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Posted: |
Apr 19, 2024 - 12:31 AM
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By: |
Thor
(Member)
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My issue is that many see grain as a problem, as merely an artifact of older technology that needs to be removed. But the thing is, it's also very much an integral part of the aesthetic - it has consequences for how the light emanates through the screen, it has consequences for how TANGIBLE the world on-screen feels and so on. It's not that I think digital filmmaking is bad. In the right hands, like a Michael Mann, or when it's a deliberate indie aesthetic (like Sean Baker's TANGERINE, shot on cell phone cameras), that can be very beautiful too. But nothing can beat old analogue film stock. I know it's too cumbersome to shoot films like that these days, but at LEAST let us have the old films preserved the way they are. If you're going to restore and remaster them (which is fine), then at least do so based on the original conception. That's why I think my 2003 DVD restorations are perfect -- remastered, yes, but keeping the old aesthetic. I haven't even "upgraded" to the Blu-rays for that reason. But just for curiousity's sake, I AM going to see this new 4K version.
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Posted: |
Apr 19, 2024 - 1:53 AM
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By: |
Ny
(Member)
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I've never even noted 'excessive' grain in Aliens. The film has a rich atmosphere and the grain is part of that. The only time grain becomes bothersome to me is when it's actually 16 mm or it's a very poor effort at a night shoot. Grain, as a by-product of a chemical reaction, has a natural shape to it, and it directly corresponds to the measure of light in a shot, it changes with changes in that light, and the change is smooth. Digital interference, on the other hand, is not natural, and does not correspond directly with anything in the film, it is added on top, and looks FAR worse when its noticeable.
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Posted: |
Apr 19, 2024 - 3:19 AM
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By: |
Thor
(Member)
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I've never even noted 'excessive' grain in Aliens. The film has a rich atmosphere and the grain is part of that. The only time grain becomes bothersome to me is when it's actually 16 mm or it's a very poor effort at a night shoot. Grain, as a by-product of a chemical reaction, has a natural shape to it, and it directly corresponds to the measure of light in a shot, it changes with changes in that light, and the change is smooth. Digital interference, on the other hand, is not natural, and does not correspond directly with anything in the film, it is added on top, and looks FAR worse when its noticeable. Well said, totally agreed!
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