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 Posted:   Apr 13, 2001 - 4:41 AM   
 By:   Howard L   (Member)

First, a moment of tribute to England's Harry Secombe, who just passed away. To many folks he's Oliver's Mr. Bumble singing Boy For Sale, but for me the first thing that comes to mind is his Pickwick singing If I Ruled The World. Tony Bennett did a nice recording of World but Mr. Secombe's was heartfelt and moving beyond all words. Good night, sweet prince.

Attn: Mr. Dickinson

I expect to be journeying to the fair colony of New Jersey around 5/18 and should be there for a little more than a week. Surely our much talked about and least seen first carbon-based encounter should be arranged, for we have a week...a whole week. The entire Earth was created in a week! And it would be truly ironic if I should come all the way back down here to the Dimpled Chad State and finally sit down to that much fabled steak with Logied's name on it while yet having met my fellow Pro from Dover.

What say ye, Friend Klingon, will it be done then?!!!!!!!

 
 
 Posted:   Apr 13, 2001 - 6:38 AM   
 By:   Chris Kinsinger   (Member)

Your timing, Howard...is amazing.
Simply amazing.
My daughter, who now resides in the fair state of Tennessee, and who I have not seen in two years, will be visiting Bonita & I during that very week!
However, because she will also be making the "Little Old Lady Tour" of her other living relatives, there certainly must be a window of opportunity for me to finally, in person, heave that beloved lemon meringue pie right smack into your living, breathing kisser.

NYUK, NYUK, NYUK!!!

http://www.filmscoremonthly.com/board/biggrin.gif">

 
 
 Posted:   Apr 13, 2001 - 7:14 AM   
 By:   Chris Kinsinger   (Member)

Oh, and by the way...

I portrayed "Mr. Bumble" in the Halifax High School Spring Musical production of "OLIVER!", May of 1970.

Harry was a hero of mine.
He was especially wonderful in those wild British comedy outings featuring Peter Sellers and Alec Guinness...

 
 
 Posted:   Apr 14, 2001 - 8:41 AM   
 By:   Howard L   (Member)

Ah, you have reminded me of a Nipsey Rusell original and how appropriate in light of the recent airing of The Ten Commandments:

You must not covet with thy neighbor,
You must not slaughter.
Thank goodness He didn't say,
You must not covet with thy neighbor's daughter...

Mr. K, by all means make sure you catch 60 Minutes tomorrow night. They're interviewing Mel Brooks on the heels of what appears to be a huge hit on his hands. Now isn't that TRULY ironic considering it's a play about the makings of a Broadway flop!

 
 
 Posted:   Apr 14, 2001 - 9:06 AM   
 By:   Timmer   (Member)

Good of you to mention 'Sir Harry' there HL, He was of coarse an original member of The Goons along with Spike Milligan, Peter Sellers and the 'some times' Michael Bentine, Nutters one and all http://www.filmscoremonthly.com/board/smile.gif">...Spike is now the only surviving member, so much stuff including Monty Python's Flying Circus just wouldn't exist without The Goons, Robin Williams is so familiar with The Goons he can do there sketches from memory http://www.filmscoremonthly.com/board/smile.gif">

R.I.P. Sir Harry

 
 
 Posted:   Apr 14, 2001 - 9:09 AM   
 By:   Chris Kinsinger   (Member)

http://albums.photopoint.com/j/View?u=1050478&a=7760084&p=33910788">

LEO: Is it time to blow up the theatre?
MAX: Yep! It's time to blow up the theatre!

There was an article in last week's Philadelphia Inquirer about the Broadway musical production of The Producers, starring Nathan Lane and Matthew Broderick.
The show cost $10 million to mount, and prior to opening had $12 million in advance ticket sales!
I'm not surprised...I'd love to be there myself to see an actual Broadway presentation of "Springtime For Hitler"!

http://www.filmscoremonthly.com/board/biggrin.gif">

[This message has been edited by Chris Kinsinger (edited 14 April 2001).]

 
 
 Posted:   Apr 13, 2001 - 11:45 PM   
 By:   Howard L   (Member)

...you mean Springtime for You-Know-Who?

I just read in the lastest New York Magazine that the show includes a chorus line of "little old ladies" and that Brooks originally wanted the show to open like the movie (Max's office) but instead it opens with a huge number that celebrates Max's latest flop. Man, I laugh just reading and thinking about all this!

