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Yeah that's a shame; I wonder why Intrada didn't include the alternate version as a bonus. Anyhow, I'm sure James would record any significant alternates as he always does!
This is now my #1 Goldsmith want, now that The Shadow was released complete this past year. In fact QB VII in complete form might end up being my favorite Goldsmith album, ever. Here's hoping it's next on the list of the Tadlow/Prometheus complete Goldsmith series...
Yavar
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So awesome to see the promise of this thread brought to fruition, exactly a year after my last post in it! Thanks to mckissid59 for starting the thread that eventually prompted the new recording, and thanks again to everyone at Tadlow and Prometheus.
Yavar
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Probably Fate Is the Hunter...though it's a totally different sort of Choir...
Other than that I think you're right...only solo vocal writing (ie. The Illustrated Man) before on his part.
So that makes this complete release even more important and monumental in my book...
Yavar
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I just wanted to make the point that there are perfectly valid discussions on the subject of the new release of Goldsmith's "QB-VII" and I can't understand why some members insist on starting new ones! My copy should be here tomorrow or Friday. Can't wait.
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However, "Jadwiga Relived" is much different from the one on the original album.
Has anyone ever detailed the differences of the two "Jadwiga Relived" cues? How different is "much different"? Which version of the cue did Tadlow go with, since they clearly don't list an "alternate"?
The original albums for both QBVII and Masada were on labels both currently owned by Universal Music Group. I wonder if Intrada could produce a reissue of both of these great original Goldsmith-conducted albums, on a single CD as they did with the UMG-owned two original Flint album recordings. If they do, I would hope that they could premiere the alternate "Jadwiga Relived" LP cue as a bonus, on CD!
Also, I have seen repeated a number of times that the QBVII album was, like Masada, a unique recording and not taken from the film recording. But the recording info on the album says it was done in Rome, the same place the film recording was done. Can anyone confirm whether or not the QBVII album matches the film recording, or whether it was its own unique thing like a number of other Goldsmith scores, from the Flints all the way to Masada in the 80s?
Yavar
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