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The Oscar nominations for best score are: The Wild Robot (Kris Bowers) Wicked (John Powell & Stephen Schwartz) Emilia Pérez (Clément Ducol & Camille) The Brutalist (Daniel Blumberg) Conclave (Volker Bertelmann)
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Complaints from Challengers fans incoming... The Academy will pull a There Will be Blood move at the last minute with Powell and sub in Reznor/Ross who will win.
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Posted: |
Jan 23, 2025 - 6:36 AM
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By: |
Thor
(Member)
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Complaints from Challengers fans incoming... It's coming right there. When I -- for once in a blue moon -- agree with 'general consensus' about CHALLENGERS being the best of the year, it's overlooked, of course. Shame. I find those score nominees excruciatingly boring and/or irritating. There are some good bits and bobs in THE WILD ROBOT, but the rest.....nope! I just don't see what people see in Bertelmann. I can like a good textural score once in a while, but he just keeps churning out anonymous drones time and time again, and people seem to LOVE it. Baffling. Same is true for THE BRUTALIST. EMILIE PEREZ and THE WICKED are just empty pap to my ears. And they're musicals, so they have no business being in this category. THE WILD ROBOT is mostly boring, but as a I said, has a couple of good moments. On the plus side, there are two nominations for Norway in other categories -- one for the script for THE BRUTALIST, the other for the documentary NO OTHER LAND.
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Same again, yawn, move along nothing to see here.
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EMILIE PEREZ and THE WICKED are just empty pap to my ears. And they're musicals, so they have no business being in this category. I do wonder why Wicked in particular is here. I wonder that too. I didn’t think Wicked would be eligible since the music is primarily derived from the Broadway musical.
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Hoping for Powell.
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