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Humor was intended. The part about "excruciatingly pointless" describes so much of what is posted in these forums that your son and his friends would fit right in. (As for "unfunny," apparently that suits my comments as well.)
Now I get it, and that's not only funny, it's true.
Really, there was nothing profound or antagonistic in my intentions. In the end, everything is the fault of our parents, at least that is what the voices in my head keep telling me.
No problem at all. I guess I just took it the wrong way. (What's funny was that I started thinking, "I don't remember ever having any arguments with estgrey...or did I?" "No, you didn't," the other voices said...)
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Any chance of FSM expanding Morricone's "Great Silence" (aka Grande Silenzio, 1968)?
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just got it and am really enjoying it!
has anyone else noticed the na- va - ho -jo
refrain is quite similar to the a- bol- e- co from BURN/QUEIAMADA?
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To Bruce Marshall - I think you'll find that the voices in BURN/QUEIAMADA are in fact singing
a - pon - his - soul - a - pon - his - soul
nope
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Come on Bruce - do you know for sure that abolicao isn't Portuguse for Upon His Soul?
I believe abolicao means "abolition."
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The main title is one of the most propulsive and enjoyable of Morricone's career.
I think of the praise a certain big-name film composer gets, and he simply didn't/doesn't have the audacious creativity of Morricone at his best.
We mustn't forget that Morricone was given more or less artistic carte-blanche during that period. This is not something many other composers have enjoyed at any time during their careers.
Actually, director Pontecervo originally wanted to use a pre-existing piece of music for that scene. Ennio talked him out of it!
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