 
 
 Posted:   Apr 15, 2001 - 5:32 AM   
 By:   Chris Kinsinger   (Member)

After watching the 60Minutes piece on Mel Brooks tonight, Bonita & I have decided...WE GOTTA SEE THIS SHOW!!!

But with $12 million in advance ticket sales, how long will we have to wait? Will we be able to get in anytime this year? Or, (even worse), by the time we DO get in, will Nathan Lane & Matthew Broderick have been replaced by Kelsey Grammer & Ray Romano? (shudder..)

 
 
 Posted:   Apr 16, 2001 - 8:22 AM   
 By:   Howard L   (Member)

LOL. Broderick looks like a winner in the Wilder role, as does Lane. Brooks is just as nuts as ever. Hard to believe we'd ever see the campfire scene from Blazing Saddles on 60 Minutes!

Oh...one of the gals in the office just mentioned we hadn't gotten a check from some client. Which means I automatically launched into Zero and let 'em all know that we can't produce plays without the checkie!
(happens all the time)

 
 
 Posted:   Apr 15, 2001 - 11:23 PM   
 By:   Howard L   (Member)

BTW, have you ever seen The Longest Day?

 
 
 Posted:   Apr 16, 2001 - 12:52 AM   
 By:   Chris Kinsinger   (Member)

I've seen slices of it at different times, but I've never watched it all the way through.

 
 
 Posted:   Apr 16, 2001 - 2:31 AM   
 By:   Howard L   (Member)

I was thinking of it because of something Ron P. said about not liking Ray Walston's performance as Billis in South Pacific. The scene of Billis in the rubber raft getting shot at by the Japs reminded me of Red Buttons hanging from his parachute in Longest Day. I didn't like the casting of Buttons, possibly for the same reason I didn't like that Billis scene.

 
 
 Posted:   Apr 16, 2001 - 7:22 AM   
 By:   Chris Kinsinger   (Member)

Perhaps we should start a brand new thread about RED BUTTONS AND RAY WALSTON!!!

WE LOVE THEM AND WE HATE THEM...ALL AT ONCE!!!

 
 
 Posted:   Apr 17, 2001 - 4:06 AM   
 By:   Howard L   (Member)

Well put; sort of reminds you of everybody's favorite punching bag composer. Anyway, when I think of Buttons on screen I like to think of Five Weeks In A Balloon. Saw that one in the movies when I was a kid and loved it. Always remember Buttons climbing the tree to get a coconut and Sir Cedric telling him to stay there when the hostile natives (?) arrived.

 
 
 Posted:   Apr 17, 2001 - 1:09 AM   
 By:   Howard L   (Member)

Moving right along--I see someone has posted about the Morricone score to The Thing. Now I know you have seen the remake and I have seen just parts, but can either the film or score actually compare to the original? NO WAY. NEVER!

 
 
 Posted:   Apr 17, 2001 - 1:14 AM   
 By:   Chris Kinsinger   (Member)

I believe that both versions of The Thing are masterpieces, and comparisons are pretty much fruitless.
Carpenter's film is so totally different from the original, and it is perhaps the very best film he's ever made.
Morricone's score chills me right to the very bone! (So does Tiomkin's!)

 
 
 Posted:   Apr 19, 2001 - 9:22 AM   
 By:   Howard L   (Member)

Ah, that reminds me of recent threads comparing Goldsmith's Rudy to Goldsmith's Hoosiers. Decided to finally see the former for myself. Nice theme, best placement was the scene when the security guard allows the title character to pass through in the early a.m. Gotta admit, though, the Hoosier theme's the real keeper.

 
 
 Posted:   Apr 20, 2001 - 8:02 AM   
 By:   Howard L   (Member)

MR. BLOOM, THE TIMES' THEATRE CRITIC GIVES US A SUPER REVIEW!

http://www.nytimes.com/2001/04/20/arts/20PROD.html" TARGET=_blank>http://www.nytimes.com/2001/04/20/arts/20PROD.html


[This message has been edited by Howard L (edited 20 April 2001).]

 
 
 Posted:   Apr 20, 2001 - 12:17 AM   
 By:   Chris Kinsinger   (Member)

Bialy, I GOTTA SEE this play!

 
 
 Posted:   Apr 20, 2001 - 1:31 AM   
 By:   Howard L   (Member)

My juices are definitely flowing. Could you imagine if one night they put a spotlight on someone standing at the back of the theatre and it was Gene Wilder? I MUST CALL IN A MARKER SOMEWHERE & GET ME A TICKET FOR NEXT MONTH!

 
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