Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Jan 4, 2025 - 10:53 AM   
 By:   Jim Phelps   (Member)



100th post!

 
 Posted:   Jan 4, 2025 - 5:29 PM   
 By:   Sir David of Gromit   (Member)

My Golden Age film viewing record is embarassing, to say the least. I had a peek at Mrs. Crawford's CV, and could find all but THREE titles I had seen. Obviously the "Eyes" episode from NIGHT GALLERY due to the Spielberg connection. I saw the classic WHAT EVER HAPPENED TO BABY JANE? years and years ago. And I've seen - and own - the 1925 silent film version of BEN HUR where she apparently has a cameo (I have that film as a bonus on the DVD of the 59 version).

I guess the last one was "Eyes", which I rewatched a few years ago. Not a film, but hey. Good stuff.


If you like film noir, A WOMAN'S FACE is good stuff, too.

 
 Posted:   Jan 5, 2025 - 4:37 AM   
 By:   Jim Phelps   (Member)

I seriously doubt our Thor is going to go "all eyebrows in" and explore Joan Crawford's filmography.

 
 
 Posted:   Jan 5, 2025 - 5:27 AM   
 By:   Thor   (Member)

I wouldn’t, no. With some exceptions, I tend to go for directors rather than actors.

 
 Posted:   Jan 7, 2025 - 6:57 PM   
 By:   Sir David of Gromit   (Member)

I wouldn’t, no. With some exceptions, I tend to go for directors rather than actors.

While not egg-zack-ly a Crawford film, THE WOMEN (1939) is directed by George Cukor, a very significant name.

But I don't expect this film would interest you at all, really, Thor. I don't think you could handle the subject matter or the period milieu (oh, I just love it when I speak French! smile )

 
 Posted:   Jan 7, 2025 - 6:58 PM   
 By:   Sir David of Gromit   (Member)

Which leaves me to try to think of a truly, TRULY Crawford film that Thor might actually enjoy.

Which is going to take a while....

 
 
 Posted:   Jan 8, 2025 - 12:31 AM   
 By:   Thor   (Member)

Oh, I can dig some Sirk-ian melodrama now and then, if that is one such example. George Cukor has always been one of those I've wanted to explore more. Speaking of women, didn't he also do the first-ever sound adaptation of LITTLE WOMEN?

As for other Crawfords, I've always been curious about JOHNNY GUITAR, mainly because I have colleagues who've raved about it.

 
 Posted:   Jan 11, 2025 - 4:00 PM   
 By:   Sir David of Gromit   (Member)



As for other Crawfords, I've always been curious about JOHNNY GUITAR, mainly because I have colleagues who've raved about it.


It's awfully good if you're ready for the type of film it is, which it sounds like you are. Mercedes McCambridge steals the show, for my money.

Report back here when you've seen it!

 
 
 Posted:   Jan 11, 2025 - 5:07 PM   
 By:   John Smith   (Member)

Just watched the Cohen Media Group release of David Miller’s Sudden Fear (1952) – a quantum improvement on the Kino DVD. This is one of my favourite Crawford films (as a fan, that benchmark is set ludicrously high).

It’s a crackerjack film noir with more than a touch of Hitchcock. Charles Lang's superlative shadowy lighting lingers in the memory – and his staircases (no one had ever shot stairs quite like Lang) and mirrors deserve a PhD thesis. The CMG release has a highly informative audio commentary by fellow aficionado Jeremy Arnold. Added to the mix is an early intense Elmer Bernstein score that, apart from one jazz track, has – criminally - yet to see an official release.

 
 Posted:   Jan 29, 2025 - 3:05 AM   
 By:   Jim Phelps   (Member)

There needs to be a Babs Stanwyck version of this thread, because FSM Man of the Year Jim Phelps has been watching a sh!tload of her films recently.

 
 Posted:   Jan 29, 2025 - 7:33 AM   
 By:   Solium   (Member)



100th post!


Love that turnstile design. Looks like a 1940's version of Star Treks transporter room.

 
 Posted:   Jan 30, 2025 - 2:34 PM   
 By:   Jim Phelps   (Member)

I think it's an art deco design (and a 1932 George Hurrell photograph).

 
 Posted:   Mar 13, 2025 - 1:18 AM   
 By:   Jim Phelps   (Member)

Last night I once again watched Mildred Pierce (1945).

So much to enjoy! Joan looked great, Ann Blyth was such a delicious and bitchy goddess, Zachary Scott was a delightful parasitic heel, and Jack Carson played a "lovable", self-serving, yet well-meaning scoundrel. Eve Arden was Eve Arden.

Loved the look of the film: the pier and its shops and restaurants, the L.A. suburbs, and the way everything was lit.

There's also the magnificent Max Steiner main title (orchestration by Hugo Friedhofer).

Warner Brothers was such a hard-assed studio. Everything about their productions emitted a toughness, so I can understand if there are effete classic movie mavens who can't handle or simply dislike their efforts.

8 out of 10.

 
 
 Posted:   Mar 13, 2025 - 7:18 AM   
 By:   eriknelson   (Member)

Last night I once again watched Mildred Pierce (1945).

MILDRED PIERCE was a critical film for Joan. She had been let go from MGM, her studio since the silent years, and her career was on the line. The role had been turned down by other actresses, notably Barbara Stanwyck, because none of them wanted to play a mother of a teenage daughter. Joan took the plunge. She even had to film a screen test, practically unheard of for a star of her stature. But the gamble paid off handsomely and it was Oscar time for her. She went on to make more great films at Warners such as HUMORESQUE, FLAMINGO ROAD and my guilty pleasure THE DAMNED DON'T CRY.

 
 Posted:   Mar 13, 2025 - 12:34 PM   
 By:   Jim Phelps   (Member)

Last night I once again watched Mildred Pierce (1945).

She went on to make more great films at Warners such as HUMORESQUE, FLAMINGO ROAD and my guilty pleasure THE DAMNED DON'T CRY.


In addition to the films you listed, I also have Possessed (1947) due for another visit.

 
 Posted:   Mar 17, 2025 - 2:16 AM   
 By:   Jim Phelps   (Member)

In my current film noir viewing, I have purposely spread out the films so that I don't watch too many films featuring the same lead actor or actress over a short period of time.

Joan Crawford (and Barbara Stanwyck) makes this a difficult task because I adore these actresses so much. They're practically genres unto themselves (John Wayne is the only male performer who fits in this category).

 
 Posted:   Mar 17, 2025 - 6:19 AM   
 By:   Ron Pulliam   (Member)

Who?

She's not a favorite, but I admire her work in "Whatever Happened to Baby Jane?".

The last film I saw she was in was "The Women", MGM-1939.

 
 Posted:   Mar 18, 2025 - 3:11 AM   
 By:   Jim Phelps   (Member)

I'm stunned that Ensign Pulliam, Esq., has never heard of Joan Crawford.

This week, I think I will watch Female on the Beach (1955), which co-stars noted crossdresser and JFK-era fatality Jeff Chandler alongside The Crawford.

 
 Posted:   Mar 21, 2025 - 2:16 AM   
 By:   Jim Phelps   (Member)

Who?

She's not a favorite, but I admire her work in "Whatever Happened to Baby Jane?".

The last film I saw she was in was "The Women", MGM-1939.


Who among Crawford's contemporaries do you prefer?

 
You must log in or register to post.
  Go to page:    
© 2025 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.