lead character's band (the reason we are issuing it on our Retrograde label). Carter composed and arranged a variety of small band numbers, taking care to achieve not only musical excellence but story appropriateness in reflecting the on-screen performers. ("Night Walk," track 10, is the only score cue on the CD.) The studio musicians include Nat Adderley (who "ghosted" Davis's trumpet performances), Bill Berry, Kai Winding, Tyree Glenn, Junior Mance, Billy Kyle, Buster Bailey, Danny Barcelona and Jo Jones. Original lyrics are by Al Stillman.

Unavailable since the Reprise Records LP in 1966, A Man Called Adam is a jazz classic soundtrack with historical significance, and has been remixed here from the three and four-track master tapes for excellent stereo sound. Liner notes are by Jon Burlingame, documenting the film, Carter's importance, and the various selections.

Benny Carter Scores on FSM
About the Composer

Jazz great Benny Carter (1907-2003) was a saxophonist, bandleader, songwriter, composer, arranger and much more during his distinguished life. After working on Hollywood musicals in the 1940s and '50s, he became the first African-American composer to receive screen credit for an original score for television (on M Squad), and was also essential in helping Quincy Jones establish a film and television career. FSM proudly released his 1966 jazz score, A Man Called AdamIMDB

Comments (7):Log in or register to post your own comments
This sounds really upbeat and interesting. Why is it still available on this site and SAE at such a low, low price for such a gem?

Considering the historic nature and participants making the music here, I'd have thought it would have long since gone OP.

Ms. Birri and I attempted to watch this seemingly endless turkey last night. We got about an hour into it and there was still an hour or so left.

For all of Sammy Davis's immense talents, acting was not among them.

During Sammy's many moments of hamming it up, I felt like I was watching an SCTV skit. I can imagine Sammy as a guest on the Sammy Maudlin show, and showing clips from his new film.

Stick to the CD.

Well, fair enough. You can generally catch the rat pack on YT, where you can see them all taking turns to 'roast' one another in front of an appreciative audience from back then, some.

By the way, if I watch a film from a particular time, place and frame of mind, I will try to synchronize gears and match the same speed, flow or whatever it takes to get in the groove of the thing.

By the way, if I watch a film from a particular time, place and frame of mind, I will try to synchronize gears and match the same speed, flow or whatever it takes to get in the groove of the thing.[/endquote]

Have you seen this film, and if so, what did you think of it?

Haven't seen it yet. There's teasers galore on YT but the film itself seems only to be payware and I don't do Netflix et al. I really wouldn't mind seeing it at all, even though the ending flashed by in the sequence queue. Why show the end as a teaser, but not the film?

Haven't seen it yet. There's teasers galore on YT but the film itself seems only to be payware and I don't do Netflix et al. I really wouldn't mind seeing it at all, even though the ending flashed by in the sequence queue. Why show the end as a teaser, but not the film?[/endquote]

The film was on TCM recently, but I don't think Arthur Grant gave us a heads up.

Ms. Birri and I attempted to watch this seemingly endless turkey last night. We got about an hour into it and there was still an hour or so left.

For all of Sammy Davis's immense talents, acting was not among them.

During Sammy's many moments of hamming it up, I felt like I was watching an SCTV skit. I can imagine Sammy as a guest on the Sammy Maudlin show, and showing clips from his new film.

Stick to the CD.[/endquote]

He was in an episode of "I Dream Of Jeannie" playing himself. Looked like an infomercial for his "I'm too hip for the room" act.

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