What really endears me to it is how it ties political correctness to the MPAA, which serves as only a slight improvement over the Hayes Code, as well as the hypocritical behind-the-scenes shenanigans which allowed an unaltered NC-17 cut to be reduced to an R rating.
I could do without the Brian Boytano song, but the rest are a collective riot. Although the soundtrack is missing "Hell Isn't Good", which is another favorite.
